To develop strong and independent left hand technique these series of graduated drills or finger gymnastics will increase your the comfort zone of usable technique. This lesson expands basic single string drills using multiple strings.

Beyond basic open position chords, basic movable form chords, and a core set of 4-part chords. There are just too many chords shapes too memorize. Learning the principles of how chords are constructed and the ukulele fingerboard are the way to go. You can then create more advanced chords like 9#11, 7#5-9, 13b5, 7+9 on the fly as needed from your core set of chords.

Commonly called "Jazz Chords", these more sophisticated, contemporary chord voicings find their way into a wide variety of music forms and styles. This lesson is the first on the series that builds your core foundation for these chords.

An alternate approach to determining the chord tones of any chord. Bottom-line is, it's the notes that make the chord, not the shape. A C chord is C, E, G - NOT this or that shape.

A non-traditional fingering for the G7 chord using the knowledge that the notes of a G7 chord are G B D F.

Cool Chords - These are the chords do not typically show up in chord dictionaries or song books. These are the chords players ask, "What is that chord?"

The six essential scales are: Blues Major Pentatonic Mixolydian Dorian Aeolian and Ionian From the six essential scales, you can get through a wide variety of traditional and contemporary music. A scale is simply a collection of pitches or notes, not really a "this is a Jazz scale", "this is a Blues" or "this is a Rock scale". It's how a scale is used that really matters not its name.

Standard music notation, the natural, sharp and flat notes of the ukulele fingerboard for C tuned ukuleles. Covers both high C and low G tuning variations.

The D Tuning comes in two versions where string four is either tuned to the "A", a major second below string one or low "A" where string fours is a perfect fifth below string three. The D tuning with a low A is the same as the thin four strings of a standard tuned guitar with a capo at fret (7).

The "Diminished Scale" is a symmetrical scale with a repeating pattern of whole steps and half steps. You only need three Diminished scales to cover all 15 keys.

Not all seventh chords are actually "dominant" seventh chords. This lesson covers when is a Dominant Seventh Chord NOT truly a Dominant seventh?

Upper Partials or extensions for chords are the 9th, 11th, and 13ths of a chord. The 9, 11 and 13 can be altered chord tones depending on the type: e.g: b9, #9, #11, b13. These numbers, the 9, 11 and 13 refer to the scale tone/chord tone relative to the major scale used for building all chords.

The term scale and mode are used interchangeably, and in a strict theory sense, there is a big difference between a scale and a mode or modal scale. They are NOT the same, even if they are the same notes. A scale and mode can contain the same notes.

The Big Six Core Chords is a series of lessons for building your core, essential 4-part chords. These chords commonly called jazz chords, are really just 4-part chords used in a wide range of musical styles. These chords include: Seventh , Major Seventh, Minor Seventh, Half Diminished Seventh or Minor Seven Flat Five, Diminished Seventh, and Augmented Seventh. These six chords form a core set of chords.

Naturally, for Ukuleles, all chords need to be voiced using only the four strings available. You would think that this is limiting when in actuality it's quite liberating when you learn the makeup of chords. Chord can be categorized into four categories: "Open Position Chords", "Movable Form Chords", "4-part - a.k.a. Jazz Chords", and "Free Form Chords."