Learning Ukulele with Curt
Basics the Beyond with Curt Sheller Your "TMI", "Total Music Information" Site…
Amplifying Your Ukulele
Pump Up the Volume!!!
Getting your acoustic instrument heard.
photo by Louis Martin
UPDATED:
1 July 2025
Amplifying Your Ukulele

The Recording Ukulele page has a lot of great information on microphones and recording the ukulele.

This is My Go to Acoustic Amp – Curt

I won't leave home for a gig without these:

AER Compact 60

The AER Compact 60 rev.4. Small size but powerful twin-channel acoustic guitar amplifier designed to reproduce the sound quality of your instrument in a natural manner. The electronics are carefully designed to deal with piezoceramic pick-up's, microphones and any sort of line signal and with the dynamic controlled 60 watts power amplifier provide a brilliant clear sustaining sound performance throughout all the dynamic range. Used by Robin Nolan, Angelo Debarre, Bireli Lagrene, Romane, Neil Anderson, Dorado Schmitt, The Rosenberg Trio, among many others. Includes padded gigbag w/shoulderstrap. The new 4th generation editions of all models now feature a Pre FX / Post FX swtich for the DI Out signal, allowing user to choose if their Direct Out signal incorporates the amp's on-board digital effects An 3.5mm Aux input with Level control has also been added. These ultra-portable amps still offer the same outstanding reproduction of acoustic instruments and vocals that have made them an industry standard and a favorite of performing guitarists and singer-songwriters everywhere.

Fire-Eye Red-Eye Instrument DI w/Boost

The Red-Eye is an all analog, handmade, high input impedance DI and clean boost. Designed and improved over the course of several years to meet the needs of performing musicians, the Red-Eye is crafted from the highest quality components available. Engineered by an electronics engineer with over 50 years of professional experience, the Red-Eye design focuses on high fidelity, low noise and simple plug and play performance. This no frills precision approach to amplification offers a truly satisfying experience for musicians and their audience.

ALL Fire-Eye pedals are 100% Handcrafted in Texas, 100% Analog and Made in the USA

Curt — The Fire-Eye Red-Eye is my go to DI for ANY performance. And, flat-out the best DI I've ever had.

Other Great Fire-Eye Pedals
Fire-Eye Red-Eye Twin DI w/Boost

The Red-Eye Twin Instrument Preamp offers a simple, one-box, direct-connect solution for musicians that play two instruments at the same gig or have an instrument with dual pickups. The Red-Eye Twin works well with instruments having passive or active piezo pickups, electret microphones or magnetic pickups such as electric guitars and basses. Performers that find the Red-Eye Twin useful are, for example, those playing fiddle and mandolin, guitar and mandolin, string bass and electric bass or dual pickup instruments.

The Red-Eye Twin’s impedance-matching field-effect transistor input circuit is designed especially to match and track the impedance of passive piezoelectric pickups. That results in a smooth, natural, acoustic instrument tone. Low distortion, low noise, and generous headroom mean that clear tone comes through even when an instrument is played percussively and loudly.

Fire-Eye Dee-Eye

The Dee-Eye Instrument Preamp offers a simple solution for connecting instruments with high-impedance piezoelectric pickups to a venue’s sound system. Any passive or active instrument pickup is supported. Designed and improved over the course of several years to meet the needs of performing musicians, Fire-Eye products are crafted from the highest quality components available. Engineered by an electronics engineer with over 50 years of professional experience, the Red-Eye design focuses on high fidelity, low noise and simple plug and play performance. This no frills precision approach to amplification offers a truly satisfying experience for musicians and their audience.

Fire-Eye Bright-Eye

The Bright-Eye is a clean boost and buffer pedal that uses a 9V or 18V center-negative power supply, bringing the hi-fidelity signal-conditioning circuitry of the Red-Eye Preamp to a pedal-train format.

Other Notable Acoustic Amp Manufactures

Sweatwater has a great article on the 10 Best Acoustic Guitar Amps (2202-07-10)

  • Blackstar
  • Boss (Roland)
  • Bugera
  • Crate Amplifiers
  • Fishman*
  • Genz Benz
  • Henriksen, Inc. • Small and great to travel with when flying. Popular in the Ukulele community.
  • Hughes & Kettner
  • L.R.Baggs
  • Mesa Boogie
  • Orange Crush
  • Peavey
  • Positive Grid
  • Rivera
  • Roland
  • TC-Helicon Harmony
  • Trace Elliot
  • Vox
  • Yamaha*

* I've (Curt) have had a few Fishmans in the past, pre-AER and they are great and very affordable. Especially like the Loudbox Mini Charge. Funky Frets Music Store is a dealer for Fishman and Peavey.

Links & Resources
🚀 🚧 End of Site Content 🚧 🌍
NOTE: PICS ARE FROM VARIOUS SOURCES. FAIR USE NOTICE:: This site contains images of which have not been pre-authorized. This material is made available for the purpose of analysis, teaching, comment and critique. The 'fair use' of such material is provided for under U.S. Copyright Law. In accordance with U.S. Code Title 17, Section 107, material on this site (along with credit and attributions to original sources) is viewable for educational and intellectual purposes - (frwebgate.access.gpo.gov). If you are interested in using any copyrighted material from this site for any reason that goes beyond 'fair use,' you must first obtain permission from the copyright owner.
On the web since 1992 and a Mac since 1987 (Mac II) • Serving up Ukulele content since 2003 ( 22 years ago )Lets Kanikapila!!! v12.13.0 (8.2.23) • And, since Sept 2020, happily on Pop!_OS Linux and a System76 Thelio. Half the cost of the iMac and a real treat to use. I use it for ALL development work. Only wish the Affinity Suite of apps by serif where available on Linux (and I do know you can run them in Wine with a few hacks).
This sit has ben profesionaly red. awl tpyos aree free and no aditonal chrge • I'm blaming it on “jazz” fingers. “Aoccdrnig to rscheearch at Cmabrigde Uinervtisy, it deosn't mttaer in waht oredr the ltteers in a wrod are, the olny iprmoatnt tihng is taht the frist and lsat ltteer be at the rghit pclae. The rset can be a toatl mses and you can sitll raed it wouthit a porbelm. Tihs is bcuseae the huamn mnid deos not raed ervey lteter by istlef, but the wrod as a wlohe.
Site developed, coded, and maintained by Curt Sheller, Curt Sheller Publications and hosted on DigitalOcean, eCommerce using stripe, managed using Laravel Forge, and analytics (which we DO NOT share) by Plausible.
Made with by Curt Sheller for LearningUkulele.com / Learning Ukulele with Curt and the ukulele community • © 1992 - 2026 Curt Sheller