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Zip-A-Dee-Doo-Dah

Harmonic Analysis (RMA) Worksheet for the song: Zip-A-Dee-Doo-Dah.

Harmonic Analysis Worksheet
& Performance Notes Below

Analysis Worksheet Chords Melody Scales Performance Links

Zip-A-Dee-Doo-Dah

Released: 1946

Zip-A-Dee-Doo-Dah is a song composed by Allie Wrubel with lyrics by Ray Gilbert for the Disney 1946 live action and animated movie Song of the South , sung by James Baskett. For "Zip-a-Dee-Doo-Dah", the film won the Academy Award for Best Original Song and was the second Disney song to win this award, after "When You Wish upon a Star" from Pinocchio (1940). In 2004, it finished at number 47 in AFI's 100 Years...100 Songs, a survey of top tunes in American cinema.

Disney historian Jim Korkis said the word "Zip-a-Dee-Doo-Dah" was reportedly invented by Walt Disney, who was fond of nonsense words such as "Bibbidi-Bobbidi-Boo" from Cinderella (1950) and "Supercalifragilisticexpialidocious" from Mary Poppins (1964). Ken Emerson, author of the book Doo-dah!: Stephen Foster And The Rise Of American Popular Culture, believes that the song is influenced by the chorus of the pre-Civil War folk song "Zip Coon", a "Turkey in the Straw" variation: "O Zip a duden duden duden zip a duden day". (wikiwand);

Zip-A-Dee-Doo-Dah is in the The Daily Ukulele — 365 Songs for Better Living book.

Strum a different song every day with easy arrangements of 365 of your favorite songs in one big songbook! The Daily Ukulele features ukulele arrangements with melody, lyrics and uke chord grids and are in ukulele-friendly keys that are particularly suited for groups of one to one hundred to play and sing.

The Daily Ukulele — 365 Songs for Better Living • INDEX of Songs

Zip-A-Dee-Doo-Dah Ukulele Chords

G C A7 D7 Em Am

Theses and many other chords are covered in the Learn A Chord A Day series of lessons.

C Tuning Chords

Starting Melody Note and 1st Interval

Start on M3 &aarr; m2.

INTERVALS: Root=note that begins a scale of the starting key; C is C, D is D, Am is a, Em is E, etc... m=minor; M=Major; P=Perfect; D=Diminished; A=Augmented. • ↑ is up/ascending; ↓ is down/descending;

Harmonic Analysis (HA) Worksheet

Visit the Harmonic Analysis for Scale and Chord Selection series of lessons for information on creating a your own Harmonic Analysis Worksheet

II7
( V of V)

A Mixolydian

Fine

D.S. al Fine

N.C.

A Mixolydian

Harmonic Analysis (HA)

A Harmonic Analysis (RMA/HA) and its worksheet are intended to show the function of the chords, the harmonic principles used, the keys and tonalities the song explores. And, can be used for scale selections and chord and scale substitutions.

NOTE: A Harmonic Analysis Worksheet is NOT intended to be a lead leadsheet. Minimal roadmap information such as repeats, fine, D.S., D.C., and codas has been used in preparing the worksheets to somewhat mirror the leadsheet in the Daily Ukulele book.

Sections, Verse, Chorus, 1st, 2nd Ending, turnbacks …

The worksheets will show 1st, 2nd Ending, turnbacks, etc. as in indicated the Yellow Book. You should start to recognize that 1st endings typically always return to a previous verse or an

section. With a 2nd ending, a transition to a different part of the song, a

or chorus. Harmonic Principles are used for these repeats and transitions.

If turnback chords are not indicated for the these 1st and 2nd endings in the original Yellow Book leadsheet recommended chord(s) will indicated in parentheses or as an alternate harmony in Red . Typically the last measures or turnbacks will be a chord that resolves to and harmonically leads you to the next section or turning you back to the same section. Typically a V or direct substitution of that next chord.

Reference Key

This is the key of the source leadsheet.

Zip-A-Dee-Doo-Dah is in 4/4, Common Time and the Key of G .

Harmonic Principles Used:

These are the harmonic principles used in Zip-A-Dee-Doo-Dah.

Full Diatonic
Partial Diatonic • Full Diatonic includes Secondary Dominant chords

Nashville Number System (NNS)

Nashville Numbering System always uses four bars/measures per line, no bar lines, and default is each number of the number of beats per bar/measure based on the time signature. If multiple chords in same bar then they are underlined. It can be as simple as convert the Roman Numerals above to Arabic number.

At its simplest you simply replace the roman numbers with aberic numbers. e.g., I becomes 1 , II becomes 2 , etc. The only exception is the bVII7 chord becomes 7 as this borrowed chord from the Mixolydian tonality is so common and the VII (half-diminished seventh) in a major chord is so rare (actually never). And, you coul dgo as far as saying all the modes have number I II II IV V VI VII — just as in the major scale. So calling it a 7, seven as not that far out.

Check the definitive book Nashville Number System

Scale Selection

Once a Harmonic Analysis has been completed then scale selections can be made. These scale selections can be either vertical and horizontal choices. And, really only needed if you are going to take a solo or embellish the melody with added notes.

Scale Abbreviation Legend

Traditional Scales: Maj: Major (Ionian), Dim: Diminished, WT: Whole Tone, Har Min: Harmonic Minor,
Contemporary Scales: Minor Pent: Minor Pentatonic, Pent: Major Pentatonic, Blues,
Scale/Mode Names: Ion: Ionian (Major), Dor: Dorian (Minor), Phrygian: Phrygian, Lyd: Lydian, Mix: Mixolydian (Dominant), Aeol: Aeolian (Natural Minor), Loc: Locrian

Checkout LESSONSeries : Harmonic Analysis for Scale and Chord Selection or download the Harmonic Analysis for Scale and Chord Selection book. And the QuickStart Series of Scale and Arpeggio books.

Performance Notes

Links & Resources

(wikiwand) Zip-A-Dee-Doo-Dah
Zip-A-Dee-Doo-Dah •

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Harmonic Analysis Lesson Series

Harmonic Analysis ( HA ) is the process used to determine the harmonic function of chords within a chord progression. A chord progression is defined as a sequence of chords, each chord has a root and has a particular chord type. The relationship of a chord's root to a scale determines its function within that scale's tonality. Once a chord's function is identified, scale selections along with chord and scale substitutions can be made. This process is called Root Movement Analysis ( RMA ). This series of lessons are extracted from my book for use with individual private and on-line students. Each lesson directly corresponds the chapters in my book Harmonic Analysis for Scale Selection and Chord Substitution by Curt Sheller (me).

The Daily Ukulele a.k.a., The "Yellow" Book Song Index

Index of the songs in The Daily Ukulele book. 365 Songs for a Better Living.

Related Lesson Series

Related Lessons Series for Zip-A-Dee-Doo-Dah.

Harmonic Analysis for Scale and Chord Selection

Harmonic Analysis (HA), also known as the study of chord relationships, is the method used to identify the harmonic role of chords within a chord progression or song. A chord progression refers to a sequence of chords, with each chord having a root note and belonging to a specific chord type. The function of a chord within a particular scale's tonality is determined by its relationship to that scale.

The Daily Ukulele a.k.a., The "Yellow" Book

Individual Harmonic Analysis worksheets for the songs of The Daily Ukulele book.

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Harmonic Analysis for Scale Selection and Chord Substitution

Harmonic Analysis is the understanding of the functional sequence of chords. It is the process used to analyze the harmonic structure of a progression, song or composition. This analysis is then used to make scale selections for improvisation and chord substitution.

The Daily Ukulele

A Selection of Books & Reference Charts that are recommended for creating a solid foundation with your chosen instrument and music in general.

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Reference Charts

Ukulele Fingerboard Chart for C Tuning, Low or High G - G C E A

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