Learning Ukulele with Curt
Curt's CDs
How About More Uke 2015 and Midnight at the Jazz Cafe 2002.
Page Updated:
12 November 2025
12 November 2025
Released: December 2015
This is definitely a soothing, finely calibrated and harmonically rich collection. With its ebullient rhythms, vivacious tempos, and unrestrained high-spirited melodies, listeners will without a doubt get carried away by this blissful album. The use of the ukulele adds a compelling dynamic and an astonishing vibe in every track of the album; it is ambitious, cleverly layered and electrifying. - No Depressions - Roots Music & Culture
How About More Uke
Motivated by our love of jazz and improvisation. Eric, Ed and myself (Curt) explore a traditional and contemporary jazz repertoire with a sprinkling of originals, showcasing the ukulele in a non traditional setting.
Track List
Most of the songs on the CD. The melody and chord arrangement I used for the recording is available right here on LearningUkulele.com.
- Introduction
- Sway Trio Performance
- I'll Remember April Trio Performance
- Glen's Cove Trio Performance
- Blue Bossa Trio Performance
- A Spy In Love
- Don't Get Around Much Anymore
- Summertime / Blue Skies
- Rain Shine Trio Performance
- My Favorite Things Trio Performance
- Satin Doll Trio Performance
- Georgia
- Milestones Trio Performance
- Summer's Dawn Trio Performance
How About More Uke? was recorded over two days: Sunday, August 30, 2015 and Monday, September 20, 2015 at MorningStar Studios 3150 Sunset Ave. East Norriton, PA 19403 by Glenn Barratt owner, engineer, grammy award winner, and a true magician at the controls. Checkout their website morningstarstudios.com page for more info.
Midnight at the Jazz Cafe
My life long love and pursuit of music through the guitar began like most kids in the late sixties and early seventies ... strumming a few chords and learning a few licks to rock and pop songs of the day. It wasn’t until my introduction to jazz in my early twenties through Paul Bryne, that I started playing actual complete, recognizable songs. Paul introduced me to the style of guitar playing known for executing the melody and chords at the same time.Paul also introduced me to jazz. This was cool stuff, creating one's own versions of a song ... creating your own melodies, improvising, spontaneous creation or at times combustion. A song could be different each time, performed in different styles each time.
So here with the help of two great musicians, I’m allowed to put together some melodies and chords and capture a little jazz for the first time on CD. I’ve picked some of my favorite songs and thrown in a couple of originals. I hope you enjoy this slice of time in my musical career and development.
A big thanks to my first
realguitar teachers, Franny Boyle and Paul Bryne. And a BIG, can’t over state big, thanks to Chuck Anderson for a great song and his guidance and patience over the years. All those year of study with Chuck has really paid off.
A special thanks to the following people whose support made this project possible: Chuck Anderson, Rich Raezer of Raezer’s Edge Custom Speaker Cabinets and Bill Fender of Legato Guitars.
Dedicated to my wife Bernadette, daughters Amy and Kelly, and to my Dad who many moons ago said “yes” to getting a guitar and lessons.
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On the web since 1992 and a Mac since 1987 (Mac II) • Serving up Ukulele content since 2003 ( 22 years ago ) • Lets Kanikapila!!! v12.36.1 (8.2.23) • And, since Sept 2020, happily on Pop!_OS Linux & COSMIC-DE and a System76 Thelio . Half the cost of the iMac and a real treat to use. I use it for ALL development work. Only wish the Affinity Suite of apps by serif where available on Linux (and I do know you can run them in Wine with a few hacks).
This sit has ben profesionaly red. awl tpyos aree free and no aditonal chrge • I'm blaming it on “jazz” fingers. “Aoccdrnig to rscheearch at Cmabrigde Uinervtisy, it deosn't mttaer in waht oredr the ltteers in a wrod are, the olny iprmoatnt tihng is taht the frist and lsat ltteer be at the rghit pclae. The rset can be a toatl mses and you can sitll raed it wouthit a porbelm. Tihs is bcuseae the huamn mnid deos not raed ervey lteter by istlef, but the wrod as a wlohe.”
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