Getting To Know You

Harmonic Analysis Worksheet (RMA/HA)

Published: 09 Jan 2024 Updated: 09 Jan 2024Visits: 9Code: ULHA-YB-88

Category: Harmonic-AnalysisInstrument: Ukulele Subjects: Theory • Progressions • Harmony • Analysis • RMA

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Getting To Know You


Harmonic Analysis (RMA) Worksheet for the song: Getting To Know You.

Getting To Know You

Published 1951

Getting To Know You is a show tune from the 1951 Rodgers and Hammerstein musical The King and I . It was first sung by Gertrude Lawrence in the original Broadway production and later by Marni Nixon who dubbed for Deborah Kerr in the 1956 film adaptation. In the show, Anna, a British schoolteacher who has been hired as a governess, sings the song as she strikes up a warm and affectionate relationship with the children and the wives of the King of Siam.

This song is one of the cases during the Rodgers and Hammerstein partnership when Rodgers re-used a melody he had written for an earlier show and then discarded. In this case the melody was a tune he wrote for South Pacific, called "Suddenly Hungry and Sad", which he originally intended for the character of Nellie to sing but replaced it with the song "(I'm in Love with) a Wonderful Guy". Mary Martin, the star of South Pacific, who had proposed that Rodgers should cast Yul Brynner as the King, reminded Rodgers of this tune, and so Hammerstein wrote new lyrics to it. (wikiwand)

Getting To Know You is in the The Daily Ukulele 365 Songs for Better Living book.

Strum a different song every day with easy arrangements of 365 of your favorite songs in one big songbook! The Daily Ukulele features ukulele arrangements with melody, lyrics and uke chord grids and are in ukulele-friendly keys that are particularly suited for groups of one to one hundred to play and sing.

Chords

G Gmaj7 G6 Am D7 C6 Em7 A7 G7 C

Theses and many other chords where covered in the Learn A Chord A Day series of lessons.

C Tuning Chords

Starting Melody Note and 1st Interval

  • Start on M3 ↑ m2.
  • INTERVALS: Root=note that begins a scale of the starting key; C is C, D is D, Am is a, Em is E, etc... m=minor; M=Major; P=Perfect; D=Diminished; A=Augmented. • ↑ is up/ascending; ↓ is down/descending;

    Harmonic Analysis (HA)

    A Harmonic Analysis (RMA/HA) and its worksheet are intended to show the function of the chords, the harmonic principles used, the keys and tonalities the song explores. And, can be used for scale selections and chord and scale substitutions.

    A Harmonic Analysis Worksheet is NOT intended to be a leadsheet and minimal roadmap information such repeats, fines, D.S., D.C., codas have been used in preparing the worksheets to somewhat mirror the leadsheet in the Daily Ukulele book..

    Sections, Verse, Chorus, 1st, 2nd Ending, turnbacks …

    The worksheets will show 1st, 2nd Ending, turnbacks, etc. as in indicated the Yellow Book. You should start to recognize that 1st endings typically always return to a previous or verse or section. With a 2nd ending, a transition to a different section, a or chorus. Harmonic Principles are used for these repeats and transitions.

    If turnbacks chord are not indication for the these 1st, 2nd Ending will indicate recommended chord(s) in parentheses or as an alternate harmony in Red . Typically the last measures or turnbacks will be a chord that resolves to and harmonically leads you to the next section or turning you back to the same section.

    Reference Key

    This is the key of the source leadsheet.

    • Getting To Know You is in 4/4, Cut Time and the Key of G . The Richard Rodgers original is in the Key of C , Tempo: 127 bpm.

    Harmonic Principles Used:

    Harmonic Analysis (HA) Worksheet

    Visit the Harmonic Analysis for Scale and Chord Selection series of lessons for information on creating a Harmonic Analysis Worksheet

    G
    Gmaj7
    G6
    Gmaj7
    Am
    D7
    Am
    D7
    I
    II
    V
    II
    V

    G: G Ionian

    To Coda

    Am
    D7
    Am
    D7
    G (G7 last time)
    II
    V
    II
    II
    I (I7 last time)
    G
    Gmaj7
    G6
    Gmaj7
    Cmaj7
    C6
    I
    IV
    Unresolved: II V

    D.S. al Coda

    Em7
    A7
    Am
    D7
    II
    V
    II
    V

    D: D Ionian

    Coda

    Cmaj7
    C6
    Am
    D7
    Gmaj7
    G7
    C
    IV
    II
    V
    I

    I7
    ( V of IV)

    IV

    G Mix

    Gmaj7
    Am
    D7
    G
    I
    II
    V
    I
    Unresolved: II V
    Em7
    A7
    Am
    D7
    G
    G
    II
    V
    II
    V
    I

    D: D Ionian

    Nashville Number System (NNS)

    Nashville Numbering System always uses four bars/measures per line, no bar lines, and default is each number of the number of beats per bar/measure based on the time signature. If multiple chords in same bar then they are underlined. It can be as simple as convert the Roman Numerals above to Arabic number.

    Scale Selection

    Once a Harmonic Analysis has been completed then scale selections can be made. These scale selections can be either vertical and horizontal choices. And, really only needed if you are going to take a solo or embellish the melody with added notes.

    Scale Abbreviation Legend

    Traditional Scales: Maj: Major (Ionian), Dim: Diminished, WT: Whole Tone, Har Min: Harmonic Minor,
    Contemporary Scales: Minor Pent: Minor Pentatonic, Pent: Major Pentatonic, Blues,
    Scale/Mode Names: Ion: Ionian (Major), Dor: Dorian (Minor), Phrygian: Phrygian, Lyd: Lydian, Mix: Mixolydian (Dominant), Aeol: Aeolian (Natural Minor), Loc: Locrian

    Checkout LESSONSeries : Harmonic Analysis for Scale and Chord Selection or download the Harmonic Analysis for Scale and Chord Selection book. And the QuickStart Series of Scale and Arpeggio books.

    RMA book cover QS1UKES book cover

    Performance Notes

    Links & Resources

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    End of Lesson - Thanks, Hope You Enjoyed It!

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