Chord a Day, January 18th - C6
Learn a new Ukulele chord every day of the year. The chord for January 18th is C6.
Is is C6 or Am7?
Old joke is to ask the bass player. Whatever root note the bass player is playing – that is the root. So they have the power to change the harmonic function of the chord. You can demo this pretty easy on the piano. Play C E G in the right hand and then a C in left hand and it is a C, play A in the left hand and it us Am7. (see Naming Chords below)
Harmonic Function for C6
The Harmonic Function of a chord is simply how is a chord being used, in context with other chords in a song or chord progression. Here are the most common harmonic functions for today's chord.
C6 is a direct substitute for a C or Cmaj7 chord that is functioning as the tonic or I chord. Especially in the harmonic situation where it is harmonizing or supporting a melody that is a root of the tonality. Basically, if it's a C melody don't play a Cmaj7 — play C6 or a C major triad.
Harmonic Analysis, Scales and Modes
All harmonic and scale analysis utilizes Roman Numerals
related to its major or parallel major scale (
Today's chord might also be called Am7 and/or — the list can go on and on with more and more obscure chords. It all depends on the harmonic situation and the chord's harmonic function that it is being used in that determines the name of the chord. A bass player can change the function of a chord with the bass note they play, as that can be perceived as the root or letter name of the chord. Bass players have extreme harmonic powers, and they can use it for good or evil.
What's really useful is you don't have to learn a new fingering or voicing for other same shape chords when they come up. If you recognize the chord as another chord that is common in your repertoire, you can re-use it in the current context.
Here is a cool, fun exercise: *7alt —
alt, short for alteration. This is telling you that you are free to create the seventh chord with any upper partial extension ( 9th, 11th, 13th) and any alteration(s) that you would like: ♭9, ♯9, ♯11, ♭5, ♯5, ♭13. An example would be C7alt, the base C7 is C E G Bb – the 1 3 5 ♭7. You're free to add D♭, D♯, F♯, G♭, G♯, A♭. So your possible notes available are: C D♭ D D♯ E F F♯ G♭ G G♯ A♭ B♭. Notice B, the major seventh is NOT available. So, bottom-line is — if your chord does not contain a major seventh, you can justify every other note you are playing.
So when it comes to that dominant seventh chord or tri-tone sub resolving to what would be its I chord. And, if you don't know what to play, grab any shape and go for it. You have a 1 in 12 shot of hitting that major seventh, which would be really hard to justify a B7alt — B is the major seventh.
Including the 3rd and b7 goes a long way in keeping the intent of the base 7th chord. So, you have tow more noes to muck around with — BUT NOT the major seventh. Walk over to any piano and play the two-white keys together, and you get the why.
Open Position Chords
Today's chord, C6 is an Open Position chord.
Open Position Chords are any chord in the first four frets that include at least one open string.
Today's chord, C6 is a triad.
Triads • A three note chord, traditionally Major, Minor, Diminished, and Augmented.With contemporary triads including sus and add chords.
A real key to learning these triads is really and finally Learning the Ukulele Fingerboard . Memorizing the root of each triad for transposing to other keys.
Todays' open position C6 chord, has one embedded major triad with the root on string four.
Today's chord, C6 is one of, or based on one of, the Big Six Core
for creating your 4-part, contemporary chord foundation and
Life Beyond the Third Fret.
Learn a New Chord Each Day!!!
This Learn a New Chord Each Day!!! series of lessons was created and published in 2013 (10yrs ago) and has been added to an expanded ever since. 2020 brought videos to the show. 2023 is bringing more Harmonic information.
For a further exploration of this chord and its movable forms visit the Movable Ukulele Chords Lesson Series page.
To find out even more than you would ever need to know about a C6 chord — continue reading .
C6 is a Core Chord
A core chord is a basic chord that other chords can be derived from - creating new chords from your known chords. Your ever expanding set of core chords creates a solid foundation for playing music on ukulele or any instrument capable of playing chords. There are just far too many chord shapes to memorize all the possibilities. Some chords you can simply create on the fly as needed based on known information and how chords work.
Chord Type(s): Major 4-part
Chord Categories: Open Position
Related Lesson: Understanding a Chord Diagram
Open Position chords typically do not show the location of the root or letter name of the chord as these chords are the first chords a ukulele player learns and are almost entirely learned by shape and sound – hopefully, the chords' name. Later on, one develops the ability to determine the location of the chord root(s) or letter name within the chord.
Standard Music Notation and TAB
The same numbering notation of TAB can be used to describe the open strings and frets to be played when using text only notation or verbal communications. Using an open position C as an example, we can describe it as 0003 indicating open strings four, three, and two with fret (3) being fingered on string one. An open position D7 indicated as 2020.
Today's chord, C6 is a derived chord from Cmaj7 . Take any chord progression with Cmaj7 in it and explore substituting C6 for Cmaj7.
Chord Spelling is simply knowing what the notes, the chord tones of a chord are.
The notes of all chords can be determined from its corresponding major scale based on the root of the chord and numeric formula.
The notes for C6 are:
C E G A
The chord tones are the 1 3 5 6 scale degrees of the parent C Major Scale .
Although additional fingerings are possible for many chords. Fingering for any given chord depends the science of how our fingers work and on the harmonic context the chord is being used in, what was the previous chord and what's the next chord. The goal is to play all the notes right behind the frets when possible. Remember longer fingers can reach the lower strings better and finger two and stack on finger three and finger three can stack on finger four.
Although you can play any chord with any finger — as long as it's yours, the recommended fingering for C6 is:
0 0 0 0 - ALL open strings, NO fingers
Here are a few alternate fingerings for today’s C6 chord depending on the context the chord is being used.
Alternate fingering(s) for C6:
No fingers need for this chord so no alternate fingering are suggested. With this chord it time to take sip of you drink during the song.
Fingering notation for a chord using text only, without using a chord grid, is typically done using the finger numbers from left to right, string four to string one (nose to toes). Here is the text notation for January 1st C chord.
A Typical text representation of a chord fingering without using a chord grid.
Additional alternate fingerings might be possible for selected chords. If there isn't an overwhelming musical reason for one fingering over another, let efficiency be the determining factor. Something as simple as longer fingers can reach the lower string four and three goes a long way to being efficient when switching chords.
Factors such as playing notes right behind the fret takes less effort than in the middle of the fret. Less effort leads to overall efficiency in play, lower maintenance for maintaining your technique and efficiency leads to speed. This can help in determining what finger to use. Finger three can overlap finger four and finger two can overlap finger three a little allowing them to get closer to the fret.
Remember – the thumb's primary role is to support the fingers – not play notes. Think of the thumb as a Stagehand. He is unseen, doesn't get any lines BUT is a critical member of the team.
Chord Construction, Notes and Intervals
ALL chords can be be constructed based on the their intervals relative to the major scale of the root or letter name of the chord. The individual names of the notes of the chord can also be determined from the same scale.
The chord tones for C6 are: C E G A
C6 is the 1 3 5 6 of the C Major Scale based on the root (C) of the chord.
6 or maj6
The major 6 or 6th chord is created by lowering the b7 of a seventh chord one fret. An example would be from C7 ( C E G Bb ) lower the Bb one fret to A for C6 ( C E G A ).
The major 6 can also be created from a major seventh chord by lower the seventh two frets. An example would be from Cmaj7 ( C E G B ) lower the B two frets to to A for C6 ( C E G A ).
After memorizing todays C6 chord and able to switch in time with other chords. The next step is adding various Strums , Fingerpicking patterns, and exploring the Movable Chord versions of today's chord, to your ukulele skills.
End of Lesson - Thanks, Hope You Enjoyed It!
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