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**Take Five **is a jazz piece written by Paul Desmond and performed by The Dave Brubeck Quartet on their 1959 album Time Out. Recorded at Columbia's 30th Street Studios in New York City on June 25, July 1, and August 18, 1959, this piece became one of the group's best-known records. It is famous for its distinctive catchy saxophone melody; imaginative, jolting drum solo; and use of the unusual quintuple (5/4) time, from which its name is derived. The song was first played to a live audience by The Dave Brubeck Quartet at the Village Gate nightclub in New York City in 1959.
The inspiration for this style of music came during a US State Department sponsored tour of Eurasia and Brubeck observed in Turkey a group of street musicians performing a traditional Turkish folk song with supposedly Bulgarian influence that was played in 9/8 time, a rare meter for Western music (traditionally called "Bulgarian meter"). After learning about the form from native symphony musicians, Brubeck was inspired to create an album that deviated from the usual 4/4 time of jazz and experimented in the more exotic styles he experienced abroad.
Take Five - Lead Sheet with Melody for Premium Play-long Track
Leadsheet for the premium play-along track. This is a reallu cool to songs to play.
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Take Five - Premium Play-long Track
Premium play-long track for Take Five, the Dave Brubeck classic.
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A Road Map Through Song
Remembering songs is all about the form and harmonic content and movement with taking in the similarities between songs. And, just like a road map they're landmarks that will trigger memories of how to get through various sections, changes or parts of a song.
This section of a song's page presents some tips on how I try and remember a particular song.
No Road Map for Take Five check back soon.
No additional assets for Take Five at this time.
Reading for Ukulele - The Next Steps
Reading can be thought of on many different levels. 1) the ability to slowly and painfully work out the written music. 2) the ability to hear the music by looking at the notation. 3) the ability to notate< your ideas in standard music notation. 4) the ability to read music as you read a book or an article. 5) the ability to communicate with other musicians in the written language of music. 6) the ability to learn songs that you have never heard.
No related songs for Take Five at this time.
No videos for Take Five at this time. Filming a lot of videos for various lessons, songs and books.
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Just browsing over both books, they look fantastic! I'm a guitarist and uke player for over 25 years and was thinking about writing a ukulele book but you've already written what I think are the best, most comprehensive and thorough books I've ever seen for the instrument. I just might end up buying every book you've written and I'll be giving my highest recommendation for your books to my friends and students. Thank you so much for taking the time to write such great books! — Peter Rhee
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