Learning Ukulele with Curt
Wayfaring Stranger

Harmonic Analysis (RMA) Worksheet for the song: "Wayfaring Stranger".

Publisher: N/A Authors(s): Curt Sheller
Category: Harmonic-Analysis Instrument: Any
Subjects(s): TheoryProgressionsHarmonyAnalysisRMA
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Wayfaring Stranger

Harmonic Analysis (RMA) Worksheet for the song: Wayfaring Stranger.

Wayfaring Stranger
Published 1858 (earliest known)

Wayfaring Stranger is (also known as "Poor Wayfaring Stranger" or "I Am a Poor Wayfaring Stranger"), Roud Fold Song Index 3339, is a well-known American folk and gospel song likely originating in the early 19th century about a plaintive soul on the journey through life. As with most folk songs, many variations of the lyrics exist and many versions of this song have been published over time by popular singers, often being linked to times of hardship and notable experiences in the singers' lives, such as the case with Burl Ives' autobiography.

According to the book The Makers of the Sacred Harp, by David Warren Steel and Richard H. Hulan, the lyrics were published in 1858 in Joseph Bever's Christian Songster, which was a collection of popular hymns and spiritual songs of the time.

This may or may not have been the first time the song appeared in English print, and the songwriter is unknown. Steel and Hulan suggest the song was derived from an 1816 German-language hymn, "Ich bin ja nur ein Gast auf Erden" by Isaac Niswander. (wikiwand)

Wayfaring Stranger is in the The Daily Ukulele 365 Songs for Better Living book.
Strum a different song every day with easy arrangements of 365 of your favorite songs in one big songbook! The Daily Ukulele features ukulele arrangements with melody, lyrics and uke chord grids and are in ukulele-friendly keys that are particularly suited for groups of one to one hundred to play and sing.
Ukulele Chords
Am Dm F C D
Theses and many other chords are covered in the Learn A Chord A Day series of lessons.
C Tuning Chords
Starting Melody Note and 1st Interval
  • Wayfaring Stranger is in the Key of Am .
  • Start on Root ↑ P5.
  • Intervals Legend: Root=note that begins a scale of the starting key; C is C, D is D, Am is A, Em is E, etc… m=minor; M=Major; P=Perfect; D=Diminished; A=Augmented. • is up/ascending; is down/descending;
    Harmonic Analysis (HA) Worksheet
    Visit the Harmonic Analysis for Scale and Chord Selection series of lessons for information on creating a your own Harmonic Analysis Worksheet
    Am
    Am
    Am
    AAm
    I
    1., 2.
    Dm
    Dm
    Am
    Am
    IV
    I
    F
    F
    Dm
    Dm
    VI
    IV
    F
    F
    Am
    Am
    VI
    I
    C
    C
    Am
    Am
    III
    I
    D
    Dm
    Am
    Am
    IVmaj
    IV
    I
    D Ionian (Major)
    The Harmonic Analysis (HA)
    A Harmonic Analysis (RMA/HA) and its worksheet are intended to show the function of the chords, the harmonic principles used, the keys and tonalities the song explores. And, can be used for scale selections and chord and scale substitutions.
    NOTE: A Harmonic Analysis Worksheet is NOT intended to be a lead leadsheet. Minimal roadmap information such as repeats, fine, D.S., D.C., and codas has been used in preparing the worksheets to somewhat mirror the leadsheet in the Daily Ukulele book.
    Sections, Verse, Chorus, 1st, 2nd Ending, turnbacks …
    The worksheets will show 1st, 2nd Ending, turnbacks, etc. as in indicated the Yellow Book. You should start to recognize that 1st endings typically always return to a previous verse or an section. With a 2nd ending, a transition to a different part of the song, a or chorus. Harmonic Principles are used for these repeats and transitions.
    If turnback chords are not indicated for the these 1st and 2nd endings in the original Yellow Book leadsheet recommended chord(s) will indicated in parentheses or as an alternate harmony in Red . Typically the last measures or turnbacks will be a chord that resolves to and harmonically leads you to the next section or turning you back to the same section. Typically a V or direct substitution of that next chord.
    Reference Key
    This is the key of the source leadsheet.
    Harmonic Principles Used:
    These are the harmonic principles used in Wayfaring Stranger.
    Nashville Number System (NNS)
    Nashville Numbering System always uses four bars/measures per line, no bar lines, and default is each number of the number of beats per bar/measure based on the time signature. If multiple chords in same bar then they are underlined. It can be as simple as convert the Roman Numerals above to Arabic number.
    At its simplest you simply replace the roman numbers with Arabic numbers. e.g., I becomes 1 , II becomes 2 , etc. The only exception is the bVII7 chord becomes 7 as this borrowed chord from the Mixolydian tonality is so common and the VII (half-diminished seventh) in a major chord is so rare (actually never). And, you could go as far as saying all the modes are numbered: I II II IV V VI VII — just as in the major scale. So calling it a 7 is not that far out.
    Check the definitive book Nashville Number System
    Scale Selection
    Once a Harmonic Analysis has been completed, scale selections can be made. These scale selections can be either vertical or horizontal choices. And, really, only needed if you are going to take a solo or embellish the melody with added notes.
    Scale Abbreviation Legend
    Traditional Scales: Maj: Major (Ionian), Dim: Diminished, WT: Whole Tone, Har Min: Harmonic Minor,
    Contemporary Scales: Minor Pent: Minor Pentatonic, Pent: Major Pentatonic, Blues,
    Scale/Mode Names: Ion: Ionian (Major), Dor: Dorian (Minor), Phrygian: Phrygian, Lyd: Lydian, Mix: Mixolydian (Dominant), Aeol: Aeolian (Natural Minor), Loc: Locrian
    RMA book cover QS1UKES book cover
    Performance Notes
    Any performance notes will show here.
    Links & Resources
    Sign-IN, for free — to View, Un-Blur Any Additional Content for This Lesson—Can't give it ALL away.
    art by Curt Sheller
    End of Lesson - Thanks, Hope You Enjoyed It!

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    Related Lesson Series
    Related Lessons Series for Wayfaring Stranger.
    Harmonic Analysis for Scale and Chord Selection

    Harmonic Analysis (HA), also known as the study of chord relationships, is the method used to identify the harmonic role of chords within a chord progression or song. A chord progression refers to a sequence of chords, with each chord having a root note and belonging to a specific chord type. The function of a chord within a particular scale's tonality is determined by its relationship to that scale.

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