93 Lessons Tagged with the Subject: "Theory"

An alternate approach to determining the chord tones of any chord. Bottom-line is, it's the notes that make the chord, not the shape. A C chord is C, E, G - NOT this or that shape.

Up, Down, Ascending, Descending, Higher, Lower, Top, Bottom!!!

A Chord can have alternate names based on how it is being used. A chord's function is an important determining factor in naming a chord.

Ear Training is the development of the active and passive capability to relate to music aurally. This includes the ability to recognize melodic and harmonic intervals, chords, chords progressions, rhythm, melody, and harmony.

Traditionally, a tetrachord is a series of four tones filling in the interval of a perfect fourth. In modern usage a tetrachord is any four-note segment of a scale or tone row including the augmented fourth (+4). The term tetrachord derives from ancient Greek music theory, it literally means four strings.

An Enharmonic Equivalent is where a musical pitch can have different names depending on the context in which it is functioning. An example is G# produces the same pitch as Ab.

The Major Scale or Ionian scale is a diatonic scale, made up of seven distinct notes, plus an eighth which duplicates the first one octave higher. In solfege these notes correspond to the syllables “Do, Re, Mi, Fa, Sol, La, Ti/Si, (Do)”, the “Do” in the parenthesis at the end being the octave of the root.