Chicago (That Toddlin' Town)

Harmonic Analysis Worksheet (RMA/HA)

Published: 23 Dec 2023 Updated: 26 Feb 2023Visits: 0Code: ULHA-YB-54

Category: Harmonic-AnalysisInstrument: Any Subjects: Theory • Progressions • Harmony • Analysis • RMA

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Chicago (That Toddlin' Town)


Harmonic Analysis (RMA) Worksheet for the song: Chicago (That Toddlin' Town).

Chicago (That Toddlin' Town)

Released: Instrumental version played over opening credits of 1933 film, Little Giant

Chicago (That Toddlin' Town) is a popular song written by Fred Fisher and published in 1922. The original sheet music variously spelled the title "Todd'ling" or "Toddling." The song has been recorded by many artists, but the best-known versions are by Frank Sinatra, Ben Selvin and Judy Garland. The song alludes to the city's colorful past, feigning "... the surprise of my life / I saw a man dancing with his own wife", mentioning evangelist Billy Sunday as having not been able to "shut down" the city, and State Street where "they do things they don't do on Broadway".

The song made a minor appearance on the U.S. pop charts, reaching #84 in the fall of 1957. It was the first of two charting songs about Chicago recorded by Sinatra. The other was "My Kind of Town" from 1964, which reached U.S. #110. (wikiwand) ·

Chicago (That Toddlin' Town) is in the The Daily Ukulele 365 Songs for Better Living book.

Strum a different song every day with easy arrangements of 365 of your favorite songs in one big songbook! The Daily Ukulele features ukulele arrangements with melody, lyrics and uke chord grids and are in ukulele-friendly keys that are particularly suited for groups of one to one hundred to play and sing.

Chords

C Dm Em7 A7 G7 D7 Bm7 E7 Am F Bb7

Theses and many other chords where covered in the Learn A Chord A Day series of lessons.

C Tuning Chords

Starting Melody Note and 1st Interval

  • Start on Root ↓ ↑ m2. Original in the Key of C.
  • C Tuning, Low or High G

    INTERVALS: Root=note that begins a scale of the starting key; C is C, D is D, Am is a, Em is E, etc... m=minor; M=Major; P=Perfect; D=Diminished; A=Augmented. • ↑ is up/ascending; ↓ is down/descending;

    Harmonic Analysis (HA)

    A Harmonic Analysis (RMA/HA) and its worksheet are intended to show the function of the chords, the harmonic principles used, the keys and tonalities the song explores. And, can be used for scale selections and chord and scale substitutions.

    A Harmonic Analysis Worksheet is NOT intended to be a leadsheet and minimal roadmap information such repeats, fines, D.S., D.C., codas have been used in preparing the worksheets to somewhat mirror the leadsheet in the Daily Ukulele book..

    Sections, Verse, Chorus, 1st, 2nd Ending, turnbacks …

    The worksheets will show 1st, 2nd Ending, turnbacks, etc. as in indicated the Yellow Book. You should start to recognize that 1st endings typically always return to a previous or verse or section. With a 2nd ending, a transition to a different section, a or chorus. Harmonic Principles are used for these repeats and transitions.

    If turnbacks chord are not indication for the these 1st, 2nd Ending will indicate recommended chord(s) in parentheses or as an alternate harmony in Red . Typically the last measures or turnbacks will be a chord that resolves to and harmonically leads you to the next section or turning you back to the same section.

    Reference Key

    This is the key of the source leadsheet.

    • Chicago (That Toddlin' Town) is in 4/4, Common Time and the Key of C . Chicago (That Toddlin' Town) (with The Dave Brubeck Trio) - Live at the Washington Monument, Washington, D.C. – August 1962 the Key of F , Tempo: 150 bpm

    Harmonic Principles Used:

    Harmonic Analysis (HA) Worksheet

    Visit the Harmonic Analysis for Scale and Chord Selection series of lessons for information on creating a Harmonic Analysis Worksheet

    Cmaj7
    Dm
    Em7
    A7
    Dm7
    G7
    Dm7
    G7
    I
    II
    III

    VI7
    (II V of II)

    II
    V
    II
    V

    C: C Ionian

    A Mix-2-6

    To Coda

    Dm
    G7
    G7
    C6
    Dm7
    G7
    II
    V
    I
    II
    V
    Cmaj
    Cmaj
    D7
    D7
    I

    II7
    ( V of V)

    D Mix

    D.S. al Coda

    Dm
    G7
    Dm
    G7
    Cmaj7
    G7
    II
    V
    II
    V
    I
    V
    Bm7
    E7
    Am
    A7
    F
    VIIm7

    III7
    (II V of VI)

    VI
    VI7
    IV

    E Mix-2-6

    A mix

    Not really a Secondary Dominant to the IV , however the IV chords - but, can be a sub for the II . In this example here the F chord is FAC and the a Dm , DFA share two notes. Both have the F note as a chrod tone, which is key for the harmonic function that either one would be providing. Just a thought and doesn't change the scale for the A7 .

    Fm7
    Bb7
    Bb7
    Cmaj7
    C
    G7
    I
    VI
    IV
    V

    Bb Mix

    Bb7 is from the Minor Third Substitution Principle and a Backdoor Substitution for the V , Dominant chord of the keys. Can often be preceded by its II chord.

    G7
    C6
    C6
    V
    I

    Nashville Number System (NNS)

    Nashville Numbering System always uses four bars/measures per line, no bar lines, and default is each number of the number of beats per bar/measure based on the time signature. If multiple chords in same bar then they are underlined. It can be as simple as convert the Roman Numerals above to Arabic number.

    Scale Selection

    Once a Harmonic Analysis has been completed then scale selections can be made. These scale selections can be either vertical and horizontal choices. And, really only needed if you are going to take a solo or embellish the melody with added notes.

    Scale Abbreviation Legend

    Traditional Scales: Maj: Major (Ionian), Dim: Diminished, WT: Whole Tone, Har Min: Harmonic Minor,
    Contemporary Scales: Minor Pent: Minor Pentatonic, Pent: Major Pentatonic, Blues,
    Scale/Mode Names: Ion: Ionian (Major), Dor: Dorian (Minor), Phrygian: Phrygian, Lyd: Lydian, Mix: Mixolydian (Dominant), Aeol: Aeolian (Natural Minor), Loc: Locrian

    Checkout LESSONSeries : Harmonic Analysis for Scale and Chord Selection or download the Harmonic Analysis for Scale and Chord Selection book. And the QuickStart Series of Scale and Arpeggio books.

    RMA book cover QS1UKES book cover

    Performance Notes

    Any performance notes will show here.

    Links & Resources

    Sign-IN — it's FREE — to view, un-blur any additional content for this lesson.

    End of Lesson - Thanks, Hope You Enjoyed It!

    Related Lessons, Videos, Lesson Series, Songs, Books & Reference Charts, Resources & Assets, Workshops are below.

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    Harmonic Analysis ( HA ) is the process used to determine the harmonic function of chords within a chord progression. A chord progression is defined as a sequence of chords, each chord has a root and has a particular chord type. The relationship of a chord's root to a scale determines its function within that scale's tonality. Once a chord's function is identified, scale selections along with chord and scale substitutions can be made. This process is called Root Movement Analysis ( RMA ). This series of lessons are extracted from my book for use with individual private and on-line students. Each lesson directly corresponds the chapters in my book Harmonic Analysis for Scale Selection and Chord Substitution by Curt Sheller (me).

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    Harmonic Analysis (HA), also known as the study of chord relationships, is the method used to identify the harmonic role of chords within a chord progression or song. A chord progression refers to a sequence of chords, with each chord having a root note and belonging to a specific chord type. The function of a chord within a particular scale's tonality is determined by its relationship to that scale.

    The Daily Ukulele a.k.a., The "Yellow" Book

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    The Daily Ukulele

    Updated: 16 Feb 2024

    Strum a different song every day with easy arrangements of 365 of your favorite songs in one big songbook! The Daily Ukulele features ukulele arrangements with melody, lyrics and uke chord grids and are in ukulele-friendly keys that are particularly suited for groups of one to one hundred to play and sing.

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    A Selection of Books & Reference Charts that are recommended for creating a solid foundation with your chosen instrument and music in general.

    Books

    Learning the Ukulele Fingerboard – C Tuning

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    Reference Charts

    Ukulele Fingerboard Chart for C Tuning, Low or High G - G C E A

    Ukulele Fingerboard Chart for C Tuning, Low or High G – G C E A

    Ukulele Fingerboard Chart for G Tuning, Low or High A – D G B E

    Ukulele Fingerboard Chart for G Tuning, Low or High A – D G B E

    Key Signatures — Circle of Fourths and Fifths – ANSI A & A4 sizes

    A handy reference chart of all 15 major and relative minor key signatures. US Letter 8.5 x 11 sized (ANSI-A) , A4

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    Key Signatures - Cycle of Fourths and Fifths

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    A handy reference chart of all 15 major and relative minor key signatues. US Letter 8.5 x 11 sized.

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    Key Signatures - Cycle of Fourths and Fifths - A4 Sized

    Updated: 14 Oct 2019

    A handy reference chart of all 15 major and relative minor key signatues. A4 sized.

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