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Beyond basic open position chords, basic movable form chords, and a core set of 4-part chords. There are just too many chords shapes too memorize. Learning the principles of how chords are constructed and the ukulele fingerboard are the way to go. You can then create more advanced chords like 9#11, 7#5-9, 13b5, 7+9 on the fly as needed from your core set of chords.
The six essential scales are: Blues Major Pentatonic Mixolydian Dorian Aeolian and Ionian From the six essential scales, you can get through a wide variety of traditional and contemporary music. A scale is simply a collection of pitches or notes, not really a "this is a Jazz scale", "this is a Blues" or "this is a Rock scale". It's how a scale is used that really matters not its name.
The D Tuning comes in two versions where string four is either tuned to the "A", a major second below string one or low "A" where string fours is a perfect fifth below string three. The D tuning with a low A is the same as the thin four strings of a standard tuned guitar with a capo at fret (7).
Upper Partials or extensions for chords are the 9th, 11th, and 13ths of a chord. The 9, 11 and 13 can be altered chord tones depending on the type: e.g: b9, #9, #11, b13. These numbers, the 9, 11 and 13 refer to the scale tone/chord tone relative to the major scale used for building all chords.
The terms "scale" and "mode" are often used interchangeably, but strictly speaking, there is a significant difference between them in music theory. Although they may share the same set of notes, a scale and a mode or modal scale are not the same thing. It's important to note that a scale and a mode can contain the same notes.
The Big Six Core Chords is a series of lessons for building your core, essential 4-part chords. These chords commonly called jazz chords, are really just 4-part chords used in a wide range of musical styles. These chords include: Seventh , Major Seventh, Minor Seventh, Half Diminished Seventh or Minor Seven Flat Five, Diminished Seventh, and Augmented Seventh. These six chords form a core set of chords.
Naturally, for Ukuleles, all chords need to be voiced using only the four strings available. You would think that this is limiting, when in actuality it's quite liberating when you learn the makeup of chords. Chords can be categorized into four categories: “Open Position Chords”, “Movable Form Chords”, “4-part - a.k.a. Jazz Chords”, and “Free Form Chords.”
Traditionally, a "Tetrachord" is a series of four tones filling in the interval of a perfect fourth. In modern usage a tetrachord is any four-note segment of a scale or tone row including the augmented fourth (+4). The term tetrachord derives from ancient Greek music theory, it literally means four strings.**
The G Tuning comes in two versions where string four is either tuned to the "D", a major second below string one or low "D" where string four is a perfect fifth below string three. The G tuning with a low D is the same as the thin four strings of a standard tuned guitar.
Introductions are a composed or improvised pieces of music that introduce - sets the stage for - a song or composition. Introductions, or intro for short, are used in all types of music. In this lesson, the focus is on introductions in contemporary pop, rock, blues, country, folk and jazz styles.
Beyond basic open position chords, basic movable form chords and a core set of 4-part chords. There are just too many chords shapes too memorize. Learning the principles of how chords are constructed and the ukulele fingerboard are the way to go. Then you can create more advanced chords like 9#11, 7#5-9, 13b5, 7+9 on the fly as needed.
In music or music theory, a triad is a three-note chord (or, more generally, any set of three notes, pitches, or tones). Triads can be used harmonically, as chords and melodically, as single notes. These lessons explore both. Using triads as chords like any other chord and using triads as a basis for creating melodies and improvising.
Wikipedia defines "Jazz" as a musical art form which originated at the beginning of the 20th century in African American communities in the Southern United States from a confluence of African and European music traditions. The style's West African pedigree is evident in its use of blue notes, improvisation, polyrhythms, syncopation, and the swung note.
"Hearing The Changes" is knowing what the chords of a song or chord progression are and when they change. This lesson gets you on the road to developing this ability. This involves know the chords of the keys and scales that are used for common progressions and songs. And the ability to recognize the sound of intervals, the distance between intervals.
TAB, short for tablature is a form of musical notation using numbers and letters on a staff that that corresponds to the number of strings of fretted string instrument. Theses number tell a player which fret to place their fingers on the fingerboard. TAB has a history with lute music from centuries ago and has found wide use in the music publishing industry catering to the guitarist who can?t or doesn't want to learn to read.
This series of lessons will allow you finally, to check that Reading item off your music To Do list. Learning to read standard music notation opens a world of music to you. Music notation is the Lingua franca of amateur and professional musicians alike.
"QuickStart Scale and Arpeggio Fingerings" are a highly organized, efficient system of scale and arpeggio fingerings. Each fingering pattern is shown with a fingerboard shape, TAB and standard music notation. Related chords are also explained for each scale. Master these fingerings and unlock your potential for solos and improvisation.
To play the ukulele effectively, your fingers need physical strength, agility, flexibility and coordination. This four finger-four note drill is designed to get your hands in shape. These exercises work no matter what style of ukulele you play or want to play.
In music, it is important to learn and recognize the key signature for C Major and A Minor. These two keys have corresponding major and natural minor scales, along with basic ukulele chords that can be used with each scale. The key of C Major, also known as the learning key, is particularly easy to memorize and start using.
"F# Major" (or the key of F#) is a major scale based on F#, with the pitches F# G# A# B C# D# E#. Its key signature has six sharps: F# C# G# D# A# E#. Its Relative Minor scale is G# Minor. Its Parallel Minor is F# Minor and, its enharmonic equivalent is Gb minor.
"C# Major" (or the key of C#) is a major scale based on C#, with the pitches, all sharps C# D# ES F# G# A#. Its key signature has seven sharps: F# C# G# D# A# E# B#. Its Relative Minor scale is A# Minor. Its Parallel Minor is C# Minor, and its enharmonic equivalent is Db minor. C# is a somewhat easy key and scale to memorize as all the note are sharp.
"F# Major" (or the key of F#) is a major scale based on F#, with the pitches F# G# A# B C# D# E#. Its key signature has six sharps: F# C# G# D# A# E#. Its Relative Minor scale is G# Minor. Its Parallel Minor is F# Minor and, its enharmonic equivalent is Gb minor.
"Bb Major" (or the key of Bb) is a major scale based on Bb, with the pitches Bb C D Eb F G A. Its key signature has two flats: Bb Eb. Its Relative Minor scale is G Minor. Its Parallel Minor is Bb Minor. B-flat major is a suitable key for most wind instruments, especially those for which it is their home key, such as clarinets, trumpets, tenor saxophone, soprano saxophone and flutes in B-flat.
"Eb Major" (or the key of Eb) is a major scale based on Eb, with the pitches Eb F G Ab Bb C D. Its key signature has three flats: Bb Eb Ab. Its Relative Minor scale is C Minor. Its Parallel Minor is Eb Minor. E flat major is often associated with bold, heroic music, in part because of Beethoven's usage.
"Gb Major" (or the key of Gb) is a major scale based on Gb, with the pitches Gb Ab Bb Cb Db Eb Ab F. Its key signature has six flats: Bb Eb Ab Db Gb Cc. Its Relative Minor scale is Eb Minor. Its Parallel Minor is Gb Minor, usually replaced by F-sharp minor, since G flat minor, which would have nine flats, is theoretically possible but is not typically used.
"Cb Major" (or the key of Cb) is a major scale centered around Cb, with the following pitches: Cb, Db, Eb, Fb, Gb, Ab, and Bb. The key signature of Cb Major includes seven flats: Bb, Eb, Ab, Db, Gb, Cb, and Fb. The relative minor scale of Cb Major is Ab Minor, while the parallel minor is Cb Minor. Cb Major is considered relatively easy to memorize, as all of its notes are flat.
Harmonic Analysis is the understanding of the functional sequence of chords. It is the process used to analyze the harmonic structure of a progression, song, or composition. This analysis is then used to make scale selections for improvisation and chord substitution. This lesson covers the Full Diatonic harmonic principle.
Harmonic Analysis is the understanding of the functional sequence of chords. It is the process used to analyze the harmonic structure of a progression, song, or composition. This analysis is then used to make scale selections for improvisation and chord substitution. This lesson covers the Unresolved harmonic principle.
Harmonic Analysis is the understanding of the functional sequence of chords. It is the process used to analyze the harmonic structure of a progression, song, or composition. This analysis is then used to make scale selections for improvisation and chord substitution. This lesson covers the Cycles harmonic principle.
Harmonic Analysis is the understanding of the functional sequence of chords. It is the process used to analyze the harmonic structure of a progression, song, or composition. This analysis is then used to make scale selections for improvisation and chord substitution. This lesson covers the Internal Modulation harmonic principle.
Harmonic Analysis is the process of determining the root movement of chords within a chord progression, the chord types that are used as well as identifying tonal centers. This root movement can be determined and categorized using one of six harmonic principles and the harmonized chord charts referenced in the lessons.
Harmonic Analysis is the understanding of the functional sequence of chords. It is the process used to analyze the harmonic structure of a progression, song, or composition. This analysis is then used to make scale selections for improvisation and chord substitution. This lesson covers the Chromatic harmonic principle.
As the subtitle of this Fingerpicking Basics lesson for Ukulele implies, this lesson's focus is on the alternating thumb part of the style. Commonly called Travis Picking on guitar and Scrugg's Style for banjo. For guitar it’s an alternating bass note style with the thumb playing the lower, bass notes.
In this lesson we’re introducing the index finger once to the alternating thumb pattern mastered in the Alternate Thumb Fingerpicking Style - Introduction. There are four possible patterns when adding the index finger once in common or cut time.
All the previous lessons in the "Fingerpicking for Ukulele, Alternating Thumb Style Series" where melodic, single notes only. This lesson introduces The *Pinch, where any one of the thumb/index finger or thumb/middle finger combinations can be played together - harmonically.
In this lesson we’re introducing the index finger twice to the alternating thumb pattern mastered in the Alternate Thumb Fingerpicking Style - Introduction. There are six possible patterns in common or cut time.ssible variations in this lesson.
There are two common styles of fingerpicking on ukulele. This series of lessons explores the Alternating Thumb Style. A future series will explore the Thumb and three finger style, the traditional p i m a classical guitar style that we’ll adapt to ukulele.
All the previous lessons in the "Fingerpicking for Ukulele, Alternating Thumb Style Series" where melodic, single notes only. This lesson introduces The *Pinch, where any one of the thumb/index finger or thumb/middle finger combinations can be played together - harmonically.
Rhythmic variations can be incorporated into this style of fingerpicking, creating a variety of syncopated patterns. All previous patterns were steady in nature, with the thumb alternating and playing on every downbeat. Many of the following patterns are syncopated, creating rhythmic variety.
Switching chords are all about finger independence and working together. This can be developed using the "double stop" fingering drills presented in this lesson. A "double stop" is a term borrowed from violin technique where you are stopping two strings or two notes - an interval.
The Blues are at the heart of all American music. It has influenced Country, Rock, Folk, Jazz, Bluegrass and just about every form of American music we listen to today. The Blues - a chord progression, a scale, a feeling. This lesson presents an introduction to the blues progression and a couple of scale position of the pentatonic scale to get you started improvising.
Building major triads using the primary chords of C major. Triads are one of the first chords that really bring to light the need to know the notes of the neck. This lesson shows the three voicings and the solutions for playing a common "1 4 1 5" progression using C, F and G triads on the string 1 2 3 set.
Essential DbMajor scale patterns for ukulele. Learning scales typically starts with learning a position or pattern by shape. For a lot of players that's where it stops. With the many possible shapes between chords and scales to learn – there has to be a better way – There is!!!
Exploring major triads using the primary chords of G major. Triads are one of the first chords that really bring to light the need to know the notes of the neck. This lesson shows the three voicings and the solutions for playing a common 1 4 1 5 progression using G, C and D triads on the string 1 2 3 set.
Strums are Inseparably Linked to Rhythm. Any strum can be broken down to its Modular Phonetic rhythmic syllables. Modular Phonetic Rhythm, by Chuck Anderson is a system for learning rhythm. It teaches rhythm phonetically - just as language does. Remember 'Strums ARE rhythm'
The Big Six Core Chords: "F6". This is the Level II of your core 4-part "Jazz" chords. The F6 is a 1 3 5 6 of the major scale, based on the root of the chord. A major 6th chord can be derived either from a seventh or major seventh chord. From a seventh chord lower the flat seventh one fret. From a major seventh chord lower the natural seventh two frets.
The Big Six Core Chords - Level II: "FmL7" is created from the "1 b3 5 7" of the major scale, based on the root of the chord. For "FmL7" the chord tones are: F Ab C E. The L is a contemporary chord designation and refers to a large seventh, a major seventh.
The Big Six Core Chords: "Fm6". This is the Level II of your core 4-part "Jazz" chords. The Fm6 is a 1 b3 5 6 of the major scale, based on the root of the chord. A minor 6th chord can be derived either from a minor seventh or major sixth chord. From a minor seventh chord lower the flat seventh one fret. From a major sixth chord lower the natural third one fret.
"Partial Diatonic" is defined as a chord that HAS its root in the - "Harmonize Chord Chart," but its species or chord type is NOT in the Harmonized Chord Chart. Partial Diatonic chords are used to link chords without leaving the current key center. Secondary Dominant chords are a big part of this harmonic principle.
Harmonic Analysis ( HA ) is the process used to determine the harmonic function of chords within a chord progression. A chord progression is defined as a sequence of chords, each chord has a root and has a particular chord type. The relationship of a chord's root to a scale determines its function within that scale's tonality. Once a chord's function is identified, scale selections along with chord and scale substitutions can be made. This process is called Root Movement Analysis ( RMA ). This series of lessons are extracted from my book for use with individual private and on-line students. Each lesson directly corresponds the chapters in my book Harmonic Analysis for Scale Selection and Chord Substitution by Curt Sheller (me).
There is nothing that returns more value when learning a fretted musical instrument like the ukulele than really , and I mean really knowing the names of the notes of the fingerboard. This exercise takes any random fingerboard shape and names the notes using any combination of their natural, sharps and or flats names.
Tablature, or "TAB" for short, is a musical notation system for indicating instrument fingering rather than musical pitches in the standard music tradition. Tablature is common for fretted stringed instruments such as the lute, vihuela, or guitar. Tablature has been around for centuries and was common during the Renaissance and Baroque eras.
In addition to the individual rhythmic make-up of the pattern which is represented in the Standard Music Notation. Musical direction and the strings can help in remembering the patterns. The string pattern can really help with getting the plucking hand to actually execute the pattern as intended.
The Big Six Core Chords - Level I: "F7" is created from the "1 3 5 b7" of the major scale, based on the root of the chord. For "F7" the chord tones are: F A C Eb. This lesson introduces the four "F7" voicings on the string set, strings 1, 2. 3, and 4. The Chords are shown for C Tuning, Low and High G.
A triad is a three note chord. In traditional chord theory there are four traditional triad chord types: major, minor, diminished and augmented. And four contemporary triad chord types: sus2, sus4, add2 and add9.
This series of lessons explores contemporary suspended or sus chords using triads cover is earlier lessons of this series.
A triad is a three note chord. In traditional chord theory there are four traditional triad chord types: major, minor, diminished and augmented. And four contemporary triad chord types: sus2, sus4, add2 and add9. This series of lessons explores contemporary add chords using triads covered in earlier lessons of this series.
Listening to songs and wanting to play the same songs on ukulele – that's what draws most people to the ukulele. That and it looks like a load of fun and easy to play – which it is. Then you need to actually remember the songs that you're learning, so you can play them again. And, hopefully, not have to read them off a sheet all the time.
Ukulele Gymnastics series contains quite a few lessons for developing your finger strength and independence of the fretting hand. The fretting hand is responsible for playing chords and single notes. The fretting hand and plucking hand are responsible for getting the music out.
Using Major Triad Arpeggios - Plus One for Creating Melodic Solos. With chord tones, the notes of a chord playing a predominant role in writing melodies and in improvised melodies. The triad plus one additional note is a great melodic device for creating melodies - either written or improvised.
Using Minor Triad Arpeggios - Plus One for Creating Melodic Solos. With chord tones, the notes of a chord playing a predominant role in writing and in and improvised melodies. The triad plus one additional note is a great melodic device for creating melodies - either written or improvised.
On ukulele there aren't many positions where you can play a one octave scale from the root to octave. An instrument like the guitar with the additional lower strings five and six allows one to play a one octave scale in multiple positions in the basic 4-fret, 4-finger position. On ukulele there might be one or two depending on the scale and the key - and whether your using a low string four tuning. This lesson offers a practical approach to practicing your scales on ukulele.
Slide is used when the passage cannot be played within a single 4 fret span or when more notes per string required to produce a particular effect. I's also used in situations where a gradually ascending or descending diagonal motion best solves the physical and musical demands of the passage.
Slide is used when the passage cannot be played within a single 4 fret span or when more notes per string required to produce a particular effect. I's also used in situations where a gradually ascending or descending diagonal motion best solves the physical and musical demands of the passage.
Pass maximizes the number of notes per string, making the timbre consistent. It's used to move up or down the neck to cope with a passage in which the range is unusually large. The pass provides an effective way to move straight up the first string. It's particularly useful in developing 3 octave fingerings and in playing melodies with an adjacent drone string.
In jazz and jazz harmony, the chord progression from IV7 to bVII7 to I has been nicknamed the backdoor progression or the backdoor II-V. This name derives from an assumption that the normal progression to the tonic, the II-V-I turnaround (II-V7 to I, see also authentic cadence) is, by inference, the front door. It can be considered a minor plagal cadence in traditional theory.
The most important notes or chord tones in a chord are the notes that contribute most to the actual sound or “color” of the chord. For a major or minor triad, the third of the chord performs this function. For other chords, any note that makes it different from other chord types with the same root are the color tones.
This lesson is a more for less type of lesson exploring what notes are actually important in chords. The best place to start with this concept is 4-part chords and the Big Six Core Chords.
The remaining chords for The Big Six, Level I Core Chords. The Big Six chords include: Seventh 7, Major Seventh maj7, Minor Seventh m7, Half Diminished Seventh or Minor Seven Flat Five diminished 7 m7b5, Diminished Seventh o7 and Augmented Seventh +7. These six chords form a core set of chords.
A "Triad" is a three note chord. In traditional chord theory there are four traditional triad chord types: major, minor, diminished and augmented. And four contemporary triad chord types: sus2, sus4, add2 and add9. Triads can be used harmonically, as chords and melodically, as single notes. Triads are a great way to get started with creating melodic solos and improvising.
Core Chords is a series of lessons for building your 4-part chords. These chords commonly called jazz chords, are really just 4-part chords used in a wide range of musical styles. Beyond basic open position chords, basic movable form chords and a core set of 4-part chords. There are just too many chords shapes too memorize. Learning the principles of how chords are constructed and the ukulele fingerboard are the way to go. Then you can create more advanced chords like 9#11, 7#5-9, 13b5, 7+9 on the fly as needed.
"Core Chords" are a concept that I typically apply to 4-part chords and your more contemporary modern chords. This where a solid foundation of a core set of chords really help in learning the massive amount of chords that are required for play contemporary music or jazz on ukulele or guitar. Not such a task on ukulele with on one four string set of strings to build your 4-part chords vs. the theoretically possible 15 sets available for guitar.
This is a series of lessons for reading music for ukulele at a pro level. Reading can be thought of on many different levels. 1) the ability to slowly and painfully “work out” the written music. 2) the ability to “hear” the music by looking at the notation. 3) the ability to “notate” your ideas in standard music notation. 4) the ability to “read” music as you read a book or an article. 5) the ability to communicate with other musicians in the written language of music. 6) the ability to learn songs that you’ve never heard.
Once you understand the basic concept of reading, it’s time to get down to the development of the skills. We know our goal is to read music as well as we read words. Now, how do we get there? Note Recognition - If you can’t recognize the notes on the staff, you certainly can’t read them. For anyone who is past this step, great! But in many cases, the recognition of notes on the staff is not as good as it should be. If you can’t read music, this skill doesn’t exist at all.
Now that you can recognize the notes on the staff in the Treble clef, it’s time to start connecting that knowledge to the ukulele. One of the most significant problems in reading for the ukulele, is that many of the same notes can be found in multiple locations on the neck. For example, the same A note is an open string one, string two - fret (5) and string three, fret (9) and if using a high G tuning - string four fret (2). The only way to cut down this complexity is to organize the ukulele into positions where this duplication is either eliminated or at least, minimized.
This lessons covers the natural symbol and the sharp key signatures keys. In musical notation, a key signature is a collection of sharp or flat symbols placed together on the staff. Key signatures are generally written immediately after the clef at the beginning of a line of musical notation, although they can appear in other parts of a score, notably after a double barline. A key signature is use to indicate the “auto sharping or flatting of specified notes. Key signatures are also used to identify the key of a composition.
This lessons covers the natural symbol and the flat key signatures keys. In musical notation, a key signature is a collection of sharp or flat symbols placed together on the staff. Key signatures are generally written immediately after the clef at the beginning of a line of musical notation, although they can appear in other parts of a score, notably after a double barline. A key signature is use to indicate the “auto sharping or flatting of specified notes. Key signatures are also used to identify the key of a composition.
This lessons's work will advance rhythm by introducing Ties. Many ukulele players can find the notes on their instrument but can't read rhythm with enough accuracy and speed to be considered "sight readers". Remember that sight reading is just a level of reading. It's not some special and mysterious skill. When you read a book or magazine, you don't have to "work out" the words before you "read" them. You just read them.
Building on the Major Triad Arpeggios - Plus One for Creating Melodic Solos lesson you can add a b7 to a major triad for a 4-part Seventh chord. With chord tones, the notes of a chord playing a predominant role in writing melodies and in improvised melodies. The triad plus one additional note is a great melodic device for creating melodies - either written or improvised.
Using Diminished Triad Arpeggios - Plus One for Creating Melodic Solos. With chord tones, the notes of a chord playing a predominant role in writing melodies and in improvised melodies. The triad plus one additional note is a great melodic device for creating melodies - either written or improvised.
Using Augmented Triad Arpeggios - Plus One for Creating Melodic Solos. With chord tones, the notes of a chord playing a predominant role in writing melodies and in improvised melodies. The triad plus one additional note is a great melodic device for creating melodies - either written or improvised.
Exploring the triads plus one series is best done using the QuickStart series format and the fingering principles from my book The Six Secrets of Ukulele Fingering. The QuickStart series format single fingering solution for starting on each finger on strings four, three, two and one. Using the fingering principles from my book The Six Secrets of Ukulele Fingering allows you to explore scales, arpeggios, intervals and sequences from every finger-every strings, creating multiple pathways through any single note passage.
A `Ukulele is: Light Weight, Affordable and Portable | Four Strings and Four Fingers | Less Need for Strumming Accuracy | There is nott a lot expected from a ukulele player. The 'Ukulele (pronounced oo-koo-lele) comes in four standard sizes: Soprano (sometimes called Standard), Concert, Tenor and Baritone.
An interval is the distance between two notes. An interval has a name and a type. Intervals can be played one note (melodic) or two notes (harmonic) at a time, ascending or descending. Simple and Compound Intervals are taken from a major scale. Chromatic Intervals are NOT taken from a major scale. They are derived from the diatonic intervals.
A "Secondary Dominant" chord is defined as any seventh chord built on a scale root that is diatonic to the key that resolves up a perfect fourth or down a perfect fifth to a full diatonic chord. These chords function as a dominant (V) chord to the next chord, serving to temporarily tonicize the following chord.
It's unfortunate that there' s no oversight or organization that regulates private music teachers. This is especially true for private guitar and ukulele teachers. Anyone can hang a shingle out advertising private lessons or put content online. So finding a good teacher can be a problem. Here are a few questions you can ask prospective teachers and generally speaking what their answers should be. I'll also input my perspective which should give some info on accurately evaluating a prospective teacher or online content.
