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Ob-La-Di, Ob-La-Da
Harmonic Analysis (RMA) Worksheet for the song: Ob-La-Di, Ob-La-Da.
Ob-La-Di, Ob-La-Da
Released: 22 November 1968
Ob-La-Di, Ob-La-Da "Ob-La-Di, Ob-La-Da" is a song by the English rock band the Beatles from their 1968 double album The Beatles (also known as "the White Album"). It was written by Paul McCartney and credited to the Lennon–McCartney partnership. Following the album's release, the song was issued as a single in many countries, although not in the United Kingdom or the United States, and topped singles charts in Australia, Japan, New Zealand, Switzerland and West Germany. When belatedly issued as a single in the United States in 1976, it peaked at number 49 on the Billboard Hot 100.
McCartney wrote "Ob-La-Di, Ob-La-Da" in a cod Jamaican ska style and appropriated a phrase popularised by Jimmy Scott, a London-based Nigerian musician, for the song's title and chorus. Following its release, Scott attempted, unsuccessfully, to receive a composing credit. The recording sessions for the track were marked by disharmony as McCartney's perfectionism tested his bandmates and their recording staff. The song was especially disliked by John Lennon, and a heated argument during one of the sessions led to Geoff Emerick quitting his job as the Beatles' recording engineer. A discarded early version of the track, featuring Scott on congas, was included on the band's 1996 compilation Anthology 3. (wikiwand) ·
Ob-La-Di, Ob-La-Da is in the The Daily Ukulele
— 365 Songs for Better Living book.
Strum a different song every day with easy arrangements of 365 of your favorite songs in one big songbook! The Daily Ukulele features ukulele arrangements with melody, lyrics and uke chord grids and are in ukulele-friendly keys that are particularly suited for groups of one to one hundred to play and sing.
Chords
Theses and many other chords where covered in the Learn A Chord A Day series of lessons.
C Tuning Chords
Starting Melody Note and 1st Interval
INTERVALS: Root=note that begins a scale of the starting key; C is C, D is D, Am is a, Em is E, etc... m=minor; M=Major; P=Perfect; D=Diminished; A=Augmented. • ↑ is up/ascending; ↓ is down/descending;
Harmonic Analysis (HA)
A Harmonic Analysis (RMA/HA) and its worksheet are intended to show the function of the chords, the harmonic principles used, the keys and tonalities the song explores. And, can be used for scale selections and chord and scale substitutions.
A Harmonic Analysis Worksheet is NOT intended to be a leadsheet
and minimal roadmap information such repeats, fines, D.S., D.C., codas have been used in preparing the worksheets to somewhat mirror the leadsheet in the Daily Ukulele book..
Sections, Verse, Chorus, 1st, 2nd Ending, turnbacks …
The worksheets will show 1st, 2nd Ending, turnbacks, etc. as in indicated the Yellow Book
. You should start to recognize that 1st endings typically always return to a previous or verse or section. With a 2nd ending, a transition to a different section, a or chorus. Harmonic Principles are used for these repeats and transitions.
If turnbacks chord are not indication for the these 1st, 2nd Ending will indicate recommended chord(s) in parentheses or as an alternate harmony in Red . Typically the last measures or turnbacks will be a chord that resolves to and harmonically leads you to the next section or turning you back to the same section.
Reference Key
This is the key of the source leadsheet.
- Ob-La-Di, Ob-La-Da is in 4/4, Cut Time and the Key of C . The original is in the Key of B♭ , Tempo: 113 bpm
Harmonic Principles Used:
- Full Diatonic
- Partial Diatonic • Full Diatonic includes Secondary Dominant chords
Harmonic Analysis (HA) Worksheet
Visit the Harmonic Analysis for Scale and Chord Selection series of lessons for information on creating a Harmonic Analysis Worksheet
1.
I7
( V of IV)
C Mix
1.
Seems like a long song — but there is a a lot of harmonic repetition. Mostly Full Diatonic with one common Secondary Dominant
I7 (V of IV)
.
The leadsheets in the Yellow Book, as with most songs are dictated by the lyrics.
Nashville Number System (NNS)
Nashville Numbering System always uses four bars/measures per line, no bar lines, and default is each number of the number of beats per bar/measure based on the time signature. If multiple chords in same bar then they are underlined. It can be as simple as convert the Roman Numerals above to Arabic number.
Scale Selection
Once a Harmonic Analysis has been completed then scale selections can be made. These scale selections can be either vertical and horizontal choices. And, really only needed if you are going to take a solo or embellish the melody with added notes.
Scale Abbreviation Legend
Traditional Scales:
Maj: Major (Ionian),
Dim: Diminished,
WT: Whole Tone,
Har Min: Harmonic Minor,
Contemporary Scales:
Minor Pent: Minor Pentatonic,
Pent: Major Pentatonic,
Blues,
Scale/Mode Names:
Ion: Ionian (Major),
Dor: Dorian (Minor),
Phrygian: Phrygian,
Lyd: Lydian,
Mix: Mixolydian (Dominant),
Aeol: Aeolian (Natural Minor),
Loc: Locrian
Checkout LESSONSeries : Harmonic Analysis for Scale and Chord Selection or download the Harmonic Analysis for Scale and Chord Selection book. And the QuickStart Series of Scale and Arpeggio books.
Performance Notes
Intro
Original key for Ob-La-Di, Ob-La-Da is B♭. Here is the piano Intro transposed for Ukulele. Works best with C TUning, Low G. The Bass is included as it so simple and cool.
The Beatles's arrangements where amazing and really set their songs up. Still fresh to this day.
Links & Resources
- (wikiwand) Ob-La-Di, Ob-La-Da
- The Beatles Bible: Ob-La-Di, Ob-La-Da
- Ob-La-Di, Ob-La-Da (Remastered 2009) •
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End of Lesson - Thanks, Hope You Enjoyed It!
Related Lessons, Videos, Lesson Series, Songs, Books & Reference Charts, Resources & Assets, Workshops are below.
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Harmonic Analysis for Scale and Chord Selection
Updated: 09 Jun 2023
Harmonic Analysis (HA), also known as the study of chord relationships, is the method used to identify the harmonic role of chords within a chord progression or song. A chord progression refers to a sequence of chords, with each chord having a root note and belonging to a specific chord type. The function of a chord within a particular scale's tonality is determined by its relationship to that scale.
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Harmonic Analysis for Scale Selection and Chord Substitution
Updated: 08 Jun 2024
Harmonic Analysis is the understanding of the functional sequence of chords. It is the process used to analyze the harmonic structure of a progression, song or composition. This analysis is then used to make scale selections for improvisation and chord substitution.
The Daily Ukulele
Updated: 16 Feb 2024
Strum a different song every day with easy arrangements of 365 of your favorite songs in one big songbook! The Daily Ukulele features ukulele arrangements with melody, lyrics and uke chord grids and are in ukulele-friendly keys that are particularly suited for groups of one to one hundred to play and sing.
A Selection of Books & Reference Charts that are recommended for creating a solid foundation with your chosen instrument and music in general.
Books
Reference Charts
Key Signatures — Circle of Fourths and Fifths – ANSI A & A4 sizes
A handy reference chart of all 15 major and relative minor key signatures. US Letter 8.5 x 11 sized (ANSI-A) , A4