Hound Dog

Harmonic Analysis Worksheet (RMA/HA)

Published: 13 Jul 2025 Updated: 13 Jul 2025Visits: 1Code: ULHA-YB-111

Category: Harmonic-AnalysisInstrument: Ukulele Subjects: Theory • Progressions • Harmony • Analysis • RMA

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Hound Dog

Harmonic Analysis (RMA) Worksheet for the song: Hound Dog.

Hound Dog

Released: August 13, 1952

Hound Dog is a twelve-bar blues song written by Jerry Leiber and Mike Stoller. Recorded originally by Big Mama Thornton on August 13, 1952, in Los Angeles and released by Peacock Records in late February 1953, "Hound Dog" was Thornton's only hit record, selling over 500,000 copies, spending 14 weeks in the R&B charts, including seven weeks at number one. Thornton's recording of "Hound Dog" is listed as one of the Rock and Roll Hall of Fame's "500 Songs That Shaped Rock and Roll", ranked at 318 in the 2021 iteration of Rolling Stone's 500 Greatest Songs of All Time and was inducted into the Grammy Hall of Fame in February 2013. (wikiwand)

One of the Rock and Roll Hall of Fames 500 Songs That Shaped Rock and Roll.

Hound Dog has been recorded more than 250 times. The best-known version is the July 1956 recording by Elvis Presley, which ranked number 19 on Rolling Stone's list of the 500 Greatest Songs of All Time in 2004, but was excluded from the revised list in 2021 in favor of Thornton's version; it is also one of the best-selling singles of all time. Presley's version, which sold about 10 million copies globally, was his best-selling song and "an emblem of the rock 'n' roll revolution". It was simultaneously number one on the US pop, country, and R&B charts in 1956, and it topped the pop chart for 11 weeks—a record that stood for 36 years. Presley's 1956 RCA recording was inducted into the Grammy Hall of Fame in 1988, and it is listed as one of the Rock and Roll Hall of Fame's "500 Songs That Shaped Rock and Roll".

Hound Dog is in the The Daily Ukulele 365 Songs for Better Living book.

Strum a different song every day with easy arrangements of 365 of your favorite songs in one big songbook! The Daily Ukulele features ukulele arrangements with melody, lyrics and uke chord grids and are in ukulele-friendly keys that are particularly suited for groups of one to one hundred to play and sing.

Chords

G C7 D7

Theses and many other chords are covered in the Learn A Chord A Day series of lessons.

C Tuning Chords

Starting Melody Note and 1st Interval

  • Start on m3 ↓ M6.
  • C Tuning, Low or High G

    The 1st phrase of the melody for reference.

    INTERVALS: Root=note that begins a scale of the starting key; C is C, D is D, Am is a, Em is E, etc... m=minor; M=Major; P=Perfect; D=Diminished; A=Augmented. • ↑ is up/ascending; ↓ is down/descending;

    Harmonic Analysis (HA)

    A Harmonic Analysis (RMA/HA) and its worksheet are intended to show the function of the chords, the harmonic principles used, the keys and tonalities the song explores. And, can be used for scale selections and chord and scale substitutions.

    A Harmonic Analysis Worksheet is NOT intended to be a leadsheet and minimal roadmap information such repeats, fines, D.S., D.C., codas have been used in preparing the worksheets to somewhat mirror the leadsheet in the Daily Ukulele book..

    Sections, Verse, Chorus, 1st, 2nd Ending, turnbacks …

    The worksheets will show 1st, 2nd Ending, turnbacks, etc. as in indicated the Yellow Book. You should start to recognize that 1st endings typically always return to a previous or verse or section. With a 2nd ending, a transition to a different section, a or chorus. Harmonic Principles are used for these repeats and transitions.

    If turnbacks chord are not indication for the these 1st, 2nd Ending will indicate recommended chord(s) in parentheses or as an alternate harmony in Red . Typically the last measures or turnbacks will be a chord that resolves to and harmonically leads you to the next section or turning you back to the same section.

    Reference Key

    This is the key of the source leadsheet.

    • Hound Dog is in 4/4, Cut Time and the Key of G . The original by Big Mama Thornton is in the Key of A , Tempo: 133 bpm. The most famous version is from Elvis Presely the Key of C , Tempo: 87 bpm.

    Harmonic Principles Used:

    Harmonic Analysis (HA) Worksheet

    Visit the Harmonic Analysis for Scale and Chord Selection series of lessons for information on creating a Harmonic Analysis Worksheet

    A re-harmonization, in Red can be simple, sticking pretty close to the original composer's intentions or complex and a whole new set of chord changes.

    A basic twelve-bar blues and is one of the first chord progression you can start to hear by ear.

    The twelve-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly based on the I, IV, and V chords of a key. Mastery of the blues and rhythm changes are "critical elements for building a jazz repertoire".

    G
    G
    G
    G
    I

    G: G Ionian, G Pentatonic

    G Major Pentatonic: G A B D E G'

    Although in the Key of G Major and the G Major scale is I and the V comes from. The G Major Pentatonic scale is a better scale selection for the I chord than the G Major scale. For the the rest of the chrods the G Blues scale (G Bb C D E F G') is a great choice.

    C7
    C7
    G
    G
    IV7
    I

    G Blues (G Bb C D F G') or
    C Mixolydian (C D E F G A Bb C')

    You might be inclned to call the C7 C Dominant Seven. In this harmonic substitution it is not functioning as a dominant chord as it is not resolving to an F or Fm. It is simply a C7.

    D7
    C7
    G
    N.C.
    V
    IV7
    I

    G Blues
    (G Bb C D F G') or
    D Mixolydian
    (D E F# G A B C D')

    Nashville Number System (NNS)

    Nashville Numbering System always uses four bars/measures per line, no bar lines, and default is each number of the number of beats per bar/measure based on the time signature. If multiple chords in same bar then they are underlined. It can be as simple as convert the Roman Numerals above to Arabic number.

    At its simplest you simply replace the roman numbers with aberic numbers. e.g., I becomes 1 , II becomes 2 , etc. The only exception is the bVII7 chord becomes 7 as this borrowed chord from the Mixolydian tonality is so common and the VII (half-diminished seventh) in a major chord is so rare (actually never).

    Check the definitive book Nashville Number System

    Scale Selection

    Once a Harmonic Analysis has been completed then scale selections can be made. These scale selections can be either vertical and horizontal choices. And, really only needed if you are going to take a solo or embellish the melody with added notes.

    Scale Abbreviation Legend

    Traditional Scales: Maj: Major (Ionian), Dim: Diminished, WT: Whole Tone, Har Min: Harmonic Minor,
    Contemporary Scales: Minor Pent: Minor Pentatonic, Pent: Major Pentatonic, Blues,
    Scale/Mode Names: Ion: Ionian (Major), Dor: Dorian (Minor), Phrygian: Phrygian, Lyd: Lydian, Mix: Mixolydian (Dominant), Aeol: Aeolian (Natural Minor), Loc: Locrian

    Checkout LESSONSeries : Harmonic Analysis for Scale and Chord Selection or download the Harmonic Analysis for Scale and Chord Selection book. And the QuickStart Series of Scale and Arpeggio books.

    RMA book cover QS1UKES book cover

    Performance Notes

    The Blues Scale

    A G Blues scale (G Bb C D F G') can be used over the I IV and V of a Blues progression. If using the G blues scale I'll address the B note in the G chord (G B D) when I want to add a touch of melody the blues and add it tot he blues scale for (G B Bb C D F G'). Can;t go wrong address the chord tones.

    The IV7 Chord

    In the Elvis recording (Key of C) (wikiwand) Scotty Moore (guitar) address the IV7 , F7 chord with a little fill plying nothing but the chord tones of (C A C Eb). Here is what we can do on the ukulele in C Tuning.

    Strum

    Solos

    The solos are basically the blues scale in the key of G with chromatic and diatonic passing tones (notes outside or from the parent full diatonic scale).

    Links & Resources

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    End of Lesson - Thanks, Hope You Enjoyed It!

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    Harmonic Analysis ( HA ) is the process used to determine the harmonic function of chords within a chord progression. A chord progression is defined as a sequence of chords, each chord has a root and has a particular chord type. The relationship of a chord's root to a scale determines its function within that scale's tonality. Once a chord's function is identified, scale selections along with chord and scale substitutions can be made. This process is called Root Movement Analysis ( RMA ). This series of lessons are extracted from my book for use with individual private and on-line students. Each lesson directly corresponds the chapters in my book Harmonic Analysis for Scale Selection and Chord Substitution by Curt Sheller (me).

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