Open Mics & Jam Sessions
- Arrive Early — This applies for a live and a virtual on-line jams and open-mics.
- Check Your Ego at the Door — It's not a context. You're there to explore, test our new material, and hob-nob with fellow musicians.
- Bring Your Own Mic — This is especially true in the COVID-19 era. Many Open Mics, Funky Frets included, are requiring you bring your own microphone. And get a good one. You can't go wrong with a Shure SM58 — Humble Beginnings, Happy Rock Stars, Angry Frank Sinatra: Talking SM58 History as it IS the industry standard will last a lifetime. Curt still has his Shure microphones from 40 years ago.
- Tune Up — Yep, a good idea to tune up before you actually go up and perform.
- Bring Your Own Instrument, cables, music stands. Etc… About the only thing you will not need is a PA system. Beyond that, you have no idea what the venue or situation will supply.
- PG or PG-13 — Keep it clean as there might be children in the audience. And, not everyone likes to hear the F-bomb dropping. Read your audience.
- Stick Around and Support the Other Performers — Don't just come, play, and then leave. Stay awhile, relax and enjoy yourself.
- No Politics or Religion — An Open Mic is not to place to push your views.
- Be Able to Perform in Low Light — There might be a case where there is great stage lighting, and it will enhance your performance but be hard to see your music or instruments or even the audience.
- Have More Than One Song Ready — If you first song goes good, you'll be asked to perform one or two more.
- DO NOT Noodle Between Songs — There is a great studio trick to rehearsing your part right before going like. Move your fingers over you them, mimicking the chords you're trying to recall.
- Listen to the Host — Wait until the sound man tells you it's OK to plug in or unplug. They need to prep the PA before it is safe to unplug. We've all heard those loud pops on stage — that what it typically is. Save our ears.
- Don't Apologize — from any mistakes in advance or after. Open Mics are a place to tryout new material.
- Support the Venue, Buy Something — This is especially try if the Open Mic is at a commercial establishment. Chances are they are not making a
Killin'— I know that at your family Funky Frets Music Store, we have a community room and host an Open Mic every month just to support the community and advertise the store.
- Have Fun — Everybody is on your side and supportive. Especially for the ukulele community with its Aloha sprite and sharing nature.
- Introduce Yourself — And talk a bit
storyabout yourself. The song, your day. Just make sure the story is not longer than the song.
- Introduce The Song — But, Keep the Song Behind the Song Short — Don't Have the Song Introduction be Longer Than The Actual Song. Just a good general tip. Unless you a great storyteller like Arlo Guthrie, keep the stories short.
- Do Your Originals — Originals are favored over covers. This is actually the real purpose of an Open Mic, to try out new material —
Off Broadway. This allows you to hone and polish a performance before taking it to the masses.
- Doing Instrumentals — There are two ways of letting the audience know the song you are doing. 1) Actually announce the song. 2) Let them figure it out as you are playing it. Announce is the better option, unless it is so obvious that the audience gets it before a few measures go by.
- You Can Just Come and Listen — There's nothing that says you have to perform. You can just some and support other musicians, or just check it out.
- Mingle and Meet New People and Fellow Musicians — This is a great place to hook up with fellow musicians and even get some gigs. Gig recommendations always come from fellow musicians, and one's reputation does precede them.
Kanikapila is a style of Hawaiian music produced in an impromptu jam session, most commonly taking place at a beach, or family gathering. The term comes from kani which means sound. and pila which means any string instrument in the Hawaiian language.
Over the last few decades it formed into a conceptual style reflecting more emphasis on acoustic instruments including the ukulele and free following speed to reflect the emotion of the players. The term has started making its way in the dialog of mainland US musicians as well. (from Wikipedia)