All 976 Lessons

Next size up from the Concert ukulele is the Tenor ukulele. A tenor ukulele typically has 17 to 19 frets. The most common tuning for a tenor ukulele is G C E A, or 'C' Tuning. The same as the Soprano and Concert ukulele.

The Lydian tetrachord is the 1 2 3 #4 of a Lydian, Lydian Dominant, or Whole Tone scale.

The Major tetrachord is the 1 2 3 4 of a Ionian (Major), or Mixolydian (Dominant) scale.

The Minor tetrachord is the 1 2 b3 4 of a Aeolian (Natural Minor) scale.

The Phrygian tetrachord is the 1 b2 b3 4 of a Phrygian scale.

The Phrygian Major tetrachord is the 1 b2 3 4 of a Phrygian scale.

Harmonic Analysis (RMA) Worksheet for the song: "That'll Be The Day" by Buddy Holly.

Harmonic Analysis (RMA) Worksheet for the song: "The 59th Street Bridge Song (Feelin' Groovy)".

The "A/Bb Movable Barre Form" chords are movable form barre chords based on the open position A, Am, A7 and Am7 chords. With the root on string five, these chord can be transposed to ANY key.

The "Andalusian" cadence is a term adopted from flamenco music for a chord progression comprising four chords descending stepwise. It is otherwise known as the minor descending tetrachord. Traceable back to the Renaissance, its effective sonorities made it one of the most popular progressions in classical music.

Harmonic Analysis (RMA) Worksheet for the song: "The Battle Hymn Of The Republic".

Harmonic Analysis (RMA) Worksheet for the song: "The Bear Went Over The Mountain".

Harmonic Analysis (RMA) Worksheet for the song: "The Best Things In Live Are Free".

The Big Six Core Chords: "F6". This is the Level II of your core 4-part "Jazz" chords. The F6 is a 1 3 5 6 of the major scale, based on the root of the chord. A major 6th chord can be derived either from a seventh or major seventh chord. From a seventh chord lower the flat seventh one fret. From a major seventh chord lower the natural seventh two frets.

The Big Six Core Chords, Level I - F7, four voicings. The F7 is a 1 3 5 b7 of the major scale, based on the root of the chord. For F7 the chord tones are: F A C Eb. These ARE the four F7 chord voicings that are used for deriving other chords. If all else fails when trying to remember a particular chord you can go back to your base seventh chords and go through the chord formula for deriving the chord you need.

Learning the locations of the chord tones - the actual names of the "F7" chords, the foundation chord for our Big Six Core Chords.

The Big Six Core Chords - Level I: "F7" is created from the "1 3 5 b7" of the major scale, based on the root of the chord. For "F7" the chord tones are: F A C Eb. This lesson introduces the four "F7" voicings on the string set, strings 1, 2. 3, and 4. The Chords are shown for C Tuning, Low and High G.

The Big Six Core Chords - "F7", four voicings. From shape to chord tones to intervals and back again. Really, learning what a chord is made of.

The Big Six Core Chords, Level I - Fdim7, four voicings. Fdim7 is a 1 b3 b5 bb7 of the major scale, based on the root of the chord. These are the four Fdim7 chord voicings that will be used for deriving other chords. There are far too many chord shapes to memorize thousands of shapes.

The Big Six Core Chords: "Fm6". This is the Level II of your core 4-part "Jazz" chords. The Fm6 is a 1 b3 5 6 of the major scale, based on the root of the chord. A minor 6th chord can be derived either from a minor seventh or major sixth chord. From a minor seventh chord lower the flat seventh one fret. From a major sixth chord lower the natural third one fret.