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Harmonic Analysis (RMA) Worksheet for the song: The Candy Man.
The Candy Man
Released: April 1972
The Candy Man (or alternatively, "The Candy Man Can") is a song that originally appeared in the 1971 film Willy Wonka & the Chocolate Factory. It was written by Leslie Bricusse and Anthony Newley specifically for the film. Although the original 1964 book by Roald Dahl (Charlie and the Chocolate Factory) contains lyrics adapted for other songs in the film, the lyrics to "The Candy Man" do not appear in the book. The soundtrack version of the song was sung by Aubrey Woods, who played Bill the candy store owner in the film. Anthony Newley sings the song on his 1971 album Pure Imagination.
Sammy Davis Jr.'s version appears on the Sammy Davis Jr. Now album. It became his only number-one hit, spending three weeks at the top of the Billboard Hot 100 chart starting 10 June 1972, and two weeks at the top of the easy-listening chart. Billboard ranked it as the No. 5 song for 1972. (wikiwand) ·

The Candy Man is in the The Daily Ukulele
— 365 Songs for Better Living book.
Strum a different song every day with easy arrangements of 365 of your favorite songs in one big songbook! The Daily Ukulele features ukulele arrangements with melody, lyrics and uke chord grids and are in ukulele-friendly keys that are particularly suited for groups of one to one hundred to play and sing.
Theses and many other chords are covered in the Learn A Chord A Day series of lessons.
INTERVALS: Root=note that begins a scale of the starting key; C is C, D is D, Am is a, Em is E, etc... m=minor; M=Major; P=Perfect; D=Diminished; A=Augmented. • ↑ is up/ascending; ↓ is down/descending;
Visit the Harmonic Analysis for Scale and Chord Selection series of lessons for information on creating a your own Harmonic Analysis Worksheet
VI7
( V of II)
I7
( V of IV)
A Mix-2-6
C Mix A Secondary Dominant I7, C7 with its II, Gm7 chord
D Mix
D Mix
1.
VII7
( V of III)
B Mix-2-6
D.C. al Fine
VI7
( V of II)
A Mix-2-6 A Secondary Dominant VI7, A7 with its II, Em7 chord
A mix Not a Secondary Chord
The second A7 above is NOT a Secondary Dominant chord, as it does not resolve to its I , as in measure one of the above line.
A Harmonic Analysis (RMA/HA) and its worksheet are intended to show the function of the chords, the harmonic principles used, the keys and tonalities the song explores. And, can be used for scale selections and chord and scale substitutions.
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NOTE: A Harmonic Analysis Worksheet is NOT intended to be a lead leadsheet.
Minimal roadmap information such as repeats, fines, D.S., D.C., and codas has been used in preparing the worksheets to somewhat mirror the leadsheet in the Daily Ukulele book.
The worksheets will show 1st, 2nd Ending, turnbacks, etc. as in indicated the Yellow Book
. You should start to recognize that 1st endings typically always return to a previous verse or an section. With a 2nd ending, a transition to a different part of the song, a
or chorus. Harmonic Principles are used for these repeats and transitions.
If turnback chords are not indicated for the these 1st and 2nd endings in the original Yellow Book leadsheet recommended chord(s) will indicated in parentheses or as an alternate harmony in Red . Typically the last measures or turnbacks will be a chord that resolves to and harmonically leads you to the next section or turning you back to the same section. Typically a V or direct substitution of that next chord.
This is the key of the source leadsheet.
- The Candy Man is in 4/4, Common Time and the Key of C . Original Key: Eb, 159-161 bpm (depending on version).
These are the harmonic principles used in The Candy Man.
- Full Diatonic
- Partial Diatonic • Full Diatonic includes Secondary Dominant chords

Nashville Numbering System always uses four bars/measures per line, no bar lines, and default is each number of the number of beats per bar/measure based on the time signature. If multiple chords in same bar then they are underlined. It can be as simple as convert the Roman Numerals above to Arabic number.
At its simplest you simply replace the roman numbers with aberic numbers. e.g., I becomes 1 , II becomes 2 , etc. The only exception is the bVII7 chord becomes 7 as this borrowed chord from the Mixolydian tonality is so common and the VII (half-diminished seventh) in a major chord is so rare (actually never).
Check the definitive book Nashville Number System
Once a Harmonic Analysis has been completed then scale selections can be made. These scale selections can be either vertical and horizontal choices. And, really only needed if you are going to take a solo or embellish the melody with added notes.
Traditional Scales:
Maj: Major (Ionian),
Dim: Diminished,
WT: Whole Tone,
Har Min: Harmonic Minor,
Contemporary Scales:
Minor Pent: Minor Pentatonic,
Pent: Major Pentatonic,
Blues,
Scale/Mode Names:
Ion: Ionian (Major),
Dor: Dorian (Minor),
Phrygian: Phrygian,
Lyd: Lydian,
Mix: Mixolydian (Dominant),
Aeol: Aeolian (Natural Minor),
Loc: Locrian
Checkout LESSONSeries : Harmonic Analysis for Scale and Chord Selection or download the Harmonic Analysis for Scale and Chord Selection book. And the QuickStart Series of Scale and Arpeggio books.


Alternate Chord Voicings
Try this
B7
vs. the barre
version in the book, fingering-wise a twin to
Em
- (wikiwand) The Candy Man
- The Candy Man •
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Related Lessons, Videos, Lesson Series, Songs, Books & Reference Charts, Resources & Assets, Workshops are below.
Related Lessons
The Candy Man.

Harmonic Analysis Lesson Series
Harmonic Analysis ( HA ) is the process used to determine the harmonic function of chords within a chord progression. A chord progression is defined as a sequence of chords, each chord has a root and has a particular chord type. The relationship of a chord's root to a scale determines its function within that scale's tonality. Once a chord's function is identified, scale selections along with chord and scale substitutions can be made. This process is called Root Movement Analysis ( RMA ). This series of lessons are extracted from my book for use with individual private and on-line students. Each lesson directly corresponds the chapters in my book Harmonic Analysis for Scale Selection and Chord Substitution by Curt Sheller (me).
Related Lesson Series
The Candy Man.
Harmonic Analysis for Scale and Chord Selection
Harmonic Analysis (HA), also known as the study of chord relationships, is the method used to identify the harmonic role of chords within a chord progression or song. A chord progression refers to a sequence of chords, with each chord having a root note and belonging to a specific chord type. The function of a chord within a particular scale's tonality is determined by its relationship to that scale.
Related Books & Charts
The Candy Man.

Harmonic Analysis for Scale Selection and Chord Substitution
Harmonic Analysis is the understanding of the functional sequence of chords. It is the process used to analyze the harmonic structure of a progression, song or composition. This analysis is then used to make scale selections for improvisation and chord substitution.

The Daily Ukulele
Strum a different song every day with easy arrangements of 365 of your favorite songs in one big songbook! The Daily Ukulele features ukulele arrangements with melody, lyrics and uke chord grids and are in ukulele-friendly keys that are particularly suited for groups of one to one hundred to play and sing.





Checkout the Books for additional Handy, Dandy Reference Charts.
Reference Charts



A handy reference chart of all 15 major and relative minor key signatures. US Letter 8.5 x 11 sized (ANSI-A), A4
Checkout the Books for additional Handy, Dandy Reference Charts.
Related Lesson Files, Resources and Assets
The Candy Man.