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Hard Times Come Again No More
Harmonic Analysis (RMA) Worksheet for the song: Hard Times Come Again No More.
Hard Times Come Again No More
Released: 1854
Hard Times Come Again No More is an American parlor song written by Stephen Foster (wikiwand) . It was published in New York City by Firth, Pond & Co. in 1854 as Foster's Melodies No. 28. Well-known and popular in its day, both in the United States and Europe, the song asks the fortunate to consider the plight of the less fortunate and includes one of Foster's favorite images: "a pale drooping maiden". (wikiwand)
The first audio recording was a wax cylinder by the Edison Manufacturing Company (Edison Gold Moulded 9120) in 1905. It has been recorded and performed numerous times since. The song is Roud Folk Song Index #2659. (wikiwand)
Hard Times Come Again No More is in the The Daily Ukulele
— 365 Songs for Better Living book.
Strum a different song every day with easy arrangements of 365 of your favorite songs in one big songbook! The Daily Ukulele features ukulele arrangements with melody, lyrics and uke chord grids and are in ukulele-friendly keys that are particularly suited for groups of one to one hundred to play and sing.
Chords
Theses and many other chords where covered in the Learn A Chord A Day series of lessons.
C Tuning Chords
Starting Melody Note and 1st Interval
INTERVALS: Root=note that begins a scale of the starting key; C is C, D is D, Am is a, Em is E, etc... m=minor; M=Major; P=Perfect; D=Diminished; A=Augmented. • ↑ is up/ascending; ↓ is down/descending;
Harmonic Analysis (HA)
A Harmonic Analysis (RMA/HA) and its worksheet are intended to show the function of the chords, the harmonic principles used, the keys and tonalities the song explores. And, can be used for scale selections and chord and scale substitutions.
A Harmonic Analysis Worksheet is NOT intended to be a leadsheet
and minimal roadmap information such repeats, fines, D.S., D.C., codas have been used in preparing the worksheets to somewhat mirror the leadsheet in the Daily Ukulele book..
Sections, Verse, Chorus, 1st, 2nd Ending, turnbacks …
The worksheets will show 1st, 2nd Ending, turnbacks, etc. as in indicated the Yellow Book
. You should start to recognize that 1st endings typically always return to a previous or verse or section. With a 2nd ending, a transition to a different section, a or chorus. Harmonic Principles are used for these repeats and transitions.
If turnbacks chord are not indication for the these 1st, 2nd Ending will indicate recommended chord(s) in parentheses or as an alternate harmony in Red . Typically the last measures or turnbacks will be a chord that resolves to and harmonically leads you to the next section or turning you back to the same section.
Reference Key
This is the key of the source leadsheet.
Hard Times Come Again No More is in 4/4, Common Time and the Key of Eb .
Harmonic Principles Used:
Harmonic Analysis (HA) Worksheet
Visit the Harmonic Analysis for Scale and Chord Selection series of lessons for information on creating a Harmonic Analysis Worksheet
A worksheet is often, really not needed with such a simple Full Diatonic chord progression.
A Simple I , IV , V chord progression. The Tonic , Subdominant and Dominant , the Primary chords of the major key.
In a short amount of time you'll come recognize these simple chord progressions, just by the chord grids listed at the top of the leadsheet (page). And, hearing where the chords are naturally changing.
Scale Choices
For a Full Diatonic chord progression the first choice scale is the Major scale in the key of the progression. A subset of the Major scale is the Major Pentatonic – the Major scale with no 4th or 6th scale degrees.
Nashville Number System (NNS)
Nashville Numbering System always uses four bars/measures per line, no bar lines, and default is each number of the number of beats per bar/measure based on the time signature. If multiple chords in same bar then they are underlined. It can be as simple as convert the Roman Numerals above to Arabic number.
Scale Selection
Once a Harmonic Analysis has been completed then scale selections can be made. These scale selections can be either vertical and horizontal choices. And, really only needed if you are going to take a solo or embellish the melody with added notes.
Scale Abbreviation Legend
Traditional Scales:
Maj: Major (Ionian),
Dim: Diminished,
WT: Whole Tone,
Har Min: Harmonic Minor,
Contemporary Scales:
Minor Pent: Minor Pentatonic,
Pent: Major Pentatonic,
Blues,
Scale/Mode Names:
Ion: Ionian (Major),
Dor: Dorian (Minor),
Phrygian: Phrygian,
Lyd: Lydian,
Mix: Mixolydian (Dominant),
Aeol: Aeolian (Natural Minor),
Loc: Locrian
Checkout LESSONSeries : Harmonic Analysis for Scale and Chord Selection or download the Harmonic Analysis for Scale and Chord Selection book. And the QuickStart Series of Scale and Arpeggio books.
Performance Notes
A worksheet is often, really not needed with such a simple Full Diatonic chord progression.
A Simple I , IV , V chord progression. The Tonic , Subdominant and Dominant , the Primary chords of the major key.
In a short amount of time you'll come recognize these simple chord progressions, just by the chord grids listed at the top of the leadsheet (page). And, hearing where the chords are naturally changing.
Scale Choices
For a Full Diatonic chord progression the first choice scale is the Major scale in the key of the progression. A subset of the Major scale is the Major Pentatonic – the Major scale with no 4th or 6th scale degrees.
Links & Resources
- (wikiwand) Hard Times Come Again No More
-
Hard Times Come Again No More
Mavis Staples -
Hard Times (Come Again No More) (London Calling: Live In Hyde Park, 2009) - Bruce Springsteen
Hard Times (Come Again No More) (London Calling: Live In Hyde Park, 2009)
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End of Lesson - Thanks, Hope You Enjoyed It!
Related Lessons, Videos, Lesson Series, Songs, Books & Reference Charts, Resources & Assets, Workshops are below.
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Harmonic Analysis Lesson Series
Updated: 06 Jan 2020
Harmonic Analysis ( HA ) is the process used to determine the harmonic function of chords within a chord progression. A chord progression is defined as a sequence of chords, each chord has a root and has a particular chord type. The relationship of a chord's root to a scale determines its function within that scale's tonality. Once a chord's function is identified, scale selections along with chord and scale substitutions can be made. This process is called Root Movement Analysis ( RMA ). This series of lessons are extracted from my book for use with individual private and on-line students. Each lesson directly corresponds the chapters in my book Harmonic Analysis for Scale Selection and Chord Substitution by Curt Sheller (me).
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Harmonic Analysis for Scale and Chord Selection
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