All Of Me

Harmonic Analysis (RMA) Worksheet for the song: All Of Me.

Harmonic Analysis Worksheet
& Performance Notes Below

Analysis Worksheet Chords Melody Scales Performance Links

All Of Me

published 1931 by Irving Berlin, Inc.

All Of Me is a popular song and jazz standard written by Gerald Marks and Seymour Simons in 1931.

Gerald Marks and Seymour Simons wrote the words and music of "All of Me" in 1931. It has an ABAC structure, and is written in the key of B-flat major. There is a 20-bar introductory verse, but this is routinely omitted.

"The melody [...] combines the contradictory possibilities of the song. The downward thrusts of the opening phrases hint at emotional despair while the closing line, with its repeated high notes, seems almost jubilant." It is usually performed at a medium tempo. The harmony is relatively straightforward, and has served as the basis for Lennie Tristano's "Line Up", Warne Marsh's "Background Music", and Bill Dobbins's. (wikiwand) ·

All Of Me is in the The Daily Ukulele — 365 Songs for Better Living book.

Strum a different song every day with easy arrangements of 365 of your favorite songs in one big songbook! The Daily Ukulele features ukulele arrangements with melody, lyrics and uke chord grids and are in ukulele-friendly keys that are particularly suited for groups of one to one hundred to play and sing.

The Daily Ukulele — 365 Songs for Better Living • INDEX of Songs

Chords

Theses and many other chords where covered in the Learn A Chord A Day series of lessons.

C Tuning Chords

Starting Melody Note and 1st Interval

INTERVALS: Root=note that begins a scale of the starting key; C is C, D is D, Am is a, Em is E, etc... m=minor; M=Major; P=Perfect; D=Diminished; A=Augmented. • ↑ is up/ascending; ↓ is down/descending;

Harmonic Analysis (HA)

A Harmonic Analysis (RMA/HA) and its worksheet are intended to show the function of the chords, the harmonic principles used, the keys and tonalities the song explores. And, can be used for scale selections and chord and scale substitutions.

A Harmonic Analysis Worksheet is NOT intended to be a leadsheet and minimal roadmap information such repeats, fines, D.S., D.C., codas have been used in preparing the worksheets to somewhat mirror the leadsheet in the Daily Ukulele book..

Sections, Verse, Chorus, 1st, 2nd Ending, turnbacks …

The worksheets will show 1st, 2nd Ending, turnbacks, etc. as in indicated the Yellow Book. You should start to recognize that 1st endings typically always return to a previous or verse or section. With a 2nd ending, a transition to a different section, a or chorus. Harmonic Principles are used for these repeats and transitions.

If turnbacks chord are not indication for the these 1st, 2nd Ending will indicate recommended chord(s) in parentheses or as an alternate harmony in Red . Typically the last measures or turnbacks will be a chord that resolves to and harmonically leads you to the next section or turning you back to the same section.

Harmonic Analysis (HA) Worksheet

Visit the Harmonic Analysis for Scale and Chord Selection series of lessons for information on creating a Harmonic Analysis Worksheet

Fmaj7

F

A7

I

III7
( V of VI)

F:

A Mix+4

D7

Gm7

VI7
( V of II)

II

D Mix+4:

A7

Dm

III7
( V of VI)

VI

A Mix+4:

Gm7

C7

G7

C7

II7
( V of V)

V

G Mix+4:

Fmaj7

F

A7

I

II7
( V of V)

**F:**

A Mix+4

D7

Gm7

VI7
( V of II)

II

D Mix+4:

Bbmaj7

Bbm6

Am7

D7

Gm7

Bbm6

F

Am7b5

D7

II

IVm6

I

IIm7b5

VI7
( V of II)

Bb Dorian

Sub: Am7 D7 is a II V of II (Gm7)

Gm7

C7

F6

(D7b9/F#

Gm7

C7)*

G7

C7

F

Bbm6

F

II7
( V of V)

V

I

IVm6

I

Gm7 C7 is a II V of F

* This turnback/turaround would more often than not be written as F6 F#dim7 | Gm7 C7 a I VI7 | II V . With the F#dim7 a Disguised Secondary Dominant

Ralph Patt Vanilla Book

Checkout the Ralph Patt Vanilla Book Vanilla changes for All Of Me • The Vanilla Book uncovers the basic ("Vanilla") chord changes to over 400 of the most commonly played jazz standards to help the jazz player learn the basic changes and allow the player to add embellishments and substitutions on a solid framework.

Embellishments to basic chords such as added 6ths, 9ths, 13ths, flat 5ths etc. are usually determined by the melody notes and the style of music being played.

            Key of C     4/4

            [    C         |   C           |    E7           |   E7         |

            |    A7        |   A7          |    A7    Dm     |   Dm         |

            |    E7        |   E7          |    Am           |   Am         |

            |    D7        |   D7          |    G7           |   G7         |

            ||   C         |   C           |    E7           |   E7         |

            |    A7        |   A7          |    A7    Dm     |   Dm         |

            |    F         |   Fm          |    C    Em7b5   |   A7         |

            |    Dm7b5     |   G7          |    C            |   C          |
            

Scale Selection

Once a Harmonic Analysis has been completed then scale selections can be made. These scale selections can be either vertical and horizontal choices. And, really only needed if you are going to take a solo or embellish the melody with added notes.

Scale Abbreviation Legend

Traditional Scales: Maj: Major (Ionian), Dim: Diminished, WT: Whole Tone, Har Min: Harmonic Minor,
Contemporary Scales: Minor Pent: Minor Pentatonic, Pent: Major Pentatonic, Blues,
Scale/Mode Names: Ion: Ionian (Major), Dor: Dorian (Minor), Phrygian: Phrygian, Lyd: Lydian, Mix: Mixolydian (Dominant), Aeol: Aeolian (Natural Minor), Loc: Locrian

Checkout LESSONSeries : Harmonic Analysis for Scale and Chord Selection or download the Harmonic Analysis for Scale and Chord Selection book. And the QuickStart Series of Scale and Arpeggio books.

Performance Notes

Links & Resources

• (wikiwand) · All Of Me
• All Of Me is available as a Premium Playlong Track
• All Of Me •