On Broadway

Written by Barry Mann and Cynthia Weil in collaboration with the team of Jerry Leiber and Mike Stoller.

Published: Aug 5, 2014 Updated: Feb 9, 2016 • Visitors: 29 • Page Views: 1

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On Broadway is a song written by Barry Mann and Cynthia Weil in collaboration with the team of Jerry Leiber and Mike Stoller.

Weil and Mann were based at Aldon Music, located at 1650 Broadway, New York City, and the song as written by Mann/Weil was originally recorded by The Cookies (although The Crystals' version beat them to release) and featured an upbeat lyric in which the protagonist is still on her way to Broadway and sings "I got to get there soon, or I'll just die." Additionally the melody was in compound time and the backing riff modulated between the root and the minor 2nd.

George Benson's version of On Broadway, from his 1978 album Weekend in L.A., hit #7 on the Billboard Hot 100 and #2 on the soul chart. The George Benson version also has had substantial adult contemporary and smooth jazz radio airplay ever since. It won a Grammy Award for Best R&B Vocal Performance. The song appeared in the films Big Business and American Beauty. George Benson's performance of the song was used during the opening credits of the 1979 film All That Jazz, which featured dancers on stage auditioning for a musical similar to Chicago. George Benson also performed "On Broadway" with Clifford and The Rhythm Rats for the 1994 Muppet album Kermit Unpigged.

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The main downloads for this Song.

On Broadway - Premium Play-along Track Leadsheet

Premium play-along leadsheet for On Broadway.


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Song Road Map

Tips and tricks for remembering a song.

A Road Map Through Song

Remembering songs is all about the form and harmonic content and movement with taking in the similarities between songs. And, just like a road map they're landmarks that will trigger memories of how to get through various sections, changes or parts of a song.

This section of a song's page presents some tips on how I try and remember a particular song.

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Related Song Files, Resources and Assets

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Ukulele Fingerboard Chart for C Tuning, Low or High G

Ukulele Fingerboard Chart for C Tuning, Low or High G.


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Basic Ukulele Chord Chart

A chart of the most common ukulele chords in the most common keys of C, G, D, A, and E.

Movable 7th Chords for Ukulele Chord Chart - C Tuning

A handy dandy single sheet chart showing the each voicing of the four, seventh chords Big Six seventh chord voicings.


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Related Lessons

Related Lessons for On Broadway at this time.

Common `Ukulele Tunings

Any tuning is possible on a ukulele as long as the ukulele’s construction supports it and a string is available.

Six Essential Scales for `Ukulele

The six essential scales are: Blues, Major Pentatonic, Mixolydian, Dorian, Aeolian, and Ionian. From the six essential scales, you can get through a wide variety of traditional and contemporary music.

Learning the `Ukulele Fingerboard (Finally!!!)

Most players struggle with learning the names of the notes of the ukulele fingerboard. There doesn't seem to a pattern and notes repeat. There is an easy way and it's easier that you think!

Playing by Ear - The Ultimate Goal

Playing by ear is the ultimate goal for any musician when playing a musical instrument. It’s true whether you’re singing, banging a drum, strumming a guitar, or our favorite instrument, the ukulele.

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Related Lesson Series

Related Lessons Series for On Broadway at this time.

Types of Chords Available on Ukulele

The types of chords possible on ukulele include open position chords, movable form chords, 4-part chords, a.k.a. jazz chords and free from chords.

Open Position Chords

These are the basic first chords most players learn. There're the chords in the first one, two, three and fours frets of the ukulele and include at least one open string.

Basic Movable Form Chords

Sometimes called "barre" chords, these chords are the basic open position chords that venture beyond the third fret and do not include open strings.

4-part Contemporary Chords, a.k.a. Jazz Chords

Beyond basic open position chords and basic movable form chords these are the core set of 4-part chords that are used to build ALL your contemporary, more advanced chords. Commonly called "Jazz" chords these are the chords where the knowing how principles of how chords are constructed and your knowledge of the names of the notes of the ukulele fingerboard offer the most benefit to using and expanding your chord vocabulary. From these core chords you can create all those crazy named chords such as: 9#11, 7#5-9, 13b5, 7+9 - and on the fly as needed.

Free Form Chords

Free Form chords are those chords that do not fall into one of the above categories. They typically don't show up in chord dictionaries or software programs. You can create these chords when you know the notes of the ukulele fingerboard, know how chords are constructed and know the names of the notes the chord and the intervals that make up the chord.

Traditional and Contemporary Triads

Somewhere in the mix of the above four chord categories, triads should be explored. Triads are the foundation of most chords. They are amazing versatile chords that can be used harmonically as chords or melodically in solos. The student and the type of music determines

A triad is a three note chord. In traditional chord theory there are four traditional triad chord types: major, minor, diminished and augmented. And four contemporary triad chord types: sus2, sus4, add2 and add9.

Triads can be used harmonically, as chords and melodically, as single notes. Triads are a great way to get started with creating melodic solos and improvising.

In my personal and teaching experience triads are the first real challenging chords after the basic open position chords and movable basic chords. I personally found them even harder that the 4-part "jazz" chords.

Common Chord Progressions and Remembering Songs

Learning the similarities between chord progressions and songs helps you remember a lot of songs. There's a lot more in common between songs than one might think.

This series of lessons explores common chord progressions.

Remembering songs is lot like remembering the directions for a road trip. There are the turn-by-turn directions, road maps, signs and landmarks. Turn here, turn there, remember this and remember that landmark. With a songs it's the chords, the harmonic cells and form of the song.

With a few music tools and an understanding of the principles of how chords and chords progressions work. You can start unraveling what's going on in a song. There's a lot more in common between songs than you might think. Each song has it's own direction, signs and landmarks.

Basic Ukulele Chords Charts

Not so much a series - but the basic chords ALL ukulele players should know.

Basic Ukulele Chords Charts - As much as I preach the need to not have to rely on chords charts. When you're first learning the ukulele and chords these charts are a real help - just not long a term alternative to actually knowng your chords, where they come from and how to create them when needed.

Modular Phonetic Rhythm by Chuck Anderson

Modular Phonetic Rhythm represents a significant advance in the teaching and application of rhythm. Eliminating many inefficient aspects of rhythm education, Modular Phonetic Rhythm streamlines the traditional educational approach, resulting in a reflexive reaction to rhythm.

Related Songs

Related Songs for On Broadway at this time.

Sunny

Sunny is the name of a song written by Bobby Hebb. It is one of the most covered popular songs, with hundreds of versions released. BMI rates "Sunny" number 25 in its "Top 100 songs of the century".

Moondance

Moondance is a popular song written by Northern Irish singer-songwriter Van Morrison and is the title song on his 1970 album Moondance.

Light My Fire

Light My Fire is a song by The Doors which was recorded in August 1966 and released the first week of January 1967 on the Doors' debut album. Released as a single in April, it spent three weeks at number one on the Billboard Hot 100 chart, and one week on the Cash Box Top 100, nearly a year after its recording. A year later, it re-entered the Billboard Hot 100 in 1968 following the success of Jose Feliciano's version of the song, peaking at number 87. The song was largely written by Robby Krieger, and credited to the entire band. The single was certified gold by the Recording Industry Association of America in 1967, representing sales of one million units.

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