Walk Right In

Harmonic Analysis (RMA) Worksheet for the song: Walk Right In.

Harmonic Analysis Worksheet
& Performance Notes Below

Analysis Worksheet Chords Melody Scales Performance Links

Walk Right In

Released: December 1962

Walk Right In is a country blues song written by musician Gus Cannon and originally recorded by Cannon's Jug Stompers in 1929. Victor Records released on a 78 rpm record and in 1959, it was included on the influential compilation album The Country Blues. A revised version of the song by the Rooftop Singers, with the writing credits allocated to group members Erik Darling and Bill Svanoe, became an international hit in 1963.

In 1962, the American folk trio the Rooftop Singers recorded a version of the song. Group member Erik Darling recruited two friends to join him in this effort after hearing the original Cannon recording. Darling wanted the track to have a distinctive sound, so he and group member Bill Svanoe both played twelve string guitars, although they had some difficulty in acquiring the instruments.

Darling is quoted as saying that prior to the making of this record, "you couldn't buy a 12-string guitar ... I ordered one from the Gibson Company, but in order to record [the song] with two 12-strings, we had to wait for the company to build a second one for Bill!" (a left-handed model). The success of the song was a boon to Cannon, who was in his late 70s and had been forced to pawn his banjo the previous winter to pay his heating bill; he received royalties as a songwriter and saw renewed interest in his music, which led to a recording contract of his own.

Walk Right In became one of Burl Ives' signature songs, included on his 1944 album The Wayfaring Stranger. Ives used it as the title of his early 1940s CBS radio show and his 1948 autobiography. (wikiwand) ·

Walk Right In is in the The Daily Ukulele — 365 Songs for Better Living book.

Strum a different song every day with easy arrangements of 365 of your favorite songs in one big songbook! The Daily Ukulele features ukulele arrangements with melody, lyrics and uke chord grids and are in ukulele-friendly keys that are particularly suited for groups of one to one hundred to play and sing.

The Daily Ukulele — 365 Songs for Better Living • INDEX of Songs

Chords

Theses and many other chords where covered in the Learn A Chord A Day series of lessons.

C Tuning Chords

Starting Melody Note and 1st Interval

INTERVALS: Root=note that begins a scale of the starting key; C is C, D is D, Am is a, Em is E, etc... m=minor; M=Major; P=Perfect; D=Diminished; A=Augmented. • ↑ is up/ascending; ↓ is down/descending;

Harmonic Analysis (HA)

A Harmonic Analysis (RMA/HA) and its worksheet are intended to show the function of the chords, the harmonic principles used, the keys and tonalities the song explores. And, can be used for scale selections and chord and scale substitutions.

A Harmonic Analysis Worksheet is NOT intended to be a leadsheet and minimal roadmap information such repeats, fines, D.S., D.C., codas have been used in preparing the worksheets to somewhat mirror the leadsheet in the Daily Ukulele book..

Sections, Verse, Chorus, 1st, 2nd Ending, turnbacks …

The worksheets will show 1st, 2nd Ending, turnbacks, etc. as in indicated the Yellow Book. You should start to recognize that 1st endings typically always return to a previous or verse or section. With a 2nd ending, a transition to a different section, a or chorus. Harmonic Principles are used for these repeats and transitions.

If turnbacks chord are not indication for the these 1st, 2nd Ending will indicate recommended chord(s) in parentheses or as an alternate harmony in Red . Typically the last measures or turnbacks will be a chord that resolves to and harmonically leads you to the next section or turning you back to the same section.

Harmonic Analysis (HA) Worksheet

Visit the Harmonic Analysis for Scale and Chord Selection series of lessons for information on creating a Harmonic Analysis Worksheet

Nashville Number System (NNS)

Nashville Numbering System always uses four bars/measures per line, no bar lines, and default is each number of the number of beats per bar/measure based on the time signature. If multiple chords in same bar then they are underlined. It can be as simple as convert the Roman Numerals above to Arabic number.

Scale Selection

Once a Harmonic Analysis has been completed then scale selections can be made. These scale selections can be either vertical and horizontal choices. And, really only needed if you are going to take a solo or embellish the melody with added notes.

Scale Abbreviation Legend

Traditional Scales: Maj: Major (Ionian), Dim: Diminished, WT: Whole Tone, Har Min: Harmonic Minor,
Contemporary Scales: Minor Pent: Minor Pentatonic, Pent: Major Pentatonic, Blues,
Scale/Mode Names: Ion: Ionian (Major), Dor: Dorian (Minor), Phrygian: Phrygian, Lyd: Lydian, Mix: Mixolydian (Dominant), Aeol: Aeolian (Natural Minor), Loc: Locrian

Checkout LESSONSeries : Harmonic Analysis for Scale and Chord Selection or download the Harmonic Analysis for Scale and Chord Selection book. And the QuickStart Series of Scale and Arpeggio books.

Performance Notes

Links & Resources

• (wikiwand) · Walk Right In
• Walk Right In •