Que Sera, Sera (Whatever Will Be, Will Be)

Harmonic Analysis (RMA) Worksheet for the song: Que Sera, Sera (Whatever Will Be, Will Be).

Harmonic Analysis Worksheet
& Performance Notes Below

Analysis Worksheet Chords Melody Scales Performance Links

Que Sera, Sera (Whatever Will Be, Will Be)

Released: May 21, 1956

Que Sera, Sera (Whatever Will Be, Will Be) is a song written by the team of Jay Livingston and Ray Evans that was first published in 1955. Doris Day introduced it in the Alfred Hitchcock film The Man Who Knew Too Much (1956), singing it as a cue to their onscreen kidnapped son. The three verses of the song progress through the life of the narrator—from childhood, through young adulthood and falling in love, to parenthood—and each asks "What will I be?" or "What lies ahead?" The chorus repeats the answer: "What will be, will be."

Day's recording of the song for Columbia Records made it to number two on the Billboard Top 100 chart[6] and number one in the UK Singles Chart. It came to be known as Day's signature song. The song in The Man Who Knew Too Much received the 1956 Academy Award for Best Original Song. It was the third Oscar in this category for Livingston and Evans, who previously won in 1948 and 1950. In 2004 it finished at number 48 in AFI's 100 Years...100 Songs survey of top tunes in American cinema. In 2012, the 1956 recording by Doris Day on Columbia Records was inducted into the Grammy Hall of Fame. (wikiwand) ·

"Que Sera Sera" came to be considered Doris Day's signature song, and she went on to sing it in later films and TV appearances. In 1960's Please Don't Eat the Daisies, she sings a snippet of the song to her co-star, David Niven, who plays her husband. In the 1966 film The Glass Bottom Boat she sings a snippet accompanied by Arthur Godfrey on ukulele. From 1968 to 1973, she sang a rerecorded version as the theme song for her sitcom The Doris Day Show. (wikiwand) ·

Que Sera, Sera (Whatever Will Be, Will Be) is in the The Daily Ukulele — 365 Songs for Better Living book.

Strum a different song every day with easy arrangements of 365 of your favorite songs in one big songbook! The Daily Ukulele features ukulele arrangements with melody, lyrics and uke chord grids and are in ukulele-friendly keys that are particularly suited for groups of one to one hundred to play and sing.

The Daily Ukulele — 365 Songs for Better Living • INDEX of Songs

Chords

Theses and many other chords where covered in the Learn A Chord A Day series of lessons.

C Tuning Chords

Starting Melody Note and 1st Interval

Start on Root ↓ M2.

C Tuning, Low or High G

INTERVALS: Root=note that begins a scale of the starting key; C is C, D is D, Am is a, Em is E, etc... m=minor; M=Major; P=Perfect; D=Diminished; A=Augmented. • ↑ is up/ascending; ↓ is down/descending;

Harmonic Analysis (HA)

A Harmonic Analysis (RMA/HA) and its worksheet are intended to show the function of the chords, the harmonic principles used, the keys and tonalities the song explores. And, can be used for scale selections and chord and scale substitutions.

A Harmonic Analysis Worksheet is NOT intended to be a leadsheet and minimal roadmap information such repeats, fines, D.S., D.C., codas have been used in preparing the worksheets to somewhat mirror the leadsheet in the Daily Ukulele book..

Sections, Verse, Chorus, 1st, 2nd Ending, turnbacks …

The worksheets will show 1st, 2nd Ending, turnbacks, etc. as in indicated the Yellow Book. You should start to recognize that 1st endings typically always return to a previous or verse or section. With a 2nd ending, a transition to a different section, a or chorus. Harmonic Principles are used for these repeats and transitions.

If turnbacks chord are not indication for the these 1st, 2nd Ending will indicate recommended chord(s) in parentheses or as an alternate harmony in Red . Typically the last measures or turnbacks will be a chord that resolves to and harmonically leads you to the next section or turning you back to the same section.

Harmonic Analysis (HA) Worksheet

Visit the Harmonic Analysis for Scale and Chord Selection series of lessons for information on creating a Harmonic Analysis Worksheet

Nashville Number System (NNS)

Nashville Numbering System always uses four bars/measures per line, no bar lines, and default is each number of the number of beats per bar/measure based on the time signature. If multiple chords in same bar then they are underlined. It can be as simple as convert the Roman Numerals above to Arabic number.

Scale Selection

Once a Harmonic Analysis has been completed then scale selections can be made. These scale selections can be either vertical and horizontal choices. And, really only needed if you are going to take a solo or embellish the melody with added notes.

Scale Abbreviation Legend

Traditional Scales: Maj: Major (Ionian), Dim: Diminished, WT: Whole Tone, Har Min: Harmonic Minor,
Contemporary Scales: Minor Pent: Minor Pentatonic, Pent: Major Pentatonic, Blues,
Scale/Mode Names: Ion: Ionian (Major), Dor: Dorian (Minor), Phrygian: Phrygian, Lyd: Lydian, Mix: Mixolydian (Dominant), Aeol: Aeolian (Natural Minor), Loc: Locrian

Checkout LESSONSeries : Harmonic Analysis for Scale and Chord Selection or download the Harmonic Analysis for Scale and Chord Selection book. And the QuickStart Series of Scale and Arpeggio books.

Performance Notes

Links & Resources

• (wikiwand) · Que Sera, Sera (Whatever Will Be, Will Be)
• Doris Day – Whatever Will Be, Will Be (Que Sera, Sera) •
• Doris Day – Que Sera Sera •
• Neusa Maria – QUE SERÁ, SERÁ – Jay Livingston- Evans – versão de Nadir Corte Real •
• The Glass Bottom Boat - Doris Day, Rod Taylor, Arthur Godfrey, Eric Fleming, Paul Lynde • A Ukulele scene comes on around 44:37 with Arthur Godfrey and Doris day sing the movie theme song. Que Sera, Sera comes in at 46:38.