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Mele Kalikimaka

Harmonic Analysis (RMA) Worksheet for the song: Mele Kalikimaka.

Harmonic Analysis Worksheet
& Performance Notes Below

Analysis Worksheet Chords Melody Scales Performance Links

Mele Kalikimaka

Released: 1950

Mele Kalikimaka (pronounced [ˈmɛlɛ kəˌlikiˈmɐkə]) is a Hawaiian-themed Christmas song written in 1949 by R. Alex Anderson. The song takes its title from the Hawaiian phrase Mele Kalikimaka, meaning "Merry Christmas". One of the earliest recordings of this song was by Bing Crosby and the Andrews Sisters in 1950 on Decca. It has been covered by many artists and used in several films (including L.A. Confidential, Catch Me If You Can, and National Lampoon's Christmas Vacation).

The expression Mele Kalikimaka is a loan phrase from English. But since the Hawaiian language has a different phonological system from English, it is not possible to render a pronunciation that is especially close to Merry Christmas. Standard Hawaiian does not have the /r/ or /s/ sounds of English and its phonotactic constraints do not permit consonants at the end of syllables or consonant clusters. Thus the closest approximation to Merry Christmas is Mele Kalikimaka.[6] The earliest record of the greeting, Mele Kalikimaka, in print is from 1904, in the Hawaiian language newspaper Ka Nupepa Kuokoa, published between 1861 and 1927. (wikiwand);

Mele Kalikimaka is in the The Daily Ukulele — 365 Songs for Better Living book.

Strum a different song every day with easy arrangements of 365 of your favorite songs in one big songbook! The Daily Ukulele features ukulele arrangements with melody, lyrics and uke chord grids and are in ukulele-friendly keys that are particularly suited for groups of one to one hundred to play and sing.

The Daily Ukulele — 365 Songs for Better Living • INDEX of Songs

Mele Kalikimaka Ukulele Chords

F Abdim C7 F7 Bb D7 G7 Am7b5

Theses and many other chords are covered in the Learn A Chord A Day series of lessons.

C Tuning Chords

Starting Melody Note and 1st Interval

Start on Root ↑ P5 ↓ m2.

INTERVALS: Root=note that begins a scale of the starting key; C is C, D is D, Am is a, Em is E, etc... m=minor; M=Major; P=Perfect; D=Diminished; A=Augmented. • ↑ is up/ascending; ↓ is down/descending;

Harmonic Analysis (HA) Worksheet

Visit the Harmonic Analysis for Scale and Chord Selection series of lessons for information on creating a your own Harmonic Analysis Worksheet

F: F Ionian

Abdim

bIIIdim

Ab Diminished

F Mixolydian

Db7*

VI7

II7

D Mixolydian

G Mixolydian

Optional Chromatic Approach single beat chord on beat four.

Am7b5

D Mixolydian

G Locrian for a II V, Picary Third to I. In this case the G7 is a major chord type.

(C7)

II7

G Mixolydian

The V can be used as a Turnback to the top.

Harmonic Analysis (HA)

A Harmonic Analysis (RMA/HA) and its worksheet are intended to show the function of the chords, the harmonic principles used, the keys and tonalities the song explores. And, can be used for scale selections and chord and scale substitutions.

NOTE: A Harmonic Analysis Worksheet is NOT intended to be a lead leadsheet. Minimal roadmap information such as repeats, fine, D.S., D.C., and codas has been used in preparing the worksheets to somewhat mirror the leadsheet in the Daily Ukulele book.

Sections, Verse, Chorus, 1st, 2nd Ending, turnbacks …

The worksheets will show 1st, 2nd Ending, turnbacks, etc. as in indicated the Yellow Book. You should start to recognize that 1st endings typically always return to a previous verse or an

section. With a 2nd ending, a transition to a different part of the song, a

or chorus. Harmonic Principles are used for these repeats and transitions.

If turnback chords are not indicated for the these 1st and 2nd endings in the original Yellow Book leadsheet recommended chord(s) will indicated in parentheses or as an alternate harmony in Red . Typically the last measures or turnbacks will be a chord that resolves to and harmonically leads you to the next section or turning you back to the same section. Typically a V or direct substitution of that next chord.

Reference Key

This is the key of the source leadsheet.

Mele Kalikimaka is in 4/4, Common Time and the Key of F .

Harmonic Principles Used:

These are the harmonic principles used in Mele Kalikimaka.

Full Diatonic
Partial Diatonic • Full Diatonic includes Secondary Dominant chords

Nashville Number System (NNS)

Nashville Numbering System always uses four bars/measures per line, no bar lines, and default is each number of the number of beats per bar/measure based on the time signature. If multiple chords in same bar then they are underlined. It can be as simple as convert the Roman Numerals above to Arabic number.

At its simplest you simply replace the roman numbers with aberic numbers. e.g., I becomes 1 , II becomes 2 , etc. The only exception is the bVII7 chord becomes 7 as this borrowed chord from the Mixolydian tonality is so common and the VII (half-diminished seventh) in a major chord is so rare (actually never). And, you coul dgo as far as saying all the modes have number I II II IV V VI VII — just as in the major scale. So calling it a 7, seven as not that far out.

Check the definitive book Nashville Number System

Scale Selection

Once a Harmonic Analysis has been completed then scale selections can be made. These scale selections can be either vertical and horizontal choices. And, really only needed if you are going to take a solo or embellish the melody with added notes.

Scale Abbreviation Legend

Traditional Scale Names: Maj: Major, Dim: Diminished, WT: Whole Tone, Pent: Major Pentatonic,
Scale Mode Names: Ion: Ionian, Dor: Dorian, Phrygian: Phrygian, Lyd: Lydian, Mix: Mixolydian, Aeol: Aeolian, Loc: Locrian

Scale Abbreviation Legend

Traditional Scales: Maj: Major (Ionian), Dim: Diminished, WT: Whole Tone, Har Min: Harmonic Minor,
Contemporary Scales: Minor Pent: Minor Pentatonic, Pent: Major Pentatonic, Blues,
Scale/Mode Names: Ion: Ionian (Major), Dor: Dorian (Minor), Phrygian: Phrygian, Lyd: Lydian, Mix: Mixolydian (Dominant), Aeol: Aeolian (Natural Minor), Loc: Locrian

Checkout LESSONSeries : Harmonic Analysis for Scale and Chord Selection or download the Harmonic Analysis for Scale and Chord Selection book. And the QuickStart Series of Scale and Arpeggio books.

Performance Notes

Any performance notes will show here.

Links & Resources

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Harmonic Analysis (HA), also known as the study of chord relationships, is the method used to identify the harmonic role of chords within a chord progression or song. A chord progression refers to a sequence of chords, with each chord having a root note and belonging to a specific chord type. The function of a chord within a particular scale's tonality is determined by its relationship to that scale.

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Feliz Navidad is a Christmas song written in 1970 by the Puerto Rican singer-songwriter José Feliciano. With its simple Spanish chorus (the traditional Christmas/New Year greeting, "Feliz Navidad, próspero año y felicidad" meaning "Merry Christmas, a prosperous year and happiness") and equally simple English verse "I wanna wish you a Merry Christmas from the bottom of my heart", it has become a classic Christmas pop song in the United States, throughout the Spanish-speaking world and internationally.

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