Blue Christmas

Harmonic Analysis (RMA) Worksheet for the song: Blue Christmas.

Harmonic Analysis Worksheet
& Performance Notes Below

Analysis Worksheet Chords Melody Scales Performance Links

Blue Christmas

Released: November 9, 1964

Blue Christmas is a Christmas song written by Billy Hayes and Jay W. Johnson and most famously recorded by Elvis Presley, although it was first recorded by Doye O'Dell in 1948. It is a tale of unrequited love during the holidays and is a longstanding staple of Christmas music, especially in the country genre.

The song was originally recorded by Doye O'Dell in 1948,[3] and was popularized the following year in three separate recordings: one by country artist Ernest Tubb, one by musical conductor and arranger Hugo Winterhalter and his orchestra and chorus, and one by bandleader Russ Morgan and his orchestra (the latter featuring lead vocals by Morgan and backing vocals by singers credited as the Morganaires).[4] Tubb's version spent the first week of January 1950 at No. 1 on Billboard magazine's Most-Played Juke Box (Country & Western) Records chart, while Winterhalter's version peaked at No. 9 on Billboard's Records Most Played by Disk Jockeys chart, and Morgan's version reached No. 11 on Billboard's Best-Selling Pop Singles chart.[5] Both Morgan's and Winterhalter's versions featured a shorter pop edit of the original lyrics. Also in 1950 crooner Billy Eckstine recorded his rendition, backed by the orchestra of Russ Case, with these shortened lyrics in a variation close to what is now the common standard for this song; the orchestral backing of this recording has often been wrongly accredited to Winterhalter. (wikiwand) ·

Blue Christmas is in the The Daily Ukulele — 365 Songs for Better Living book.

Strum a different song every day with easy arrangements of 365 of your favorite songs in one big songbook! The Daily Ukulele features ukulele arrangements with melody, lyrics and uke chord grids and are in ukulele-friendly keys that are particularly suited for groups of one to one hundred to play and sing.

The Daily Ukulele — 365 Songs for Better Living • INDEX of Songs

Chords

Theses and many other chords where covered in the Learn A Chord A Day series of lessons.

C Tuning Chords

Starting Melody Note and 1st Interval

INTERVALS: Root=note that begins a scale of the starting key; C is C, D is D, Am is a, Em is E, etc... m=minor; M=Major; P=Perfect; D=Diminished; A=Augmented. • ↑ is up/ascending; ↓ is down/descending;

Harmonic Analysis (HA)

A Harmonic Analysis (RMA/HA) and its worksheet are intended to show the function of the chords, the harmonic principles used, the keys and tonalities the song explores. And, can be used for scale selections and chord and scale substitutions.

A Harmonic Analysis Worksheet is NOT intended to be a leadsheet and minimal roadmap information such repeats, fines, D.S., D.C., codas have been used in preparing the worksheets to somewhat mirror the leadsheet in the Daily Ukulele book..

Sections, Verse, Chorus, 1st, 2nd Ending, turnbacks …

The worksheets will show 1st, 2nd Ending, turnbacks, etc. as in indicated the Yellow Book. You should start to recognize that 1st endings typically always return to a previous or verse or section. With a 2nd ending, a transition to a different section, a or chorus. Harmonic Principles are used for these repeats and transitions.

If turnbacks chord are not indication for the these 1st, 2nd Ending will indicate recommended chord(s) in parentheses or as an alternate harmony in Red . Typically the last measures or turnbacks will be a chord that resolves to and harmonically leads you to the next section or turning you back to the same section.

Harmonic Analysis (HA) Worksheet

Visit the Harmonic Analysis for Scale and Chord Selection series of lessons for information on creating a Harmonic Analysis Worksheet

Nashville Number System (NNS)

Nashville Numbering System always uses four bars/measures per line, no bar lines, and default is each number of the number of beats per bar/measure based on the time signature. If multiple chords in same bar then they are underlined. It can be as simple as convert the Roman Numerals above to Arabic number.

Scale Selection

Once a Harmonic Analysis has been completed then scale selections can be made. These scale selections can be either vertical and horizontal choices. And, really only needed if you are going to take a solo or embellish the melody with added notes.

Scale Abbreviation Legend

Traditional Scale Names: Maj: Major, Dim: Diminished, WT: Whole Tone, Pent: Major Pentatonic,
Scale Mode Names: Ion: Ionian, Dor: Dorian, Phrygian: Phrygian, Lyd: Lydian, Mix: Mixolydian, Aeol: Aeolian, Loc: Locrian

Scale Abbreviation Legend

Traditional Scales: Maj: Major (Ionian), Dim: Diminished, WT: Whole Tone, Har Min: Harmonic Minor,
Contemporary Scales: Minor Pent: Minor Pentatonic, Pent: Major Pentatonic, Blues,
Scale/Mode Names: Ion: Ionian (Major), Dor: Dorian (Minor), Phrygian: Phrygian, Lyd: Lydian, Mix: Mixolydian (Dominant), Aeol: Aeolian (Natural Minor), Loc: Locrian

Checkout LESSONSeries : Harmonic Analysis for Scale and Chord Selection or download the Harmonic Analysis for Scale and Chord Selection book. And the QuickStart Series of Scale and Arpeggio books.

Performance Notes

Links & Resources

• (wikiwand) Blue Christmas
• Blue Christmas •