Common Chord Progressions and Remembering Songs
There's a lot more in common between songs than one might think.
Published: Aug 19, 2018 Updated: Aug 19, 2018
9 Lessons in the “Common Chord Progressions and Remembering Songs” Series
Listening to songs and wanting to play the same songs on ukulele - that's what draws most people to the ukulele. That and it looks like a load of fun and easy too play - which it is. Then you need to actually remember the songs that you're learning so you can play them again. And, hopefully not have to read them off a sheet all the time.
Simple - Basic Chord Progression
Diatonic scales such as the major and minor scales lend themselves particularly well to the construction of common chords because they contain a large number of perfect fifths. Such scales predominate in those regions where harmony is an essential part of music, as, for example, in the common practice period of western classical music.
The Andalusian Chord Progression
The Andalusian cadence is a term adopted from flamenco music for a chord progression comprising four chords descending stepwise. It is otherwise known as the minor descending tetrachord. Traceable back to the Renaissance, its effective sonorities made it one of the most popular progressions in classical music.
Blues Chord Progressions
The twelve bar blues and its many variants use an elongated, three-line form of the I - IV - V progression that has also generated countless hit records, including the most significant output of rock and rollers such as Chuck Berry and Little Richard. In its most elementary form (there are many variants) the chords progress as follows: I - I - I - I - IV - IV - I - I - V - V - I - I
Backdoor Chord Progressions
In jazz and jazz harmony, the chord progression from IV7 to bVII7 to I has been nicknamed the backdoor progression or the backdoor II-V. This name derives from an assumption that the normal progression to the tonic, the II-V-I turnaround (II-V7 to I, see also authentic cadence) is, by inference, the front door. It can be considered a minor plagal cadence in traditional theory.
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