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Key Signatures - C Sharp Major and A Sharp Minor
C# major (or C-sharp major) is a major scale based on C#, consisting of the pitches C#, D#, E#, F#, G#, A#, and B#. Its key signature has seven sharps: F#, C#, G#, D#, A#, E# and B# - ALL sharps.
Its relative minor is A# minor, and its parallel minor is C# minor. Its enharmonic equivalent is Db major.
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Key Signature
The C Major / A#m Key Signature has sever sharps F#, C#, G#, D#, A#, E#, B#. This is ALL sharps and somewhat easy to remembers. C no sharps or flats, C# all sharps, Cb all flats.
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Related Lessons
Related Lessons for Key Signatures - C Sharp Major and A Sharp Minor.

Key Signatures - C Sharp Major and A Sharp Minor • Updated: 12 Sep 2011
"C# Major" (or the key of C#) is a major scale based on C#, with the pitches, all sharps C# D# ES F# G# A#. Its key signature has seven sharps: F# C# G# D# A# E# B#. Its Relative Minor scale is A# Minor. Its Parallel Minor is C# Minor, and its enharmonic equivalent is Db minor. C# is a somewhat easy key and scale to memorize as all the note are sharp.

Primary Chords - C# Major • Updated: 25 Oct 2021
The primary chords for any major key are the I, IV and V chords of its corresponding major scale. For C# Major, the primary chords are: C#, F#, G# and G#7. From the primary and secondary chords of a major key, countless songs and chords progressions can be played.

Secondary Chords - C# Major • Updated: 08 Feb 2013
The secondary chords for any major key are the II, III and VI chords of its corresponding major scale. For C# Major, the secondary chords are: D#m, E#m and A#m. From the primary and secondary chords of a major key, countless songs and chords progressions can be played.
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Related Books for Key Signatures - C Sharp Major and A Sharp Minor.

Harmonic Analysis for Scale Selection and Chord Substitution
Updated: Jun 10, 2021
Harmonic Analysis is the understanding of the functional sequence of chords. It is the process used to analyze the harmonic structure of a progression, song or composition. This analysis is then used to make scale selections for improvisation and chord substitution.