Movable chord forms are chords containing no open strings. These chords can be transposed to different keys by moving each note of the chord the same number of frets up and down the neck.
Movable form chords allow you to play in any key and transpose chords, progressions, and songs to any key. From basic movable form chords, more advanced chords can be created.
The functional range of a movable chord depends on the ukulele's size (soprano, concert, or tenor), the number of frets to the body (10, 12, 14, etc.) and whether you have a cut-away for access to higher frets. Not all chords can be transposed a complete octave (12 frets).
Movable form chords can be used along with open-position chords. As you learn more movable form chords, you'll have a variety of alternate voicings for any given chord.
Movable form chords can be transposed up and down the fingerboard using the root of the chord and a transposition chart, or through knowledge of the names of the notes on the fingerboard.
Creating Chords from Known Chords
This lesson's chord is also closely related to the chord from lesson 4, G . A G7 can be created by lowering the root G on string 2, two frets.
Misnamed 7th Chords
Seventh chords are often misnamed as dominant seventh chords.
Whether a chord is a Dominant chord refers the its harmonic function within the chord progression — how it's being used. If the chord is functioning as a true
V
, or five chord in the progression it can be called a dominant seventh chord. If not it's simply a seventh chord and doesn't or shouldn't have any harmonic designations added to its name. We don't call other chords a Tonic Seventh, Sub-Dominant Seventh, or Medient Seventh.
Chord fingering is dependent on several factors. The chord you're currently on, the previous chord, the next chord, your hand, and fingers. All chord fingerings shown are recommended fingerings and not mandatory. Most chords have alternate fingerings dependent on the context. The same chord might even be fingered one way in one part of a song or progression and an alternate fingering in another part.
Core Chords
The seventh chord form is a core chord voicing for creating additional 4-part chords. From core chords other all other 4-part chords can be derived. There is a minimum core set of six 4-part chords to get started with. There are: 7, maj7, m7, m7b5, dim7, 7+5. A complete core set of eleven is needed to really explore 4-part chords. This set of eleven include the minimum set of six as well as: 6, m6, mL7, dimL7, +L7. To throughly explore these core set of chords and their possible extensions, upper partials and alterations see my book A Guide to Advanced Chords for Ukulele
Derived Chords
7sus4
Raise the third (3) of a seventh chord one fret.
Major Seventh Chords, maj7
A major 7 chord is created by raising the flat seven of a seventh chord one fret.
A major 7 can also be created from a major triad by lowering the root one fret.
Minor Seventh Chords, m7
Any minor 7 chord is created by lowering the third of a seventh chord one fret for a b3. An example would be from a C7 ( C E G Bb ) lower the E to Eb
Any minor 7 can also be created from a major triad by lowering the third one fret. An example would be from C ( C E G ) lower E to Eb.
A partial minor 7 can also be created from a minor triad by lowering the root two frets. An example would be from Cm ( C Eb G ) lower C to Bb.
Major Sixth Chord, (6 or maj6)
The major 6 or 6th chord is created by lowering the b7 of a seventh chord one fret. An example would be from C7 ( C E G Bb ) lower the Bb one fret to A for C6 ( C E G A ).
The major 6 can also be created from a major seventh chord by lower the seventh two frets. An example would be from Cmaj7 ( C E G B ) lower the B two frets to to A for C6 ( C E G A ).
9th Chords (9, m9, maj9)
A 9th chord is a 5-part chord.
For a 5-part 9th chord, the root is implied and displaced for the ninth. Optionally the 3rd of a 7th chord can be lowered two frets (a whole step) for 1 9 5 b7. This really works if you have already played the chord with the third present and establishing the color of the chord.
To create a ninth chord raise the root of a 4-part chord two frets. This applies to a 7th, maj7, m7, 6, m6, m7b5, etc… Most all 4-part chords can be turned into ninth chords. For a 7th chord this would be a 9 3 5 b7.
This same process can be applied to a triad by raising the root two frets. For these chords they are typically called add2 or add9 chords.
Chords are pretty flexible and can be implied by containing the notes of the chord that make it different then another chord types with the same root. Take C and Cm, C is C E G and Cm is C Eb G. The third of the chord the E or Eb is a color tone and is responsible for making a major chord different sounding then a minor chord with the same root.
Chord Progressions
Using the transposition for this weeks chord practice the below progression.
Blues in the key of F
Blues in the key of C
If your ukulele does not allow access to the higher frets for a particular chord, then substitute another movable form chord lower down the neck or an open position chord.
PRACTICE NOTE: To gain the most from these chord lessons and the practice progressions, memorize the location of each chord and the name of the chord.
I've pulled this trick question on a few of my private students after they have played a chord in a lesson. Typically this happens at the beginning of a lesson before we actually get into the lesson. I'll ask them to play a chord that I just saw them play. I'll say; "Play a D chord." Some will say they don't know chord so and so and yet it's a chord they just played. Don't let a chord get lost in a particular song or progression. Know its name and it belongs to you for using elsewhere.
Daily Practice Material for the Contemporary Ukulele
An organized collection of daily practice and reference material for the contemporary ukulele player for developing the vocabulary and knowledge necessary for single note playing.
Book: Daily Practice Material for the Contemporary Ukulele