Harmonic Analysis (RMA) Worksheet for the song: "Under The Boardwalk".
Subjects(s): Ukulele • Information • Harmony
Harmonic Analysis (RMA) Worksheet for the song: Under The Boardwalk.
Under The Boardwalk is a pop song written by Kenny Young and Arthur Resnick and recorded by the Drifters in 1964. It charted at number four on the Billboard Hot 100 chart on August 22, 1964. The song has since been covered by many other artists, with versions by Bette Midler, Sam & Dave, the Tom Tom Club, the Rolling Stones, Billy Joe Royal, The Beach Boys, Bruce Willis, Bad Boys Blue, John Mellencamp and Lynn Anderson all charting in the United States or overseas. The song ranked number 487 on Rolling Stone's list of The 500 Greatest Songs of All Time in 2004 and number 489 in 2010.
The lyric describes a tryst between a man and his beloved in a seaside town, who plan to privately meet "out of the sun" and out of sight from everyone else under a boardwalk. The instrumentation includes güiro, triangle and violins. The song's chorus switches from a major to minor key. The opening line of the song references the Drifters' prior hit "Up on the Roof." Also, the violins are heard playing the riff of "Up on the Roof", before the chorus. (wikiwand)
The Daily Ukulele— 365 Songs for Better Living book.
lead leadsheet.Minimal roadmap information such as repeats, fine, D.S., D.C., and codas has been used in preparing the worksheets to somewhat mirror the leadsheet in the Daily Ukulele book.
Yellow Book. You should start to recognize that 1st endings typically always return to a previous verse or an
section. With a 2nd ending, a transition to a different part of the song, a 
or chorus. Harmonic Principles are used for these repeats and transitions.Under The Boardwalk is in 4/4, Common Time and the Key of C .
- Full Diatonic
- Partial Diatonic • Full Diatonic includes Secondary Dominant chords
Scale Abbreviation Legend
Traditional Scale Names:
Maj: Major,
Dim: Diminished,
WT: Whole Tone,
Pent: Major Pentatonic,
Scale Mode Names:
Ion: Ionian,
Dor: Dorian,
Phrygian: Phrygian,
Lyd: Lydian,
Mix: Mixolydian,
Aeol: Aeolian,
Loc: Locrian
Contemporary Scales: Minor Pent: Minor Pentatonic, Pent: Major Pentatonic, Blues,
Scale/Mode Names: Ion: Ionian (Major), Dor: Dorian (Minor), Phrygian: Phrygian, Lyd: Lydian, Mix: Mixolydian (Dominant), Aeol: Aeolian (Natural Minor), Loc: Locrian
All FUll Diatonic chords and one supper common V of IV Secondary Dominant.
A worksheet is often, really not needed with such a simple Full Diatonic chord progression.
A Simple I , IV , V chord progression. The Tonic , Subdominant and Dominant , the Primary chords of the major key.
In a short amount of time you'll come recognize these simple chord progressions, just by the chord grids listed at the top of the leadsheet (page). And, hearing where the chords are naturally changing.
Related Lessons, Videos, Lesson Series, Songs, Books & Reference Charts, Resources & Assets, Workshops are below.
Harmonic Analysis (HA), also known as the study of chord relationships, is the method used to identify the harmonic role of chords within a chord progression or song. A chord progression refers to a sequence of chords, with each chord having a root note and belonging to a specific chord type. The function of a chord within a particular scale's tonality is determined by its relationship to that scale.
Harmonic Analysis is the understanding of the functional sequence of chords. It is the process used to analyze the harmonic structure of a progression, song or composition. This analysis is then used to make scale selections for improvisation and chord substitution.
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