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Caroline In The Morning

Harmonic Analysis (RMA) Worksheet for the song: Caroline In The Morning.

Harmonic Analysis Worksheet
& Performance Notes Below

Analysis Worksheet Chords Melody Scales Performance Links

Caroline In The Morning

Released: Published: 1922

Caroline In The Morning is a popular song with words by Gus Kahn and music by Walter Donaldson, first published in 1922 by Jerome H. Remick & Co.

The song debuted on Broadway in the elaborate and risqué musical revue The Passing Show of 1922 at the Winter Garden Theater. Vaudeville performers incorporated it into their acts and helped popularize it. Among these was William Frawley, who later sang it in Paramount Pictures' original version of The Lemon Drop Kid in 1934, as well as the 1952 episode "Ricky Loses His Voice" of I Love Lucy, and the 1963 season 3 episode "Evening with a Star" of My Three Sons, where it generated moderate attention. (wikiwand);

Notable recordings when the song was new were made by such artists as Marion Harris, Van & Schenck, Paul Whiteman and the American Quartet.

"Carolina in the Morning" gradually became a standard, being revived regularly as a popular song into the 1950s. Al Jolson recorded it on June 11, 1947 and he featured it in the film Jolson Sings Again (1949). Danny Winchell had a hit with his version in 1952. (wikiwand);

Caroline In The Morning is in the The Daily Ukulele — 365 Songs for Better Living book.

Strum a different song every day with easy arrangements of 365 of your favorite songs in one big songbook! The Daily Ukulele features ukulele arrangements with melody, lyrics and uke chord grids and are in ukulele-friendly keys that are particularly suited for groups of one to one hundred to play and sing.

The Daily Ukulele — 365 Songs for Better Living • INDEX of Songs

Caroline In The Morning Ukulele Chords

C Cmaj7 C6 C#dim G7 A+ Dm7 Dm6 C#dim F A7 D7 G E7 Am C7

Theses and many other chords are covered in the Learn A Chord A Day series of lessons.

C Tuning Chords

Starting Melody Note and 1st Interval

Start on P5 ↓ m3. Original in the Key of C, Tempo 121 bmp.

C Tuning, Low or High G

INTERVALS: Root=note that begins a scale of the starting key; C is C, D is D, Am is a, Em is E, etc... m=minor; M=Major; P=Perfect; D=Diminished; A=Augmented. • ↑ is up/ascending; ↓ is down/descending;

Harmonic Analysis (HA) Worksheet

Visit the Harmonic Analysis for Scale and Chord Selection series of lessons for information on creating a your own Harmonic Analysis Worksheet

Cmaj7

C#dim

I#dim

C: C Ionian

C# Dim

Dm/C#

Dm/C

Dm/B

To Coda

Dm*

A+

Dm7

Dm6

D#dim

I#dim

D# Dim

A classic I ImL7 Im7 Im6 Minor Line Cliche. Basically a minor triad with, typically, a 1/2 step descending bass movement, D C# C B . The second chord in the harmonic sequence is often mis-named, based on it's shape as an augmented triad — and not its harmonic function..

VI7
( V of II)

A Mix

D.S. al Coda

III7
( V of VI)

II7
(II V of V)

E Mix-2-6

D Mix

Coda

I7
( V of IV)

C Mix

II7
( V of V)

II7

D Mix

Harmonic Analysis (HA)

A Harmonic Analysis (RMA/HA) and its worksheet are intended to show the function of the chords, the harmonic principles used, the keys and tonalities the song explores. And, can be used for scale selections and chord and scale substitutions.

NOTE: A Harmonic Analysis Worksheet is NOT intended to be a lead leadsheet. Minimal roadmap information such as repeats, fine, D.S., D.C., and codas has been used in preparing the worksheets to somewhat mirror the leadsheet in the Daily Ukulele book.

Sections, Verse, Chorus, 1st, 2nd Ending, turnbacks …

The worksheets will show 1st, 2nd Ending, turnbacks, etc. as in indicated the Yellow Book. You should start to recognize that 1st endings typically always return to a previous verse or an

section. With a 2nd ending, a transition to a different part of the song, a

or chorus. Harmonic Principles are used for these repeats and transitions.

If turnback chords are not indicated for the these 1st and 2nd endings in the original Yellow Book leadsheet recommended chord(s) will indicated in parentheses or as an alternate harmony in Red . Typically the last measures or turnbacks will be a chord that resolves to and harmonically leads you to the next section or turning you back to the same section. Typically a V or direct substitution of that next chord.

Reference Key

This is the key of the source leadsheet.

Caroline In The Morning is in 4/4, Common Time and the Key of C . The original is in the Key of A , Tempo: 138 bpm

Harmonic Principles Used:

These are the harmonic principles used in Caroline In The Morning.

Full Diatonic
Partial Diatonic • Full Diatonic includes Secondary Dominant chords
Internal Modulation
Unresolved • Unresolved chords appear identical to partial diatonic chords and are active chords ( II , IV , V , VII ) but do not resolve to passive chords ( I , III , VI ).
Chromatic

Nashville Number System (NNS)

Nashville Numbering System always uses four bars/measures per line, no bar lines, and default is each number of the number of beats per bar/measure based on the time signature. If multiple chords in same bar then they are underlined. It can be as simple as convert the Roman Numerals above to Arabic number.

At its simplest you simply replace the roman numbers with aberic numbers. e.g., I becomes 1 , II becomes 2 , etc. The only exception is the bVII7 chord becomes 7 as this borrowed chord from the Mixolydian tonality is so common and the VII (half-diminished seventh) in a major chord is so rare (actually never). And, you coul dgo as far as saying all the modes have number I II II IV V VI VII — just as in the major scale. So calling it a 7, seven as not that far out.

Check the definitive book Nashville Number System

Scale Selection

Once a Harmonic Analysis has been completed then scale selections can be made. These scale selections can be either vertical and horizontal choices. And, really only needed if you are going to take a solo or embellish the melody with added notes.

Scale Abbreviation Legend

Traditional Scales: Maj: Major (Ionian), Dim: Diminished, WT: Whole Tone, Har Min: Harmonic Minor,
Contemporary Scales: Minor Pent: Minor Pentatonic, Pent: Major Pentatonic, Blues,
Scale/Mode Names: Ion: Ionian (Major), Dor: Dorian (Minor), Phrygian: Phrygian, Lyd: Lydian, Mix: Mixolydian (Dominant), Aeol: Aeolian (Natural Minor), Loc: Locrian

Checkout LESSONSeries : Harmonic Analysis for Scale and Chord Selection or download the Harmonic Analysis for Scale and Chord Selection book. And the QuickStart Series of Scale and Arpeggio books.

Performance Notes

Minor Line Cliche

Here is an example using Dm of the Lien Cliche.

C Tuning, Low G

Minor Line Cliche Using Minor Triads

Three examples using the three minor triads. The 1/2 steps root movement doesn't have to the the lowest note in the voicing.

Links & Resources

(wikiwand) Caroline In The Morning
"Carolina in the Morning" (Al Jolson, 1947) •
Carolina In The Morning (1997 Remaster) •

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Harmonic Analysis ( HA ) is the process used to determine the harmonic function of chords within a chord progression. A chord progression is defined as a sequence of chords, each chord has a root and has a particular chord type. The relationship of a chord's root to a scale determines its function within that scale's tonality. Once a chord's function is identified, scale selections along with chord and scale substitutions can be made. This process is called Root Movement Analysis ( RMA ). This series of lessons are extracted from my book for use with individual private and on-line students. Each lesson directly corresponds the chapters in my book Harmonic Analysis for Scale Selection and Chord Substitution by Curt Sheller (me).

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