Improvisation is More Than Just Scales

Most people think, to learn improvisation, you need to master your scales. That's true—but it's just a starting point. And, granted, scales are a big part of what you draw from for improvisation. In additional to your scales, there's also intervals, arpeggios, and sequences — which actually also come from scales as well. It's how you use and apply them that counts.

Essential Jazz Scales?

A scale is not really a Jazz scale or Blues or Rock. A scale is just a collection of notes. It is how you use and develop these collections of notes. Some are more common in one style vs. another.

In Jazz, we can base a large majority of the scales that we will ever need off the Major (Ionian) and Natural Minor (Aeolian) scales. From these two scales, you can create or derive any other scales and scale modes that you need for playing jazz.

Here are the Major / Ionian and Natural Minor / Aeolian scale shapes to memorize. These two scales are core, Reference Scales, (pg 19 of Daily Practice Material for the Contemporary Ukulele ). Whatever you call them, they are essential.

Essential Scale for Exploring Jazz

All scale examples are shown with a C root for comparison.

Contemporary Scales

• Blues or Minor Pentatonic* ( C, Eb, F, G, Bb, C` )
• Pentatonic or Major Pentatonic ( C D E G A C` )

Modal Scales

• Ionian ( C, D, E, F, G, A, B, C` )
• Dorian ( C, D, E, F, G, A, B, C` )
• Phrygian ( C, Db, Eb, F, G, Ab, Bb, C` )
• Lydian ( C, D, E, F#, G, A, B, C` )
• Mixolydian or Dominant ( C, D, E, F, G, A, Bb, C` )
• Aeolian or Natural Minor ( C, D, Eb, F, G, Ab, Bb, C` )
• Locrian ( C, Db, Eb, F, Gb, Ab, Bb, C` )

Notice: All the modal scales end in ian.

Traditional Scales

• Major ( C D E F G A B C` )
• Natural Minor ( C D Eb F G Ab Bb C` )
• Harmonic Minor ( C D Eb F G Ab B C` )
• Jazz Melodic Minor ( C D Eb F G A B C` )
• Diminished ( C D Eb F Gb Ab A B C`)
• Whole Tone ( C D E F# G# A# C`)

Altered Scales

• Mixolydian +4 or Lydian Dominant ( C D E F# G A Bb C` )
• Mixolydian -2, -6 ( C Db E F G Ab Bb C` )
• Mixolydian -2 ( C Db E F G A Bb C` )
• Mixolydian -6 ( C D E F G Ab Bb C` )

Supplemental Scales

• Inverted Diminished ( C Db D# E F# G A Bb C` )
• Super Locrian ( C Db Eb Fb Gb Ab Bb C` )

* There is some overlap with these essential scales, with some just alternate names for the same set of notes.

DERIVED SCALES — From these essential jazz scales other scales can be derived for use in the jazz idiom.

The Blues

The Blues — a progression, a scale, a felling. The blues is at the heart of all American music. It's found its way into rock, country, folk. R&B and Jazz. It's a great vehicle to explore jazz.

The Mixolydian Scale and the Blues

The Mixolydian scale, sometimes called the Dominant scale, is a great place to start when learning to soloing in more advanced jazz styles. This is a great “bridge” scale widely used in the blues, rock, and R&B styles. It's a great scale to get your feet wet with when exploring jazz.

The Mixolydian scale is created by lowering the seventh scale degree of a major scale one half step. This gives the Mixolydian scale a formula of (1 2 3 4 5 6 b7 8).

The Blues is the most common song form in music and can easily be “jazzed” up with 4-part chords .

In Jazz, we can base a lot of the scales that we'll ever need from the Major (Ionian) and Natural Minor (Aeolian) scales. From theses two scales, you can create the essential scales you need in jazz styles.