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Learning Ukulele with Curt
I Saw Here Standing There
Harmonic Analysis (RMA) Worksheet for: I Saw Here Standing There.
Author(s): Curt Sheller Publisher: Curt Sheller Publications Code: ULHA-YB-130
Main Category: Harmonic-Analysis Main Instrument: Any
Categories: Theory, Intervals, Progressions, Beatles, RMA, Harmony
2026-08-23
RelatedLessonAssets
Harmonic Analysis (RMA) Worksheet for: I Saw Here Standing There.
I Saw Here Standing There
Released: December 1963 (USA release)
I Saw Here Standing There Originally titled "Seventeen", the song was conceived by McCartney when driving home from a Beatles' concert in Southport, Merseyside as a modern take on the traditional song "As I Roved Out", a version of "Seventeen Come Sunday" that he had heard in Liverpool in 1960. According to Beatles biographer Mark Lewisohn, McCartney first worked out the chords and arrangement on an acoustic guitar at the family home of his Liverpool friend and fellow musician Rory Storm on the evening of 22 October 1962. Two days later, McCartney was writing lines for the song during a visit to London with his then-girlfriend Celia Mortimer, who was seventeen at the time herself. The song was completed about a month later at McCartney's Forthlin Road home in collaboration with Lennon and performed as part of their set in December 1962 in the Star-Club in Hamburg. wikiwand
I Saw Here Standing There is in the The Daily Ukulele — 365 Songs for Better Living book.
Strum a different song every day with easy arrangements of 365 of your favorite songs in one big songbook! The Daily Ukulele features ukulele arrangements with melody, lyrics and uke chord grids and are in ukulele-friendly keys that are particularly suited for groups of one to one hundred to play and sing.
Ukulele Chords
These and many other chords are covered in the Learn A Chord A Day series of lessons.
C Tuning Chords
In the Daily Ukulele series of book the chords are actually listing in their order of appearance. And, are always the basic open position chords when possible.
Starting Melody Note and 1st Interval
Intervals Legend: Root=note that begins a scale of the starting key; C is C, D is D, Am is A, Em is E, etc… m=minor; M=Major; P=Perfect; D=Diminished; A=Augmented. • ↑ is up/ascending; ↓ is down/descending;
Harmonic Analysis (HA) Worksheet
Visit the Harmonic Analysis for Scale and Chord Selection series of lessons for information on creating your own Harmonic Analysis Worksheet
Harmonic Analysis (HA) Worksheet COMING SOON
The Harmonic Analysis (HA)
A Harmonic Analysis (RMA/HA) and its worksheet are intended to show the function of the chords, the harmonic principles used, the keys and tonalities the song explores. And, can be used for scale selections and chord and scale substitutions.
NOTE: A Harmonic Analysis Worksheet is NOT intended to be a lead leadsheet.
Minimal roadmap information such as repeats, fine, D.S., D.C., and codas has been used in preparing the worksheets to somewhat mirror the leadsheet in the Daily Ukulele book.
Sections, Verse, Chorus, 1st, 2nd Ending, turnbacks …
The worksheets will show 1st, 2nd Ending, turnbacks, etc. as indicated in the Yellow Book
. You should start to recognize that 1st endings typically always return to a previous verse or an 
section. With a 2nd ending, a transition to a different part of the song, a 
or chorus. Harmonic Principles are used for these repeats and transitions.
If turnback chords are not indicated for these 1st and 2nd endings in the original Yellow Book leadsheet, recommended chord(s) will be indicated in parentheses or as an alternate harmony in Red . Typically the last measures or turnbacks will be a chord that resolves to and harmonically leads you to the next section or turning you back to the same section. Typically a V or direct substitution of that next chord.
Nashville Number System (NNS)
Nashville Numbering System always uses four bars/measures per line, no bar lines, and default is each number of the number of beats per bar/measure based on the time signature. If multiple chords in same bar then they are underlined. It can be as simple as converting the Roman Numerals above to Arabic numbers.
At its simplest you simply replace the roman numbers with Arabic numbers. e.g., I becomes 1 , II becomes 2 , etc. The only exception is the bVII7 chord becomes 7 as this borrowed chord from the Mixolydian tonality is so common and the VII (half-diminished seventh) in a major chord is so rare (actually never). And, you could go as far as saying all the modes are numbered: I II III IV V VI VII — just as in the major scale. So calling it a 7 is not that far out.
Check the definitive book Nashville Number System
Scale Selection
Once a Harmonic Analysis has been completed, scale selections can be made. These scale selections can be either vertical or horizontal choices. And, really, only needed if you are going to take a solo or embellish the melody with added notes.
Scale Abbreviation Legend
Traditional Scales: Maj: Major (Ionian), Nat Min: Natural Minor, Dim: Diminished, WT: Whole Tone, Har Min: Harmonic Minor
Contemporary Scales: Minor Pent: Minor Pentatonic, Pent: Major Pentatonic, Blues
Scale/Mode Names: Ion: Ionian (Major), Dor: Dorian (Minor), Phrygian: Phrygian, Lyd: Lydian, Mix: Mixolydian (Dominant), Aeol: Aeolian (Natural Minor), Loc: Locrian
Altered Scales: Mix+4: Mixolydian Plus 4 / Lydian Dominant, Mix-2-6: Mixolydian flat 2, flat 6
Checkout the Lesson Series: Harmonic Analysis for Scale and Chord Selection or download the Harmonic Analysis for Scale and Chord Selection book. And the QuickStart Series of Scale and Arpeggio books.
Performance Notes
A worksheet is often, really not needed with such a simple Full Diatonic chord progression.
A Simple I , IV , V chord progression. The Tonic , Subdominant , and Dominant — the Primary chords of the major key.
In a short amount of time you'll come recognize these simple chord progressions, just by the chord grids listed at the top of the leadsheet (page). And, hearing where the chords are naturally changing.
Scale Choices
For a Full Diatonic chord progression the first choice scale is the Major scale in the key of the progression. A subset of the Major scale is the Major Pentatonic – the Major scale with no 4th or 6th scale degrees.
End of Lesson - Thanks, Hope You Enjoyed It!
Related Lessons, Videos, Lesson Series, Songs, Books & Reference Charts, Resources & Assets, Workshops are below.
The Daily Ukulele
Strum a different song every day with easy arrangements of 365 of your favorite songs in one big songbook! The Daily Ukulele features ukulele arrangements with melody, lyrics and uke chord grids and are in ukulele-friendly keys that are particularly suited for groups of one to one hundred to play and sing.
