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Bill Bailey, Won't You Please Come Home

Published: 1902

Originally titled Bill Bailey, Won't You Please Come Home – "(Won't You Come Home) Bill Bailey", is a popular song published in 1902. It is commonly referred to as simply "Bill Bailey".

Its words and music were written by Hughie Cannon, an American songwriter and pianist, and published by Howley, Haviland and Dresser. It is still a standard with Dixieland and traditional jazz bands. The simple 32-bar chord sequence of its chorus also underpins many other tunes played mainly by jazz bands, such as "Over the Waves", "Washington and Lee Swing", "Bourbon Street Parade", "My Little Girl", and the final themes of "Tiger Rag" and "The Beer Barrel Polka". (wikiwand) ·

Cannon wrote the song in 1902 when he was working as a bar pianist at Conrad Deidrich’s Saloon in Jackson, Michigan. Willard "Bill" Bailey, also a jazz musician, was a regular customer and friend, and one night told Cannon about his marriage to Sarah (née Siegrist). Cannon "was inspired to rattle off a ditty about Bailey’s irregular hours. Bailey thought the song was a scream (i.e. very good), and he brought home a dashed-off copy of the song to show Sarah. Sarah couldn’t see the humor...[but] accepted without comment the picture it drew of her as a wife." Cannon sold all rights to the song to a New York publisher, and he died from cirrhosis at age 35. Willard and Sarah Bailey later divorced; He moved to Los Angeles with their daughter Frances, he died in 1954, and Sarah died in 1976, age about 102. (See New York Times archives 1976, unknown date). (wikiwand) ·

Bill Bailey, Won't You Please Come Home is in the The Daily Ukulele — 365 Songs for Better Living book.

Strum a different song every day with easy arrangements of 365 of your favorite songs in one big songbook! The Daily Ukulele features ukulele arrangements with melody, lyrics and uke chord grids and are in ukulele-friendly keys that are particularly suited for groups of one to one hundred to play and sing.

The Daily Ukulele — 365 Songs for Better Living • INDEX of Songs

Theses and many other chords are covered in the Learn A Chord A Day series of lessons.

Start on P5 ↑ M2.

C Tuning, Low G

INTERVALS: Root=note that begins a scale of the starting key; C is C, D is D, Am is a, Em is E, etc... m=minor; M=Major; P=Perfect; D=Diminished; A=Augmented. • ↑ is up/ascending; ↓ is down/descending;

Visit the Harmonic Analysis for Scale and Chord Selection series of lessons for information on creating a your own Harmonic Analysis Worksheet

A Harmonic Analysis (RMA/HA) and its worksheet are intended to show the function of the chords, the harmonic principles used, the keys and tonalities the song explores. And, can be used for scale selections and chord and scale substitutions.

< NOTE: A Harmonic Analysis Worksheet is NOT intended to be a lead leadsheet. Minimal roadmap information such as repeats, fines, D.S., D.C., and codas has been used in preparing the worksheets to somewhat mirror the leadsheet in the Daily Ukulele book.

The worksheets will show 1st, 2nd Ending, turnbacks, etc. as in indicated the Yellow Book. You should start to recognize that 1st endings typically always return to a previous verse or an section. With a 2nd ending, a transition to a different part of the song, a or chorus. Harmonic Principles are used for these repeats and transitions.

If turnback chords are not indicated for the these 1st and 2nd endings in the original Yellow Book leadsheet recommended chord(s) will indicated in parentheses or as an alternate harmony in Red . Typically the last measures or turnbacks will be a chord that resolves to and harmonically leads you to the next section or turning you back to the same section. Typically a V or direct substitution of that next chord.

Reference Key

This is the key of the source leadsheet.

• Bill Bailey, Won't You Please Come Home is in 4/4, Cut Time and the Key of D .

Harmonic Principles Used:

These are the harmonic principles used in Bill Bailey, Won't You Please Come Home.

• Full Diatonic
• Partial Diatonic • Full Diatonic includes Secondary Dominant chords

Nashville Numbering System always uses four bars/measures per line, no bar lines, and default is each number of the number of beats per bar/measure based on the time signature. If multiple chords in same bar then they are underlined. It can be as simple as convert the Roman Numerals above to Arabic number.

At its simplest you simply replace the roman numbers with aberic numbers. e.g., I becomes 1 , II becomes 2 , etc. The only exception is the bVII7 chord becomes 7 as this borrowed chord from the Mixolydian tonality is so common and the VII (half-diminished seventh) in a major chord is so rare (actually never).

Check the definitive book Nashville Number System

Once a Harmonic Analysis has been completed then scale selections can be made. These scale selections can be either vertical and horizontal choices. And, really only needed if you are going to take a solo or embellish the melody with added notes.

Scale Abbreviation Legend

Traditional Scales: Maj: Major (Ionian), Dim: Diminished, WT: Whole Tone, Har Min: Harmonic Minor,
Contemporary Scales: Minor Pent: Minor Pentatonic, Pent: Major Pentatonic, Blues,
Scale/Mode Names: Ion: Ionian (Major), Dor: Dorian (Minor), Phrygian: Phrygian, Lyd: Lydian, Mix: Mixolydian (Dominant), Aeol: Aeolian (Natural Minor), Loc: Locrian

Checkout LESSONSeries : Harmonic Analysis for Scale and Chord Selection or download the Harmonic Analysis for Scale and Chord Selection book. And the QuickStart Series of Scale and Arpeggio books.

• (wikiwand) · Bill Bailey, Won't You Please Come Home
• Louis Armstrong "Bill Bailey, Won't You Please Come Home" (March 5, 1961) on The Ed Sullivan Show •
• Ella Fitzgerald, Bill Bailey, Won't You Please Come Home •