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Call Me
Call Me (a Tony Hatch composition first recorded by Petula Clark) was the first single released from his 1966 A&M album, The More I See You. The title single from the album, sung in a soft, very high tenor range and played on primarily adult-formatted radio stations, confused some disc jockeys, who were unfamiliar with Montez's past work.
Montez grew up in Hawthorne, California, influenced by the Latino-flavored music of his community and the success of Ritchie Valens.
Call Me is in the The Daily Ukulele — Leap Year Edition
— 366 Songs for Better Living book.
In 1962, he recorded the single "Let's Dance" on Monogram Records (written and produced by Jim Lee). It went to No.4 on the Billboard Hot 100 chart in the U.S. and to No.2 on the UK Singles Chart (spending four weeks there). The follow-up, "Some Kinda Fun", was a lesser hit in the U.S., but reached No.10 in the U.K. in January 1963. Nonetheless, both records sold over one million copies, and were awarded gold discs.
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1966 Comeback
Montez returned to the recording studio in 1965, this time at A&M Records. Montez was searching for the same rock and roll formula that would replicate the success of "Let's Dance". During a recording session, A&M co-founder Herb Alpert (who co-produced Montez's first A&M album) suggested that Montez try a different approach: a middle of the road, soft sound. Though reluctant at first, Montez agreed to go along with his mentor's suggestion.
Call Me (a Tony Hatch composition first recorded by Petula Clark) was the first single released from his 1966 A&M album, *The More I See You*. The title single from the album, sung in a soft, very high tenor range and played on primarily adult-formatted radio stations, confused some disc jockeys, who were unfamiliar with Montez's past work. The song became enormously popular and has been used many times in movies, notably*Frantic*, starring Harrison Ford. When announcing the song, the DJs would often refer to Montez as a female. But by the time the album was released, Montez's pictures on the front and back of the jacket cleared up any mystery surrounding his sex, as explained in the album's notes on the back of the record jacket.
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