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Example Bossa Nova Patterns
Example rhythmic patterns for Ukulele and Guitar

Category: Styles Instrument: Music Subjects(s): Rhythm • Strums • Latin • Bossa

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Songs Books & Charts
LESSONSeries : Bossa Nova
Series
Example Bossa Nova Patterns

Here are few example rhythmic patterns to get the essence the Bossa Nova style.

The rhythmic part of the Bossa Nova style is a mixture of Levels I, II and IIR of the Modular Phonetic Rhythm System by Chuck Anderson. This is the system I use with GREAT results.

Pattern One

Two quarter notes followed an eighth, dotted quarter note.

As Bossa Nova draws from a fusion of samba and jazz. With a rich harmonic structure of 4-part chords with upper partials, extensions and altered chords. I used a C6/9 chord for the example.

The hear the difference try it with an open position C chord, the first chord most ukulele player learn.

1-1 2-2
1 2 3 4

Pattern Two

1-1 2-2
1 2 3 4

Bossa Nova patterns can be played with rests interspersed in the mix as I played in the example videos.

Patterns One and Two

A the clave for a Bossa Nova is a two bar patter it is good to have two bar pattern.

First Eight Bars of The Girl From Ipanema - C

First Eight Bars of The Girl From Ipanema - Db

Db is lays pretty nice on the ukulele, especially with a low G, C tuning. It's a nice mysterious and dark key. Close to the feeling to the original vocal key in Ab of the original of 1964 Grammy Award for Record of the Year that started Astrud Gilberto's career.

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Related Lessons, Videos, Lesson Series, Songs, Books & Reference Charts, Resources & Assets, Workshops are below.

Related Songs
Related Songs for Example Bossa Nova Patterns.
UL434
Girl From Ipanema

The Girl from Ipanema (Garota de Ipanema) is an essential jazz standard that every jazz musician should know. The A sections chord progression, basically a I II7 II V is functionally the same as Take the A Train, Jersey Bounce, Desafinado and a few others.

Related Books & Charts
Related Books for Example Bossa Nova Patterns.
MPRS-FW1
Modular Phonetic Rhythm, The Foundation and Workbook 1

Modular Phonetic Rhythm represents a significant advance in the teaching and application of rhythm. Eliminating many inefficient aspects of rhythm education, Modular Phonetic Rhythm streamlines the traditional educational approach, resulting in a reflexive reaction to rhythm.

A Selection of Books & Reference Charts that are recommended for creating a solid foundation with your chosen instrument and music in general.
These are books & reference charts that apply to a majority of all lessons on LearningUkulele.com / Learning Ukulele with Curt.
Learning the Ukulele Fingerboard – C Tuning

Finally, learn the names of the notes of the fingerboard.

Six Secrets of the Ukulele Fingerboard – C Tuning

Learn the six fingering principles to navigating the ukulele fingerboard. Fingering is one of the most universal topics.

Harmonic Analysis for Scale Selection and Chord Substitution

Harmonic Analysis is the understanding of the functional sequence of chords. It is the process used to analyze the harmonic structure of a progression, song or composition.

Ukulele – Reading Music Series – Primer

Learn to read single note melodies in the first/open position is a lot easier than you might think.

Daily Practice Material for the Contemporary Ukulele

An organized collection of daily practice and reference material for the contemporary ukulele player for developing the vocabulary and knowledge necessary for single note playing.

Checkout the Books for additional Handy, Dandy Reference Charts.

Reference Charts

Ukulele Fingerboard Chart for C Tuning, Low or High G - G C E A

Ukulele Fingerboard Chart for C Tuning, Low or High G – G C E A

Ukulele Fingerboard Chart for G Tuning, Low or High A – D G B E

Ukulele Fingerboard Chart for G Tuning, Low or High A – D G B E

Circle of Fourths and Fifths – ANSI A & A4 sizes

A handy reference chart of all 15 major and relative minor key signatures. US Letter 8.5 x 11 sized (ANSI-A), A4

Checkout the Books for additional Handy, Dandy Reference Charts.

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This sit has ben profesionaly red. awl tpyos aree free and no aditonal chrge • I'm blaming it on “jazz” fingers. “Aoccdrnig to rscheearch at Cmabrigde Uinervtisy, it deosn't mttaer in waht oredr the ltteers in a wrod are, the olny iprmoatnt tihng is taht the frist and lsat ltteer be at the rghit pclae. The rset can be a toatl mses and you can sitll raed it wouthit a porbelm. Tihs is bcuseae the huamn mnid deos not raed ervey lteter by istlef, but the wrod as a wlohe.
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