Pick up any chord dictionary, and one thought that should go through your mind is - TOO MANY CHORDS There is now way to memorize all those shapes. It would be better off learning how they came up with all those shapes. Most chord dictionaries are also just like pages transposed to all possible keys.

Basic one, two, three and four note single string drills for ukulele for developing finger strength and independence. It's critical a player develop the finger strength and independence to explore their full musical potential. By developing a great fingerboard hand, you will be able to explore more challenging musical situations.

Commonly called "Jazz Chords", these more sophisticated, contemporary chord voicings find their way into a wide variety of music forms and styles. This lesson is the first on the series that builds your core foundation for these chords.

Cool Chords - These are the chords do not typically show up in chord dictionaries or song books. These are the chords players ask, "What is that chord?"

A series of weekly ukulele lessons originally presented throughout 2007 on movable ukulele chords as the "Ukulele Chord of The Week Series". Based on the Ukulele Chords book by Curt Sheller (me). It takes the open position chords and shows the movable form and the variations.

The six essential scales are: Blues Major Pentatonic Mixolydian Dorian Aeolian and Ionian From the six essential scales, you can get through a wide variety of traditional and contemporary music. A scale is simply a collection of pitches or notes, not really a "this is a Jazz scale", "this is a Blues" or "this is a Rock scale". It's how a scale is used that really matters not its name.

Standard music notation, the natural, sharp and flat notes of the ukulele fingerboard for C tuned ukuleles. Covers both high C and low G tuning variations.

The D Tuning comes in two versions where string four is either tuned to the "A", a major second below string one or low "A" where string fours is a perfect fifth below string three. The D tuning with a low A is the same as the thin four strings of a standard tuned guitar with a capo at fret (7).

The "Diminished Scale" is a symmetrical scale with a repeating pattern of whole steps and half steps. You only need three Diminished scales to cover all 15 keys.

Upper Partials or extensions for chords are the 9th, 11th, and 13ths of a chord. The 9, 11 and 13 can be altered chord tones depending on the type: e.g: b9, #9, #11, b13. These numbers, the 9, 11 and 13 refer to the scale tone/chord tone relative to the major scale used for building all chords.

The Big Six Core Chords is a series of lessons for building your core, essential 4-part chords. These chords commonly called jazz chords, are really just 4-part chords used in a wide range of musical styles. These chords include: Seventh , Major Seventh, Minor Seventh, Half Diminished Seventh or Minor Seven Flat Five, Diminished Seventh, and Augmented Seventh. These six chords form a core set of chords.

This lesson covers the common terms used for identifying the fingers used. And, presents a series of single string exercises for exploring and developing the techniques needed for this style.

Naturally, for Ukuleles, all chords need to be voiced using only the four strings available. You would think that this is limiting, when in actuality it's quite liberating when you learn the makeup of chords. Chords can be categorized into four categories: “Open Position Chords”, “Movable Form Chords”, “4-part - a.k.a. Jazz Chords”, and “Free Form Chords.”

Ear Training is the development of the active and passive capability to relate to music aurally. This includes the ability to recognize melodic and harmonic intervals, chords, chords progressions, rhythm, melody, and harmony.

Two Feel, bVImaj7 bIImaj7, Basie Ending, Single, Double and Triple Tags, Chromatic, Take 'A' Train Ending, Shave and a Hair Cut, Lawrence Welk Ending. These are common classic songs ending that are used over and over in the standard song repertoire.

The G Tuning comes in two versions where string four is either tuned to the "D", a major second below string one or low "D" where string four is a perfect fifth below string three. The G tuning with a low D is the same as the thin four strings of a standard tuned guitar.

Introductions are a composed or improvised pieces of music that introduce - sets the stage for - a song or composition. Introductions, or intro for short, are used in all types of music. In this lesson, the focus is on introductions in contemporary pop, rock, blues, country, folk and jazz styles.

An "Enharmonic Equivalent" is where a musical pitch can have different names depending on the context in which it is functioning. An example is G# produces the same pitch as Ab but have different standard notations when written in music.

Alternate fingerings for F7 in C tuning. The same fingerings would apply to C7 in G tuning and G7 in D tuning.

Beyond basic open position chords, basic movable form chords and a core set of 4-part chords. There are just too many chords shapes too memorize. Learning the principles of how chords are constructed and the ukulele fingerboard are the way to go. Then you can create more advanced chords like 9#11, 7#5-9, 13b5, 7+9 on the fly as needed.

In music or music theory, a triad is a three-note chord (or, more generally, any set of three notes, pitches, or tones). Triads can be used harmonically, as chords and melodically, as single notes. These lessons explore both. Using triads as chords like any other chord and using triads as a basis for creating melodies and improvising.

"Diminished Seventh Passing Chord - Example J". From the book A Guide to Blues Progressions for Ukulele from A to Z.

The "Major Scale" or Ionian scale is a diatonic scale, made up of seven distinct notes, plus an eighth which duplicates the first one octave higher. In solfege these notes correspond to the syllables Do, Re, Mi, Fa, Sol, La, Ti/Si, (Do), the Do in the parenthesis at the end being the octave of the root.

"Transposition" is the process of moving a note, chord, scale or any musical passage from one key to another key. All music can be transposed, from a single note to a complex musical score. This lesson deals with transposing chords on ukulele and transposing chords.

Sequences and cycles for practicing scales, intervals, melodic sequences and arpeggios.

"Hearing The Changes" is knowing what the chords of a song or chord progression are and when they change. This lesson gets you on the road to developing this ability. This involves know the chords of the keys and scales that are used for common progressions and songs. And the ability to recognize the sound of intervals, the distance between intervals.

Using chord "Voice Leading" principles we will explore all 4 voicings of core seventh chords using string family 1 2 3 4 chords.

TAB, short for tablature is a form of musical notation using numbers and letters on a staff that that corresponds to the number of strings of fretted string instrument. Theses number tell a player which fret to place their fingers on the fingerboard. TAB has a history with lute music from centuries ago and has found wide use in the music publishing industry catering to the guitarist who can?t or doesn't want to learn to read.

This series of lessons will allow you finally, to check that Reading item off your music To Do list. Learning to read standard music notation opens a world of music to you. Music notation is the Lingua franca of amateur and professional musicians alike.

"QuickStart Scale and Arpeggio Fingerings" are a highly organized, efficient system of scale and arpeggio fingerings. Each fingering pattern is shown with a fingerboard shape, TAB and standard music notation. Related chords are also explained for each scale. Master these fingerings and unlock your potential for solos and improvisation.

To develop strong and independent left hand technique these series of graduated drills or finger gymnastics will increase your the comfort zone of usable technique. This lesson expands basic single string drills using multiple strings.

The "E/F Movable Barre Form" chords are movable form chords based on the open position E, Em, E7, and Em7 chords. With the root on string six, these chords can be transposed to ANY key.

To play the ukulele effectively, your fingers need physical strength, agility, flexibility and coordination. This four finger-four note drill is designed to get your hands in shape. These exercises work no matter what style of ukulele you play or want to play.

For music and learning an instrument like the ukulele or guitar, it's all about the making the connection between your Mind, your Hands, and your Ear. When listening to music, we enjoy it at the tempo the composer or artist intended, in real time. Only the ear is involved in listening. This is passive listening and you're simply enjoying the music. This is what we do every day and it's what draws us to want to learn a musical instrument.

A "Substitution" is when a chord replaces or is used in addition to an existing chord. Chords can have an active or passive quality to them. Active chords tend to be restless and want to move on to other chords. Passive chords tend to offer a feeling of rest and resolution. This cycle of active and passive chords are what gives chord progressions their feeling of movement.

Inverting intervals using the "Rule of Nine". An interval is the distance between two notes. An interval has a name and a type. Intervals can be played one note (melodic) or two notes (harmonic) at a time, ascending or descending.

Traditional key signatures provide a wealth of information that can enhance our understanding of music and its underlying principles.

Learn the Blues ( Minor Pentatonic ) and Pentatonic ( Major Pentatonic ) scales on ukulele. A practical approach to learning theses two essential scales using the Blues. These five note scales, the Major Pentatonic and the Blues or Minor Pentatonic scales are two of the most common scales used in contemporary music.

"D Major" (or the key of D) is a major scale based on D, with the pitches E F# G A B C#. Its key signature has two sharps: F# C#. Its Relative Minor scale is Bm Minor. Its Parallel Minor is D Minor.

Taking a movable "F7" chord, you can derive each of the Big Six Core Chords. 7, maj7, m7, m7b5, dim7, and aug7 from that voicing.

Taking a movable "F7" chord, you can derive each of the Big Six Core Chords. 7, maj7, m7, m7b5, dim7, and aug7 from that voicing.

Taking a movable "F7" chord, you can derive each of the Big Six Core Chords. 7, maj7, m7, m7b5, dim7, and aug7 from that voicing.

Taking a movable "F7" chord, you can derive each of the Big Six Core Chords. 7, maj7, m7, m7b5, dim7, and aug7 from that voicing.

The ultimate goal for any musician when playing a musical instrument is to "Play by Ear". It’s true whether you’re singing, banging a drum, strumming a guitar, or our favorite instrument, the ukulele. If your fingers can already interpret and follow what your inner ear commands, you’ve obtained your goal and are "Playing by Ear."

In music, it is important to learn and recognize the key signature for C Major and A Minor. These two keys have corresponding major and natural minor scales, along with basic ukulele chords that can be used with each scale. The key of C Major, also known as the learning key, is particularly easy to memorize and start using.

“G Major” (or the key of G) is a major scale based on G, with the pitches G A B C D E F#. Its key signature has one sharp: F#. Its Relative Minor scale is E Minor. Its Parallel Minor is D Minor.

"D Major" (or the key of D) is a major scale based on D, with the pitches E F# G A B C#. Its key signature has two sharps: F# C#. Its Relative Minor scale is Bm Minor. Its Parallel Minor is D Minor.

"A Major" (or the key of A) is a major scale based on A, with the pitches A B C# D E F# G#. Its key signature has three sharps: F# C# G#. Its Relative Minor scale is F# Minor, Minor. Its Parallel Minor is A Minor.

"E Major" (or the key of E) is a major scale based on E, with the pitches E F# G# a B C# D#. Its key signature has four sharps: F# C# G# D#. Its Relative Minor scale is B Minor. Its Parallel Minor is E Minor.

"B Major" (or the key of B) is a major scale based on B, with the pitches C# D# E F# G# A#. Its key signature has five sharps: F# C# G# D# A#. Its Relative Minor scale is G# Minor. Its Parallel Minor is B Minor and, its enharmonic equivalent is Cb minor.

"F# Major" (or the key of F#) is a major scale based on F#, with the pitches F# G# A# B C# D# E#. Its key signature has six sharps: F# C# G# D# A# E#. Its Relative Minor scale is G# Minor. Its Parallel Minor is F# Minor and, its enharmonic equivalent is Gb minor.

"C# Major" (or the key of C#) is a major scale based on C#, with the pitches, all sharps C# D# ES F# G# A#. Its key signature has seven sharps: F# C# G# D# A# E# B#. Its Relative Minor scale is A# Minor. Its Parallel Minor is C# Minor, and its enharmonic equivalent is Db minor. C# is a somewhat easy key and scale to memorize as all the note are sharp.

"F# Major" (or the key of F#) is a major scale based on F#, with the pitches F# G# A# B C# D# E#. Its key signature has six sharps: F# C# G# D# A# E#. Its Relative Minor scale is G# Minor. Its Parallel Minor is F# Minor and, its enharmonic equivalent is Gb minor.

"Bb Major" (or the key of Bb) is a major scale based on Bb, with the pitches Bb C D Eb F G A. Its key signature has two flats: Bb Eb. Its Relative Minor scale is G Minor. Its Parallel Minor is Bb Minor. B-flat major is a suitable key for most wind instruments, especially those for which it is their home key, such as clarinets, trumpets, tenor saxophone, soprano saxophone and flutes in B-flat.

"Eb Major" (or the key of Eb) is a major scale based on Eb, with the pitches Eb F G Ab Bb C D. Its key signature has three flats: Bb Eb Ab. Its Relative Minor scale is C Minor. Its Parallel Minor is Eb Minor. E flat major is often associated with bold, heroic music, in part because of Beethoven's usage.

"Ab Major" (or the key of Ab) is a major scale based on Ab, with the pitches Ab Bb C D Eb F G. Its key signature has four flats: Bb Eb Ab Db. Its Relative Minor scale is F Minor. Its Parallel Minor is Ab Minor.

"Db Major" (or the key of Db) is a major scale based on Db, with the pitches Db Eb F Gb Ab Bb C. Its key signature has five flats: Bb Eb Ab Db Gb. Its Relative Minor scale is Bb Minor. Its Parallel Minor is Db Minor.

"Gb Major" (or the key of Gb) is a major scale based on Gb, with the pitches Gb Ab Bb Cb Db Eb Ab F. Its key signature has six flats: Bb Eb Ab Db Gb Cc. Its Relative Minor scale is Eb Minor. Its Parallel Minor is Gb Minor, usually replaced by F-sharp minor, since G flat minor, which would have nine flats, is theoretically possible but is not typically used.

"Cb Major" (or the key of Cb) is a major scale centered around Cb, with the following pitches: Cb, Db, Eb, Fb, Gb, Ab, and Bb. The key signature of Cb Major includes seven flats: Bb, Eb, Ab, Db, Gb, Cb, and Fb. The relative minor scale of Cb Major is Ab Minor, while the parallel minor is Cb Minor. Cb Major is considered relatively easy to memorize, as all of its notes are flat.

There are two approaches when learning a musical instrument like the ukulele or guitar. The first approach and one that is very popular with the ukulele goes right along with its easy to play reputation. This approach uses songs to learn the ukulele. A second approach is to learn what would be consider the the basics before working with songs.

Open position A chords and its movable form and variations.

Open position C chord and its movable form and variations.

Open position F chord and its movable form and variations.

Open position G chord and its movable form and variations.

Open position D chord and its movable form and variations.

Open position E chord and its movable form and variations.

Open position Am chord and its movable form and variations.

Open position Cm chord and its movable form and variations.

Open position Dm chord and its movable form and variations.

Open position Em chord and its movable form and variations.

Open position Fm chord and its movable form and variations.

Open position Gm chord and its movable form and variations.

Open position A7 chord and its movable form and variations.

Open position B7 chord and its movable form and variations.

Open position C7 chord and its movable form and variations.

Open position D7 chord and its movable form and variations.

Open position E7 chord and its movable form and variations.

Open position F7 chord and its movable form and variations.

Open position G7 chord and its movable form and variations.

Exploring fingerstyle on ukulele. This lesson covers the common terms used for identifing the fingers used. And, presents a series of single and multi-string exercises for exploring and developing the techniques needed for this style.

Ear Training is the development of the active and passive capability to relate to music aurally. This includes the ability to recognize melodic and harmonic intervals, chords, chords progressions, rhythm, melody and harmony.

Every wonder why certain chords seem to popup together time and time again? All harmonic or chord movement in a chord progression is a combination of the active and passive quality of individual chords within the progression or song. Chords provide tension and resolution, the feeling of movement and non-movement in songs and progressions.

Using the blues progression will can explore all voicings on string family 1 2 3 4. Using Voice Leading principles we will explore all 4 voicings of a seventh chords. To goal here is to play a different voicing in each measure. By transposing the C7 voicings to F7 (up 5 frets) and G7 (up 2 frets from F7).

Harmonic Analysis is the understanding of the functional sequence of chords. It is the process used to analyze the harmonic structure of a progression, song, or composition. This analysis is then used to make scale selections for improvisation and chord substitution. This lesson covers the Full Diatonic harmonic principle.

Harmonic Analysis is the understanding of the functional sequence of chords. It is the process used to analyze the harmonic structure of a progression, song, or composition. This analysis is then used to make scale selections for improvisation and chord substitution. This lesson covers the Unresolved harmonic principle.

Harmonic Analysis is the understanding of the functional sequence of chords. It is the process used to analyze the harmonic structure of a progression, song, or composition. This analysis is then used to make scale selections for improvisation and chord substitution. This lesson covers the Cycles harmonic principle.

Harmonic Analysis is the understanding of the functional sequence of chords. It is the process used to analyze the harmonic structure of a progression, song, or composition. This analysis is then used to make scale selections for improvisation and chord substitution. This lesson covers the Internal Modulation harmonic principle.

Harmonic Analysis is the process of determining the root movement of chords within a chord progression, the chord types that are used as well as identifying tonal centers. This root movement can be determined and categorized using one of six harmonic principles and the harmonized chord charts referenced in the lessons.

Harmonic Analysis is the understanding of the functional sequence of chords. It is the process used to analyze the harmonic structure of a progression, song, or composition. This analysis is then used to make scale selections for improvisation and chord substitution. This lesson covers the Chromatic harmonic principle.

Major and Minor Harmonized Chord Charts are used for while doing a Harmonic Analysis (HA). Shows triads and 4-part chords for ALL 15 major and minor keys. "Yes, Virginia there are 15 keys."

"Harmonic Analysis" is the understanding of the functional sequence of chords. It is the process used to analyze the harmonic structure of a progression, song or composition. A blank worksheet and examples for notating your harmonic analysis.

A Harmonic Analysis is then used to make vertical and horizontal scale selection for improvisation and chord substitution.

Harmonic Analysis (HA) is the process used to determine the harmonic function of chords within a chord progression, sequence, composition or song. A chord progression is defined as a sequence of chords, each chord has a root and has a particular chord type.

As the subtitle of this Fingerpicking Basics lesson for Ukulele implies, this lesson's focus is on the alternating thumb part of the style. Commonly called Travis Picking on guitar and Scrugg's Style for banjo. For guitar it’s an alternating bass note style with the thumb playing the lower, bass notes.

In this lesson we’re introducing the index finger once to the alternating thumb pattern mastered in the Alternate Thumb Fingerpicking Style - Introduction. There are four possible patterns when adding the index finger once in common or cut time.

All the previous lessons in the "Fingerpicking for Ukulele, Alternating Thumb Style Series" where melodic, single notes only. This lesson introduces The *Pinch, where any one of the thumb/index finger or thumb/middle finger combinations can be played together - harmonically.

In this lesson we’re introducing the index finger three times to the alternating thumb pattern mastered in the Alternate Thumb Fingerpicking Style - Introduction. There are three possible patterns in common or cut time.

In this lesson we’re introducing the index finger twice to the alternating thumb pattern mastered in the Alternate Thumb Fingerpicking Style - Introduction. There are six possible patterns in common or cut time.ssible variations in this lesson.

There are two common styles of fingerpicking on ukulele. This series of lessons explores the Alternating Thumb Style. A future series will explore the Thumb and three finger style, the traditional p i m a classical guitar style that we’ll adapt to ukulele.

In this lesson we're introducing the middle finger to the fingerpicking patterns mastered in lesson/chapter four. There's three patterns in common or cut time.

In this lesson we’re introducing the middle finger to the fingerpicking patterns mastered in chapter/lessons four. There are six possible patterns in common or cut time.

In this lesson we’re reolacing the index finger with the middle finger for the patterns mastered in chapters/lessons two, three and four.

All the previous lessons in the "Fingerpicking for Ukulele, Alternating Thumb Style Series" where melodic, single notes only. This lesson introduces The *Pinch, where any one of the thumb/index finger or thumb/middle finger combinations can be played together - harmonically.

Rhythmic variations can be incorporated into this style of fingerpicking, creating a variety of syncopated patterns. All previous patterns were steady in nature, with the thumb alternating and playing on every downbeat. Many of the following patterns are syncopated, creating rhythmic variety.

The patterns in the previous chapters were all in 4/4, common time with four beats per measure or pattern. The alternating thumb fingerpicking style can be used with additional time signatures.

Develop your ukulele strums vocabulary and sharpen your reading chops with the "Level I, Modular Phonetic Rhythmic Syllables — Pairs Worksheet".

Develop your ukulele strums vocabulary and sharpen your reading chops with the "Level II, Modular Phonetic Rhythmic Syllables — Pairs Worksheet".

"Modular Phonetic Rhythm" by Chuck Anderson represents a significant advance in the teaching and application of rhythm. Eliminating many inefficient aspects of rhythm education, Modular Phonetic Rhythm streamlines the traditional educational approach, resulting in a reflexive reaction to rhythm. This approach is applicable to all ages and to all styles of music.

After you mastering the six essentials scales below and start to explore more advanced styles of music, especially jazz. There are a few more scales that are needed to cover the broader harmonic palette that a typical jazz tune draws from.

"TAB" or "Tablature", is an alternate form of musical notation, which tells players where to place their fingers on a particular instrument rather than which pitches to play. TAB is sort of a secret language between guitar players and ukulele players. Although a shortcut to getting started it actually serves to alienate one from the rest of the music world.

Whether it’s connecting licks, riffs, scale positions, arpeggios, sequences or melodies – navigating the fingerboard and connecting the various positions - it’s all about using sound fingering principles. I’ve adapted Chuck Anderson's, The Six Secrets of Guitar Fingering to the ukulele in my book The Six Secrets of Ukulele Fingering. It’s from these six fingering principles that connecting positions and navigating the multitude of possible pathways on the ukulele can become second nature.

Switching chords are all about finger independence and working together. This can be developed using the "double stop"  fingering drills presented in this lesson. A "double stop" is a term borrowed from violin technique where you are stopping two strings or two notes - an interval.

Sometimes called the “learning key”, the key of C Major is one of the easiest keys to memorize and begin using. C major (often just C or key of C) is a musical major scale based on C, with pitches C D E F G A B C. Its key signature has no flats or sharps. Its relative minor is A minor A B C D E F G A B.

Essential Bb Major scale patterns for ukulele.

Essential C Major scale patterns for ukulele. Learning scales typically starts with learning a position or pattern by shape. For a lot of players that‘s where it stops. With the many possible shapes between chords and scales to learn - there has to be a better way - There is!!!

Essential D Major scale patterns for ukulele.

Essential F Major scale patterns for ukulele.

A triad is a three note chord. In traditional chord theory there are four triad chord types: major, minor, diminished and augmented. This lesson covers the major and minor triads on string 1 2 3.

A triad is a three note chord. In traditional chord theory there are four triad chord types: major, minor, diminished and augmented. This lesson covers the augmented and diminished triads on strings 1 2 3.

A triad is a three note chord. In traditional chord theory there are four triad chord types: major, minor, diminished and augmented. This chart covers the major and minor triads on strings 2 3 4.

A triad is a three note chord. In traditional chord theory there are four triad chord types: major, minor, diminished and augmented. This lesson covers the augmented and diminished triads on strings 2 3 4.

A triad is a three note chord. In traditional chord theory there are four triad chord types: major, minor, diminished and augmented. This chart covers the major and minor triads on strings 1 2 3 4.

A triad is a three note chord. In traditional chord theory there are four triad chord types: major, minor, diminished and augmented. This lesson covers the augmented and diminished triads on strings 1 2 3 4.

A "Triad" is a three note chord. In traditional music theory, there are four triad chord types: major, minor, diminished, and augmented. Contemporary triads include sus and add.

Basic and Quick Change blues chord progressions in the key of C major using the core 7th chords from the Big Six series of lessons. This is a great way to explore this core chord in various keys. These are the two most common blues progressions used in traditional and contemporary music.

Basic and Quick Change blues chord progressions in the key of G major using the core 7th chords from the Big Six series of lessons. This is great way to explore this core chord in various keys. These are the two most common blues progressions used in traditional and contemporary music.

Basic and Quick Change blues chord progressions in the key of D major using the core 7th chords from the Big Six series of lessons. This is great way to explore this core chord in various keys.

Basic and Quick Change blues chord progressions in the key of A major using the core 7th chords from the Big Six series of lessons. This is great way to explore this core chord in various keys.

Basic and Quick Change blues chord progressions in the key of E major using the core 7th chords from the Big Six series of lessons. This is great way to explore this core chord in various keys.

Basic and Quick Change blues chord progressions in the key of F major using the core 7th chords from the Big Six series of lessons. This is great way to explore this core chord in various keys.

Basic and Quick Change blues chord progressions in the key of Bb major using the core 7th chords from the Big Six series of lessons. This is great way to explore this core chord in various keys.

Basic and Quick Change blues chord progressions in the key of Eb major using the core 7th chords from the Big Six series of lessons. This is great way to explore this core chord in various keys.

Basic and Quick Change blues chord progressions in the key of Ab major using the core 7th chords from the Big Six series of lessons. This is great way to explore this core chord in various keys.

Basic and Quick Change blues chord progressions in the key of Db major using the core 7th chords from the Big Six series of lessons. This is great way to explore this core chord in various keys

Summary of the core Alternating Thumb patterns from the Alternating Thumb Fingerpicking for Ukulele book.

The Blues are at the heart of all American music. It has influenced Country, Rock, Folk, Jazz, Bluegrass and just about every form of American music we listen to today. The Blues - a chord progression, a scale, a feeling. This lesson presents an introduction to the blues progression and a couple of scale position of the pentatonic scale to get you started improvising.

Another one of the 72 possible strumming patterns based of the Modular Phonetic Rhythm system level II rhythmic syllables.

Another one of the 72 possible strumming patterns based of the Modular Phonetic Rhythm systems level II rhythmic syllables.

Building on the single note, 1, 2, 3, and 4 finger basic gymnastics. Now with a repeating note or two. This series of lessons, although the examples are shown for ukulele, are appropriate for any fretted string instrument like guitar, banjo, or mandolin.

Building major triads using the primary chords of C major. Triads are one of the first chords that really bring to light the need to know the notes of the neck. This lesson shows the three voicings and the solutions for playing a common "1 4 1 5" progression using C, F and G triads on the string 1 2 3 set.

Common chord progressions for the key of D. Using the primary and secondary chords for the key explore these common chord progressions for the key of D. D is one of the common keys that include C, G, *D, A, and E.

The primary chords for any major key are the I, IV, and V chords of its corresponding major scale. For D Major, the primary chords are: D, G, A, and A7. From the primary and secondary chords of a major key, countless songs and chords progressions can be played.

Essential Ab Major scale patterns for ukulele. Learning scales typically starts with learning a position or pattern by shape. For a lot of players that's where it stops. With the many possible shapes between chords and scales to learn - there has to be a better way - There is!!!

Essential Eb Major scale patterns for ukulele. Learning scales typically starts with learning a position or pattern by shape. For a lot of players that's where it stops. With the many possible shapes between chords and scales to learn - there has to be a better way - There is!!!

Essential DbMajor scale patterns for ukulele. Learning scales typically starts with learning a position or pattern by shape. For a lot of players that's where it stops. With the many possible shapes between chords and scales to learn – there has to be a better way – There is!!!

Essential G Major scale patterns for ukulele. Learning scales typically starts with learning a position or pattern by shape. For a lot of players that's where it stops. With the many possible shapes between chords and scales to learn - there has to be a better way - There is!!!

Using the original two finger-two notes single strings gymnastics, incorporate an open string. This develops the ability to get the finger on and off notes rapidly - getting out of the way when needed.

Using the original two finger-two notes single strings gymnastics, incorporate an open string. This develops the ability to get the finger on and off notes rapidly - getting out of the way when needed.

In this lesson we're introducing the middle finger to the fingerpicking patterns mastered in lesson/chapter five. There's only one pattern in common or cut time. this pattern is demonstarted on the four possible string orders.

Exploring banjo rolls on ukulele. In bluegrass music, a banjo roll or roll is a repeated accompaniment pattern of eighth notes. Each roll pattern is a right hand fingering pattern, which can be played while holding any chord position.

Hammer-ons, Pull-offs, and Slides are the most basic embellishments and an integral part of rock, folk, country, bluegrass, and pop music styles.

Exploring major triads using the primary chords of G major. Triads are one of the first chords that really bring to light the need to know the notes of the neck. This lesson shows the three voicings and the solutions for playing a common 1 4 1 5 progression using G, C and D triads on the string 1 2 3 set.

Strums are Inseparably Linked to Rhythm. Any strum can be broken down to its Modular Phonetic rhythmic syllables. Modular Phonetic Rhythm, by Chuck Anderson is a system for learning rhythm. It teaches rhythm phonetically - just as language does. Remember 'Strums ARE rhythm'

Another one of the 72 possible strumming patterns based of the Modular Phonetic Rhythm systems level II rhythmic syllables. A dotted quarter note and one eight note to four eight notes. Basically one rhythmic rhythmic syllable from the Modular Phonetic Rhythm tied to another syllable from the system.

Another one of the 72 possible strumming patterns based of the Modular Phonetic Rhythm systems level II rhythmic syllables. The last pattern in this series with the end of the first rhythmic syllable tied to the beginning of the second rhythmic syllable.

Example A blues progression from my book "A Guide To Blues Chord Progressions For Ukulele A To Z".

Example B blues progression from my book "A Guide To Blues Chord Progressions For Ukulele A To Z".

Example C blues progression from my book "A Guide To Blues Chord Progressions For Ukulele A To Z".

Example D blues progression from my book "A Guide To Blues Chord Progressions For Ukulele A To Z".

Example E blues progression from my book "A Guide To Blues Chord Progressions For Ukulele A To Z".

Example F blues progression from my book "A Guide To Blues Chord Progressions For Ukulele A To Z".

Example G blues progression from my book "A Guide To Blues Chord Progressions For Ukulele A To Z".

Example H blues progression from my book "A Guide To Blues Chord Progressions For Ukulele A To Z".

Example I blues progression from my book "A Guide To Blues Chord Progressions For Ukulele A To Z".

Example J blues progression from my book "A Guide To Blues Chord Progressions For Ukulele A To Z".

Example L blues progression from my book "A Guide To Blues Chord Progressions For Ukulele A To Z".

Example L blues progression from my book "A Guide To Blues Chord Progressions For Ukulele A To Z".

Example M blues progression from my book "A Guide To Blues Chord Progressions For Ukulele A To Z".

Example N blues progression from my book "A Guide To Blues Chord Progressions For Ukulele A To Z".

Example O blues progression from my book "A Guide To Blues Chord Progressions For Ukulele A To Z".

Example P blues progression from my book "A Guide To Blues Chord Progressions For Ukulele A To Z".

Example Q blues progression from my book "A Guide To Blues Chord Progressions For Ukulele A To Z".

Example R blues progression from my book "A Guide To Blues Chord Progressions For Ukulele A To Z".

Example S blues progression from my book "A Guide To Blues Chord Progressions For Ukulele A To Z".

Example T blues progression from my book "A Guide To Blues Chord Progressions For Ukulele A To Z".

Example U blues progression from my book "A Guide To Blues Chord Progressions For Ukulele A To Z".

Example V blues progression from my book "A Guide To Blues Chord Progressions For Ukulele A To Z".

Example W blues progression from my book "A Guide To Blues Chord Progressions For Ukulele A To Z".

Example X blues progression from my book "A Guide To Blues Chord Progressions For Ukulele A To Z".

Example Y blues progression from my book "A Guide To Blues Chord Progressions For Ukulele A To Z".

Example Z blues progression from my book "A Guide To Blues Chord Progressions For Ukulele A To Z".

The Big Six Core Chords: "F6". This is the Level II of your core 4-part "Jazz" chords. The F6 is a 1 3 5 6 of the major scale, based on the root of the chord. A major 6th chord can be derived either from a seventh or major seventh chord. From a seventh chord lower the flat seventh one fret. From a major seventh chord lower the natural seventh two frets.

Music notation or musical notation refers to various systems of writing music. Diverse systems of musical notation have developed in various cultures. In fact, many cultures simply do not notate their music in any form.

Level II Rhythmic Syllables 1 of 6 and 2 of 6 from the Modular Phonetic Rhythm, The Foundation and Workbook 1 book.

Level II Rhythmic Syllables 3 of 6 from the Modular Phonetic Rhythm, The Foundation and Workbook 1 book.

Level II Rhythmic Syllables 4 of 6 from the Modular Phonetic Rhythm, The Foundation and Workbook 1 book.

Level II Rhythmic Syllables 6 of 6 from the Modular Phonetic Rhythm, The Foundation and Workbook 1 book.

Level II Rhythmic Syllables 5 of 6 from the Modular Phonetic Rhythm, The Foundation and Workbook 1 book.

"Partial Diatonic" is defined as a chord that HAS its root in the - "Harmonize Chord Chart," but its species or chord type is NOT in the Harmonized Chord Chart. Partial Diatonic chords are used to link chords without leaving the current key center. Secondary Dominant chords are a big part of this harmonic principle.

Common chord progression are simply the sequence of chords that contiounly show up in various styles of music and common keys.

Common harmonic sequences and their analysis with scale choices.

Harmonic Analysis ( HA ) is the process used to determine the harmonic function of chords within a chord progression. A chord progression is defined as a sequence of chords, each chord has a root and has a particular chord type. The relationship of a chord's root to a scale determines its function within that scale's tonality. Once a chord's function is identified, scale selections along with chord and scale substitutions can be made. This process is called Root Movement Analysis ( RMA ). This series of lessons are extracted from my book for use with individual private and on-line students. Each lesson directly corresponds the chapters in my book Harmonic Analysis for Scale Selection and Chord Substitution by Curt Sheller (me).

This lessons cover the "Six Harmonic Principles" that are used to do a Harmonic Anlyasis - the understanding of the functional sequence of chords.

The "G/Ab Movable Form Ukulele Chords", based on the open position "G, Gm, and G7" chords allow you to transpose these to any key. The movable form chords are the next step after learning the core open position chords.

The "C/Db Movable Form Ukulele Chords", based on the open position "C, Cm, and C7" chords allow you to transpose these to any key. The movable form chords are the next step after learning the core open position chords.