The Andalusian cadence is a term adopted from flamenco music for a chord progression comprising four chords descending stepwise. It is otherwise known as the minor descending tetrachord. Traceable back to the Renaissance, its effective sonorities made it one of the most popular progressions in classical music.
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The upper tetrachord of minor scales varies: in C minor, the sixth may be Ab or A while the seventh may be Bb or B. To avoid confusion the chords of the progression may have accidentals added. The Andalusian cadence may then be notated **I bVII bVI V** rather than simply I VII VI V. The bVII note and chord is called the subtonic. In the final chord V the leading note replaces the subtonic.
Example in C major: C Bb Ab G.
- Maui, Hawai'ian Sup'pa Man
- Babe I'm Gonna Leave You - by Led Zeppelin
- Basketball Jones - by Cheech & Chong
- Believe - Elton John
- China Girl - David Bowe
- Feels Like the First Time - Foreigner
- Good Vibrations - The Beach Boys
- Guitar Tango - The Shadows
- Happy Together - by The Turtles
- Hey Joe - by Deep Purple
- Hit the Road Jack
- I Will Survive - by Gloria Gaynor
- I'll Be Back - The Beatles
- Layla - by Eric Clapton
- Love Child - by The Supremes
- Maneater - Hall And Oates
- Pipeline - by The Ventures
- Runnaway - Del Shannon
- Science Fiction Double Feature - Richard O'Brien and Richard Hartley
- Smooth Criminal - Michael Jackson
- Stray Cat Strut - The Stray Cats
- Walk Don't Run
One progression and lot of songs.
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A Guide to Advanced Chords Series - Chord Building Chart
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Key Signatures - Cycle of Fourths and Fifths
A handy reference chart of all 15 major and relative minor key signatues.
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Harmonic Analysis for Scale and Chord Selection
Harmonic Analysis is the process used to determine the harmonic function of chords within a chord progression or song. A chord progression is defined as a sequence of chords, each chord has a root and is a particular chord type. The relationship of a chord's to a scale determines its function within that scale's tonality.
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