Lullaby of Birdland

A solo, melody and chord arrangement for a Low G, C Tuned ukulele. Lullaby of Birdland is a jazz standard and popular song composed by George Shearing with lyrics by George David Weiss (under the pseudonym "B. Y. Forster").

Two Feel, bVImaj7 bIImaj7, Basie Ending, Single, Double and Triple Tags, Chromatic, Take 'A' Train Ending, Shave and a Hair Cut, Lawrence Welk Ending. These are common classic songs ending that are used over and over in the standard song repertoire.

Introductions are a composed or improvised pieces of music that introduce - sets the stage for - a song or composition. Introductions, or intro for short, are used in all types of music. In this lesson, the focus is on introductions in contemporary pop, rock, blues, country, folk and jazz styles.

Creating "Melody and Chord Arrangements", in theory are as simple as harmonizing the melody with a chord. Which is playing a chord that has the melody note as the top note of the chord voicing. In practice it is a little more involved, but not much more.

Beyond learning basic Ukulele chords, most players struggle with advanced chords. Commonly called "jazz" chords, these more sophisticated voicings find a wide use in all forms of music. A Guide to Advanced Chords for Ukulele - presents a highly organized and efficient approach to the mysterious subject of advanced chords. Chord dictionaries are not the answer.

Exploring jazz chords using a variety of common chord progressions based on songs from the standard jazz repertoire. Core Chords are the basic set of chords needed to play a wide range of music, in a variety of styles. This set of chords includes basic open position chords, basic movable form chords and the core 4-part "jazz" chords.

Harmonic Analysis is the understanding of the functional sequence of chords. It is the process used to analyze the harmonic structure of a progression, song or composition. This analysis is then used to make scale selections for improvisation and chord substitution.

The Real Books are the best-selling jazz books of all time. Since the 1970s, musicians have trusted these volumes to get them through every gig, night after night. The problem is that the books were illegally produced and distributed, without any regard to copyright law, or royalties paid to the composers who created these musical masterpieces.