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All Of Me

Harmonic Analysis (RMA) Worksheet for the song: All Of Me.

Harmonic Analysis Worksheet
& Performance Notes Below

Analysis Worksheet Chords Melody Scales Performance Links

All Of Me

published 1931 by Irving Berlin, Inc.

All Of Me is a popular song and jazz standard written by Gerald Marks and Seymour Simons in 1931.

Gerald Marks and Seymour Simons wrote the words and music of "All of Me" in 1931. It has an ABAC structure, and is written in the key of B-flat major. There is a 20-bar introductory verse, but this is routinely omitted.

"The melody [...] combines the contradictory possibilities of the song. The downward thrusts of the opening phrases hint at emotional despair while the closing line, with its repeated high notes, seems almost jubilant." It is usually performed at a medium tempo. The harmony is relatively straightforward, and has served as the basis for Lennie Tristano's "Line Up", Warne Marsh's "Background Music", and Bill Dobbins's. (wikiwand);

All Of Me is in the The Daily Ukulele — 365 Songs for Better Living book.

Strum a different song every day with easy arrangements of 365 of your favorite songs in one big songbook! The Daily Ukulele features ukulele arrangements with melody, lyrics and uke chord grids and are in ukulele-friendly keys that are particularly suited for groups of one to one hundred to play and sing.

The Daily Ukulele — 365 Songs for Better Living • INDEX of Songs

All Of Me Ukulele Chords

F A7 D7 Gm7 G7 C7 Bbm6 Am7b5

Theses and many other chords are covered in the Learn A Chord A Day series of lessons.

C Tuning Chords

Starting Melody Note and 1st Interval

Start on M3 ↓ P5.

INTERVALS: Root=note that begins a scale of the starting key; C is C, D is D, Am is a, Em is E, etc... m=minor; M=Major; P=Perfect; D=Diminished; A=Augmented. • ↑ is up/ascending; ↓ is down/descending;

Harmonic Analysis (HA) Worksheet

Visit the Harmonic Analysis for Scale and Chord Selection series of lessons for information on creating a your own Harmonic Analysis Worksheet

Fmaj7

III7
( V of VI)

A Mix+4

Gm7

VI7
( V of II)

D Mix+4:

III7
( V of VI)

A Mix+4:

Gm7

II7
( V of V)

G Mix+4:

Fmaj7

II7
( V of V)

**F:**

A Mix+4

Gm7

VI7
( V of II)

D Mix+4:

Bbmaj7

Bbm6

Am7

Gm7

Bbm6

Am7b5

IVm6

IIm7b5

VI7
( V of II)

Bb Dorian

Sub: Am7 D7 is a II V of II (Gm7)

Gm7

(D7b9/F#

Gm7

C7)*

Bbm6

II7
( V of V)

IVm6

Gm7 C7 is a II V of F

* This turnback/turaround would more often than not be written as F6 F#dim7 | Gm7 C7 a I VI7 | II V . With the F#dim7 a Disguised Secondary Dominant

Ralph Patt Vanilla Book

Checkout the Ralph Patt Vanilla Book Vanilla changes for All Of Me • The Vanilla Book uncovers the basic ("Vanilla") chord changes to over 400 of the most commonly played jazz standards to help the jazz player learn the basic changes and allow the player to add embellishments and substitutions on a solid framework.

Embellishments to basic chords such as added 6ths, 9ths, 13ths, flat 5ths etc. are usually determined by the melody notes and the style of music being played.

            Key of C     4/4

            [    C         |   C           |    E7           |   E7         |

            |    A7        |   A7          |    A7    Dm     |   Dm         |

            |    E7        |   E7          |    Am           |   Am         |

            |    D7        |   D7          |    G7           |   G7         |

            ||   C         |   C           |    E7           |   E7         |

            |    A7        |   A7          |    A7    Dm     |   Dm         |

            |    F         |   Fm          |    C    Em7b5   |   A7         |

            |    Dm7b5     |   G7          |    C            |   C          |

Harmonic Analysis (HA)

A Harmonic Analysis (RMA/HA) and its worksheet are intended to show the function of the chords, the harmonic principles used, the keys and tonalities the song explores. And, can be used for scale selections and chord and scale substitutions.

NOTE: A Harmonic Analysis Worksheet is NOT intended to be a lead leadsheet. Minimal roadmap information such as repeats, fine, D.S., D.C., and codas has been used in preparing the worksheets to somewhat mirror the leadsheet in the Daily Ukulele book.

Sections, Verse, Chorus, 1st, 2nd Ending, turnbacks …

The worksheets will show 1st, 2nd Ending, turnbacks, etc. as in indicated the Yellow Book. You should start to recognize that 1st endings typically always return to a previous verse or an

section. With a 2nd ending, a transition to a different part of the song, a

or chorus. Harmonic Principles are used for these repeats and transitions.

If turnback chords are not indicated for the these 1st and 2nd endings in the original Yellow Book leadsheet recommended chord(s) will indicated in parentheses or as an alternate harmony in Red . Typically the last measures or turnbacks will be a chord that resolves to and harmonically leads you to the next section or turning you back to the same section. Typically a V or direct substitution of that next chord.

Reference Key

This is the key of the source leadsheet.

All Of Me is in 4/4, Common Time and the Key of F .

Harmonic Principles Used:

These are the harmonic principles used in All Of Me.

Full Diatonic
Partial Diatonic • Full Diatonic includes Secondary Dominant chords

Nashville Number System (NNS)

Nashville Numbering System always uses four bars/measures per line, no bar lines, and default is each number of the number of beats per bar/measure based on the time signature. If multiple chords in same bar then they are underlined. It can be as simple as convert the Roman Numerals above to Arabic number.

At its simplest you simply replace the roman numbers with aberic numbers. e.g., I becomes 1 , II becomes 2 , etc. The only exception is the bVII7 chord becomes 7 as this borrowed chord from the Mixolydian tonality is so common and the VII (half-diminished seventh) in a major chord is so rare (actually never). And, you coul dgo as far as saying all the modes have number I II II IV V VI VII — just as in the major scale. So calling it a 7, seven as not that far out.

Check the definitive book Nashville Number System

Scale Selection

Once a Harmonic Analysis has been completed then scale selections can be made. These scale selections can be either vertical and horizontal choices. And, really only needed if you are going to take a solo or embellish the melody with added notes.

Scale Abbreviation Legend

Traditional Scales: Maj: Major (Ionian), Dim: Diminished, WT: Whole Tone, Har Min: Harmonic Minor,
Contemporary Scales: Minor Pent: Minor Pentatonic, Pent: Major Pentatonic, Blues,
Scale/Mode Names: Ion: Ionian (Major), Dor: Dorian (Minor), Phrygian: Phrygian, Lyd: Lydian, Mix: Mixolydian (Dominant), Aeol: Aeolian (Natural Minor), Loc: Locrian

Checkout LESSONSeries : Harmonic Analysis for Scale and Chord Selection or download the Harmonic Analysis for Scale and Chord Selection book. And the QuickStart Series of Scale and Arpeggio books.

Performance Notes

Checkout the All of Me — Premium Play-along Track in the Key of C for a very cool ending.

Links & Resources

(wikiwand); All Of Me
All Of Me is available as a Premium Playlong Track
All Of Me •

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End of Lesson - Thanks, Hope You Enjoyed It!

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All of Me

All of Me is a popular song and jazz standard written by Gerald Marks and Seymour Simons in 1931. First performed by Belle Baker over the radio and recorded in December 1931 by Ruth Etting, it has become one of the most recorded songs of its era, with notable versions by Russ Columbo, Bing Crosby, Billie Holiday, Louis Armstrong, Mildred Bailey, Benny Goodman, Teddy Wilson in 1941, the Count Basie Orchestra, Ella Fitzgerald, Sarah Vaughan (for the 1957 album, Swingin' Easy), Dean Martin, Frank Sinatra, Frankie Laine and countless more.

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