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All I Have To Do Is Dream
Harmonic Analysis (RMA) Worksheet for the song: All I Have To Do Is Dream.
All I Have To Do Is Dream
All I Have To Do Is Dream is a song made famous by The Everly Brothers , written by Boudleaux Bryant of the husband-and-wife songwriting team Felice and Boudleaux Bryant, and published in 1958. The song is ranked No. 141 on the Rolling Stone magazine's list of The 500 Greatest Songs of All Time. The song is in AABA form.
The best-known version was recorded by the Everly Brothers at RCA Studio Nashville and released as a single in April 1958. It had been recorded by the Everly Brothers live in just two takes on March 6, 1958, and features Chet Atkins on guitar. It was the only single ever to be at No. 1 on all of the Billboard singles charts simultaneously, on June 2, 1958. It first reached No. 1 on the "Most played by Jockeys" and "Top 100" charts on May 19, 1958, and remained there for five and three weeks, respectively; with the August 1958 introduction of the Billboard Hot 100 chart, the song ended the year at No. 2. "All I Have to Do Is Dream" also hit No. 1 on the R&B chart as well as becoming the Everly Brothers' third chart topper on the country chart. The Everly Brothers briefly returned to the Hot 100 in 1961 with this song. (wikiwand) ·
All I Have To Do Is Dream is in the The Daily Ukulele
— 365 Songs for Better Living book.
Strum a different song every day with easy arrangements of 365 of your favorite songs in one big songbook! The Daily Ukulele features ukulele arrangements with melody, lyrics and uke chord grids and are in ukulele-friendly keys that are particularly suited for groups of one to one hundred to play and sing.
Chords
Theses and many other chords where covered in the Learn A Chord A Day series of lessons.
C Tuning Chords
Starting Melody Note and 1st Interval
INTERVALS: Root=note that begins a scale of the starting key; C is C, D is D, Am is a, Em is E, etc... m=minor; M=Major; P=Perfect; D=Diminished; A=Augmented. • ↑ is up/ascending; ↓ is down/descending;
Harmonic Analysis (HA)
A Harmonic Analysis (RMA/HA) and its worksheet are intended to show the function of the chords, the harmonic principles used, the keys and tonalities the song explores. And, can be used for scale selections and chord and scale substitutions.
A Harmonic Analysis Worksheet is NOT intended to be a leadsheet
and minimal roadmap information such repeats, fines, D.S., D.C., codas have been used in preparing the worksheets to somewhat mirror the leadsheet in the Daily Ukulele book..
Sections, Verse, Chorus, 1st, 2nd Ending, turnbacks …
The worksheets will show 1st, 2nd Ending, turnbacks, etc. as in indicated the Yellow Book
. You should start to recognize that 1st endings typically always return to a previous or verse or section. With a 2nd ending, a transition to a different section, a or chorus. Harmonic Principles are used for these repeats and transitions.
If turnbacks chord are not indication for the these 1st, 2nd Ending will indicate recommended chord(s) in parentheses or as an alternate harmony in Red . Typically the last measures or turnbacks will be a chord that resolves to and harmonically leads you to the next section or turning you back to the same section.
Reference Key
This is the key of the source leadsheet.
- All I Have To Do Is Dream is in 4/4, Common Time and the Key of C . Original: Key of E, Tempo: 96 bpm
Harmonic Principles Used:
- Full Diatonic
- Partial Diatonic • Full Diatonic includes Secondary Dominant chords
Harmonic Analysis (HA) Worksheet
Visit the Harmonic Analysis for Scale and Chord Selection series of lessons for information on creating a Harmonic Analysis Worksheet
I7
( V of IV)
C Mix+4
I7
( V of IV)
C Mix+4
D Mix+4
II7
( V of V)
Nashville Number System (NNS)
Nashville Numbering System always uses four bars/measures per line, no bar lines, and default is each number of the number of beats per bar/measure based on the time signature. If multiple chords in same bar then they are underlined. It can be as simple as convert the Roman Numerals above to Arabic number.
Scale Selection
Once a Harmonic Analysis has been completed then scale selections can be made. These scale selections can be either vertical and horizontal choices. And, really only needed if you are going to take a solo or embellish the melody with added notes.
Scale Abbreviation Legend
Traditional Scales:
Maj: Major (Ionian),
Dim: Diminished,
WT: Whole Tone,
Har Min: Harmonic Minor,
Contemporary Scales:
Minor Pent: Minor Pentatonic,
Pent: Major Pentatonic,
Blues,
Scale/Mode Names:
Ion: Ionian (Major),
Dor: Dorian (Minor),
Phrygian: Phrygian,
Lyd: Lydian,
Mix: Mixolydian (Dominant),
Aeol: Aeolian (Natural Minor),
Loc: Locrian
Checkout LESSONSeries : Harmonic Analysis for Scale and Chord Selection or download the Harmonic Analysis for Scale and Chord Selection book. And the QuickStart Series of Scale and Arpeggio books.
Performance Notes
A classic example of using the (wikiwand) ·
'50s progression
changes:
I VI II V
.
Intro
A single I chord arpeggiated.
Links & Resources
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End of Lesson - Thanks, Hope You Enjoyed It!
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Harmonic Analysis for Scale and Chord Selection
Updated: 09 Jun 2023
Harmonic Analysis (HA), also known as the study of chord relationships, is the method used to identify the harmonic role of chords within a chord progression or song. A chord progression refers to a sequence of chords, with each chord having a root note and belonging to a specific chord type. The function of a chord within a particular scale's tonality is determined by its relationship to that scale.