A triad is a three note chord. In traditional chord theory there are four traditional triad chord types: major, minor, diminished and augmented. And four contemporary triad chord types: sus2, sus4, add2 and add9.
This series of lessons explores contemporary suspended or sus chords using triads cover is earlier lessons of this series.
Subjects(s): Chords • Intermediate • Advanced • Triads
A suspended chord (sus chord) is a chord in which the (major or minor) third is omitted, replaced usually with either a perfect fourth or a major second, although the fourth is far more common. The lack of a minor or a major third in the chord creates an open sound, while the tension between the fourth and fifth or second and root creates dissonance.
Available for Premium Site Access Plans Only
The term is borrowed from the contrapuntal technique of suspension, where a note from a previous chord is carried over to the next chord, and then resolved, historically, down to the third, suspending a note from the previous chord. However, in modern usage, the term concerns only the notes played at a given time; in a suspended chord, the added tone does not necessarily resolve, and is not necessarily “prepared” (i.e., held over) from the prior chord. As such, in C-F-G, the F would resolve to E, but in rock and popular music, the term is used to indicate only the harmonic structure, with no implications about what comes before or after,
though preparation of the fourth occurs about half the time and traditional resolution of the fourth occurs usually. In modern jazz, a third can be added to the chord voicing, as long as it is above the fourth.
In the traditional sense a sus
is a sus 4
. And a sus2
is a modern name and does not fit the traditional definition. So a C-D-G really is a C5add2.
In traditional chord theory there are four traditional triad chord types: major, minor, diminished, and augmented. And four contemporary triad chord types: sus2, sus4, add2 and add9.
This series of lessons explores contemporary suspended or sus chords using triads covered in earlier lessons of this series.
Triads are a great introduction to arpeggios and improvisation.
Lessons in this series include traditional and contemporary triads on:
- Triads on strings 1, 2, 3
- Triads on strings 2, 3, 4
- Triads using all four strings
A suspended chord (sus chord) is a chord in which the (major or minor) third is omitted, replaced usually with either a perfect fourth or a major second, although the fourth is far more common. The lack of a minor or a major third in the chord creates an open sound, while the tension between the fourth and fifth or second and root creates dissonance.
Available for Premium Site Access Plans Only
The term is borrowed from the contrapuntal technique of suspension, where a note from a previous chord is carried over to the next chord, and then resolved, historically, down to the third, suspending a note from the previous chord. However, in modern usage, the term concerns only the notes played at a given time; in a suspended chord, the added tone does not necessarily resolve, and is not necessarily “prepared” (i.e., held over) from the prior chord. As such, in C-F-G, the F would resolve to E, but in rock and popular music, the term is used to indicate only the harmonic structure, with no implications about what comes before or after,
though preparation of the fourth occurs about half the time and traditional resolution of the fourth occurs usually. In modern jazz, a third can be added to the chord voicing, as long as it is above the fourth.
In the traditional sense a sus
is a sus 4
. And a sus2
is a modern name and does not fit the traditional definition. So a C-D-G really is a C5add2.
In traditional chord theory there are four traditional triad chord types: major, minor, diminished, and augmented. And four contemporary triad chord types: sus2, sus4, add2 and add9.
This series of lessons explores contemporary suspended or sus chords using triads covered in earlier lessons of this series.
Triads are a great introduction to arpeggios and improvisation.
Lessons in this series include traditional and contemporary triads on:
- Triads on strings 1, 2, 3
- Triads on strings 2, 3, 4
- Triads using all four strings
Related Lessons, Videos, Lesson Series, Songs, Books & Reference Charts, Resources & Assets, Workshops are below.
A triad is a three note chord. In traditional chord theory there are four traditional triad chord types: major, minor, diminished and augmented. And four contemporary triad chord types: sus2, sus4, add2 and add9. This series of lessons explores contemporary add chords using triads covered in earlier lessons of this series.
return in your investment)—it is this— learning the
f*ckingnotes of your OWN instrument. Sorry for the tough talks—but it is sooooo true!
Learn to read single note melodies in the first/open position is a lot easier than you might think. Book: Ukulele – Reading Music Series – Primer
An organized collection of daily practice and reference material for the contemporary ukulele player for developing the vocabulary and knowledge necessary for single note playing. Book: Daily Practice Material for the Contemporary Ukulele
Checkout the Books & Reference Charts for additional Handy, Dandy Reference Charts.
Ukulele Fingerboard Chart for C Tuning, Low or High G – G C E A
Ukulele Fingerboard Chart for G Tuning, Low or High A – D G B E
A handy reference chart of all 15 major and relative minor key signatures. US Letter 8.5 x 11 sized (ANSI-A) , A4