Harmonic Analysis (RMA) Worksheet for the song: Don't Get Around Much Anymore.
Don't Get Around Much Anymore
Don't Get Around Much Anymore is a jazz standard written by composer Duke Ellington. The song was originally entitled "Never No Lament" and was first recorded by Duke Ellington and his orchestra on May 4, 1940. "Don't Get Around Much Anymore" quickly became a hit after Bob Russell wrote its lyrics in 1942.
Two different recordings of "Don't Get Around Much Anymore", one by The Ink Spots and the 1940 instrumental by Ellington's own band, reached No. 1 on the R&B chart in the US in 1943. Both were top-ten pop records, along with a version by Glen Gray. The Duke Ellington version reached No. 8 on the pop chart (wikiwand);
Don't Get Around Much Anymore is an AABA song form.

Don't Get Around Much Anymore is in the The Daily Ukulele
— 365 Songs for Better Living book.
Theses and many other chords are covered in the Learn A Chord A Day series of lessons.
Don't Get Around Much Anymore is an AABA song form.
III7
( V of VI)
Checkout the Don't Get Around Anymore song page right here on on LearningUkulele.com for the fills in measures 1 and 3 tht are played when the main theme is played.
II7
( V of V)
II7
( V of V)
Vanillachanges for Don't Get Around Much Anymore • The Vanilla Book uncovers the basic ("Vanilla") chord changes to over 400 of the most commonly played jazz
standardsto help the jazz player learn the basic
changesand allow the player to add embellishments and substitutions on a solid framework.
Embellishments to basic chords such as added 6ths, 9ths, 13ths, flat 5ths etc. are usually determined by the melody notes and the style of music being played.
Key of C 4/4 Pickup | G7 | [: C | C | A7 | A7 | 1._____________________________ | D7 | Dm7 G7 | C | G7 :] 2.____________________________ | C | C7 | F | F#dim | | C | Gm7 C7 | F | F#m7b5 B7 | | Em D7 | G7 || C | C | | A7 | A7 | D7 | Dm7 G7 | | C | C |
A Harmonic Analysis (RMA/HA) and its worksheet are intended to show the function of the chords, the harmonic principles used, the keys and tonalities the song explores. And, can be used for scale selections and chord and scale substitutions.
lead leadsheet.Minimal roadmap information such as repeats, fine, D.S., D.C., and codas has been used in preparing the worksheets to somewhat mirror the leadsheet in the Daily Ukulele book.
Yellow Book. You should start to recognize that 1st endings typically always return to a previous verse or an
- Don't Get Around Much Anymore is in 4/4, Common Time and the Key of G .
- The Original key for Don't Get Around Much Anymore is Key of C .
- Full Diatonic
- Partial Diatonic • Full Diatonic includes Secondary Dominant chords
- Internal Modulation
- Chromatic

Contemporary Scales: Minor Pent: Minor Pentatonic, Pent: Major Pentatonic, Blues,
Scale/Mode Names: Ion: Ionian (Major), Dor: Dorian (Minor), Phrygian: Phrygian, Lyd: Lydian, Mix: Mixolydian (Dominant), Aeol: Aeolian (Natural Minor), Loc: Locrian


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Don't Get Around Much Anymore.
Don't Get Around Much Anymore.
Harmonic Analysis (HA), also known as the study of chord relationships, is the method used to identify the harmonic role of chords within a chord progression or song. A chord progression refers to a sequence of chords, with each chord having a root note and belonging to a specific chord type. The function of a chord within a particular scale's tonality is determined by its relationship to that scale.
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Don't Get Around Much Anymore.

Don't Get Around Much Anymore is a jazz standard with music by Duke Ellington and lyrics by Bob Russell. The tune was originally titled "Never No Lament" and was first recorded by Ellington in 1940 as a big band instrumental. Russell's lyrics and the new title were added in 1942.
Don't Get Around Much Anymore.

Harmonic Analysis is the understanding of the functional sequence of chords. It is the process used to analyze the harmonic structure of a progression, song or composition. This analysis is then used to make scale selections for improvisation and chord substitution.

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