The Andalusian Chord Progression
The Andalusian cadence is a term adopted from flamenco music for a chord progression comprising four chords descending stepwise.
Published: Sep 10, 2013 Updated: Oct 7, 2016 • Visitors: 10 • Page Views: 1
The Andalusian cadence is a term adopted from flamenco music for a chord progression comprising four chords descending stepwise. It is otherwise known as the minor descending tetrachord. Traceable back to the Renaissance, its effective sonorities made it one of the most popular progressions in classical music.
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The upper tetrachord of minor scales varies: in C minor, the sixth may be Ab or A while the seventh may be Bb or B. To avoid confusion the chords of the progression may have accidentals added. The Andalusian cadence may then be notated I bVII bVI V rather than simply I VII VI V. The bVII note and chord is called the subtonic. In the final chord V the leading note replaces the subtonic.
Example in C major: C Bb Ab G.
- (WikipediA): Andalusian Cadence
- (WikipediA): : List of Popular Songs using the Andalusian Cadence
- Maui, Hawai'ian Sup'pa Man
- Babe I'm Gonna Leave You - by Led Zeppelin
- Basketball Jones - by Cheech & Chong
- Believe - Elton John
- China Girl - David Bowe
- Feels Like the First Time - Foreigner
- Good Vibrations - The Beach Boys
- Guitar Tango - The Shadows
- Happy Together - by The Turtles
- Hey Joe - by Deep Purple
- Hit the Road Jack
- I Will Survive - by Gloria Gaynor
- I'll Be Back - The Beatles
- Layla - by Eric Clapton
- Love Child - by The Supremes
- Maneater - Hall And Oates
- Pipeline - by The Ventures
- Runnaway - Del Shannon
- Science Fiction Double Feature - Richard O'Brien and Richard Hartley
- Smooth Criminal - Michael Jackson
- Stray Cat Strut - The Stray Cats
- Walk Don't Run
One progression and lot of songs.
Listening to songs and wanting to play the same songs on ukulele - that's what draws most people to the ukulele. That and it looks like a load of fun and easy too play - which it is. Then you need to actually remember the songs that you're learning so you can play them again. And, hopefully not have to read them off a sheet all the time.
Harmonic Analysis Lesson Series
Harmonic Analysis ( HA ) is the process used to determine the harmonic function of chords within a chord progression. A chord progression is defined as a sequence of chords, each chord has a root and has a particular chord type. The relationship of a chord's root to a scale determines its function within that scale's tonality. Once a chord's function is identified, scale selections along with chord and scale substitutions can be made. This process is called Root Movement Analysis ( RMA ).
A Guide to Advanced Chords Series - Chord Building Chart
A handle dandy reference chart for building fifteen (15) basic triads and 4-part chords.
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Key Signatures - Cycle of Fourths and Fifths
A handy reference chart of all 15 major and relative minor key signatues.
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Harmonic Analysis for Scale Selection and Chord Substitution
Harmonic Analysis is the understanding of the functional sequence of chords. It is the process used to analyze the harmonic structure of a progression, song or composition. This analysis is then used to make scale selections for improvisation and chord substitution.
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Modular Phonetic Rhythm represents a significant advance in the teaching and application of rhythm. Eliminating many inefficient aspects of rhythm education, Modular Phonetic Rhythm streamlines the traditional educational approach, resulting in a reflexive reaction to rhythm.
Harmonic Analysis for Scale and Chord Selection
Harmonic Analysis is the process used to determine the harmonic function of chords within a chord progression or song. A chord progression is defined as a sequence of chords, each chord has a root and is a particular chord type. The relationship of a chord's to a scale determines its function within that scale's tonality.
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Walk Don't Run
Walk Don't Run is a rock'n'roll instrumental composition written and first performed by Johnny Smith in 1955. It became a hit single in the autumn of 1960 for the Seattle-based instrumental rock band The Ventures. In the UK, the tune was covered by the John Barry Seven, whose version, while only peaking at #11 on the Record Retailer chart, compared with the Ventures' #8, outcharted them to reach the Top 10 on other UK charts such as that of the NME.
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