Hey, Good Lookin'

Harmonic Analysis (RMA) Worksheet for the song: Hey, Good Lookin'.

Harmonic Analysis Worksheet
& Performance Notes Below

Analysis Worksheet Chords Melody Scales Performance Links

Hey, Good Lookin'

Published June 20, 1951 Acuff-Rose Publications

Hey, Good Lookin' is a 1951 song written and recorded by Hank Williams, and his version was inducted into the Grammy Hall of Fame in 2001. In 2003, CMT voted the Hank Williams version No. 19 on CMT's 100 Greatest Songs of Country Music. Since its original 1951 recording it has been covered by a variety of artists.

The Hank Williams song "borrowed heavily" from the 1942 song with the same title written by Cole Porter for the Broadway musical Something for the Boys. The lyrics for the Williams version begin as a come on using double entendres related to food preparation ("How's about cookin' somethin' up with me?"). By the third and fourth verses, the singer is promising the object of his affection that they can become an exclusive couple ("How's about keepin' steady company?" and "I'm gonna throw my date book over the fence")

Williams was friendly with musician Jimmy Dickens. Having told Dickens that Dickens needed a hit record if he was going to become a star, Williams said he would write it, and penned "Hey Good Lookin'" in only 20 minutes while on a plane with Dickens, Minnie Pearl, and Pearl's husband Henry Cannon. A week later Williams recorded it himself, jokingly telling Dickens, "That song's too good for you!" (wikiwand) ·

Hey, Good Lookin' is in the The Daily Ukulele — 365 Songs for Better Living book.

Strum a different song every day with easy arrangements of 365 of your favorite songs in one big songbook! The Daily Ukulele features ukulele arrangements with melody, lyrics and uke chord grids and are in ukulele-friendly keys that are particularly suited for groups of one to one hundred to play and sing.

The Daily Ukulele — 365 Songs for Better Living • INDEX of Songs

Chords

Theses and many other chords where covered in the Learn A Chord A Day series of lessons.

C Tuning Chords

Starting Melody Note and 1st Interval

INTERVALS: Root=note that begins a scale of the starting key; C is C, D is D, Am is a, Em is E, etc... m=minor; M=Major; P=Perfect; D=Diminished; A=Augmented. • ↑ is up/ascending; ↓ is down/descending;

Harmonic Analysis (HA)

A Harmonic Analysis (RMA/HA) and its worksheet are intended to show the function of the chords, the harmonic principles used, the keys and tonalities the song explores. And, can be used for scale selections and chord and scale substitutions.

A Harmonic Analysis Worksheet is NOT intended to be a leadsheet and minimal roadmap information such repeats, fines, D.S., D.C., codas have been used in preparing the worksheets to somewhat mirror the leadsheet in the Daily Ukulele book..

Sections, Verse, Chorus, 1st, 2nd Ending, turnbacks …

The worksheets will show 1st, 2nd Ending, turnbacks, etc. as in indicated the Yellow Book. You should start to recognize that 1st endings typically always return to a previous or verse or section. With a 2nd ending, a transition to a different section, a or chorus. Harmonic Principles are used for these repeats and transitions.

If turnbacks chord are not indication for the these 1st, 2nd Ending will indicate recommended chord(s) in parentheses or as an alternate harmony in Red . Typically the last measures or turnbacks will be a chord that resolves to and harmonically leads you to the next section or turning you back to the same section.

Harmonic Analysis (HA) Worksheet

Visit the Harmonic Analysis for Scale and Chord Selection series of lessons for information on creating a Harmonic Analysis Worksheet

Nashville Number System (NNS)

Nashville Numbering System always uses four bars/measures per line, no bar lines, and default is each number of the number of beats per bar/measure based on the time signature. If multiple chords in same bar then they are underlined. It can be as simple as convert the Roman Numerals above to Arabic number.

Scale Selection

Once a Harmonic Analysis has been completed then scale selections can be made. These scale selections can be either vertical and horizontal choices. And, really only needed if you are going to take a solo or embellish the melody with added notes.

Scale Abbreviation Legend

Traditional Scales: Maj: Major (Ionian), Dim: Diminished, WT: Whole Tone, Har Min: Harmonic Minor,
Contemporary Scales: Minor Pent: Minor Pentatonic, Pent: Major Pentatonic, Blues,
Scale/Mode Names: Ion: Ionian (Major), Dor: Dorian (Minor), Phrygian: Phrygian, Lyd: Lydian, Mix: Mixolydian (Dominant), Aeol: Aeolian (Natural Minor), Loc: Locrian

Checkout LESSONSeries : Harmonic Analysis for Scale and Chord Selection or download the Harmonic Analysis for Scale and Chord Selection book. And the QuickStart Series of Scale and Arpeggio books.

Performance Notes

Links & Resources

• (wikiwand) Hey, Good Lookin'
• Hey, Good Lookin' •