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A Practical Approach to Exploring Scales • Updated: 21 Dec 2019
On ukulele there aren't many positions where you can play a one octave scale from the root to octave. An instrument like the guitar with the additional lower strings five and six allows one to play a one octave scale in multiple positions in the basic 4-fret, 4-finger position. On ukulele there might be one or two depending on the scale and the key - and whether your using a low string four tuning.
This lesson offers a practical approach to practicing your scales on ukulele.

Six Essential Scales for `Ukulele - C Pentatonic • Updated: 14 Mar 2015
Essential C Pentatonic or Major Pentatonic scale patterns for ukulele.
Learning scales typically starts with learning a position or pattern by shape. For a lot of players that's where it stops. With the many possible shapes between chords and scales to learn - there has to be a better way - There is!!!

Six Essential Scales for `Ukulele - Pentatonic Scale Five Position Summaries • Updated: 18 Mar 2014
The five pentatonic scale positions - a summary.
This is the first steps for most players in learning the pentatonic scales in various positions on the neck.
The next step is to connect these five positions with various pathways. This is best accomplished using the principles from the book, Six Secrets of Ukulele Fingering.

Six Essential Scales for `Ukulele - Major Scale Five Position Summaries • Updated: 01 May 2014
The five "Major/Ionian" scale positions — a summary. The five basic positions are simply the expansion above and below the root and octave of the one octave scale fingerings using the notes that are available in that position. This lesson explores that on the lowest note of the position with every finger.

Tetrachords: Minor (1 2 b3 4) • Updated: 20 Jun 2014
Traditionally, a tetrachord is a series of four tones filling in the interval of a perfect fourth. In modern usage a tetrachord is any four-note segment of a scale or tone row including the augmented fourth (+4). The term tetrachord derives from ancient Greek music theory, it literally means four strings.
The Minor tetrachord is the 1 2 b3 4 of a Natural Minor or Aeolian scale.
Chords with a minor third in them can use a tetrachord with a minor third in them.
Cm, Cm7, Cmin-maj7, Cm6

Tetrachords: Phrygian (1 b2 b3 4) • Updated: 20 Jun 2014
Traditionally, a tetrachord is a series of four tones filling in the interval of a perfect fourth. In modern usage a tetrachord is any four-note segment of a scale or tone row including the augmented fourth (+4). The term tetrachord derives from ancient Greek music theory, it literally means four strings.
The Phrygian tetrachord is the 1 b2 b3 4 of a Phrygian scale.
Chords with a minor third in them can use a tetrachord with a minor third in them.
Cm, Cm7, Cmin-maj7, Cm6

Secondary Dominant V of ... • Updated: 24 Nov 2021
A "Secondary Dominant" chord is defined as any seventh chord built on a scale root that is diatonic to the key that resolves up a perfect fourth or down a perfect fifth to a full diatonic chord. These chords function as a dominant (V) chord to the next chord, serving to temporarily tonicize the following chord.

Essential `Ukulele Strums - A Guide to `Ukulele Strums • Updated: 24 Feb 2016
One of the first skills a ukulele player learns is the art and craft of strumming, playing rhythm. This refers to an accompaniment technique suitable for the singer - songwriter or someone who plays a support role for another instrument.
Strumming requires a specific set of skills. They are 1) Memorization of chords 2) The ability to switch chords smoothly and 3) The ability to choose and execute a suitable rhythmic strum. It is this 3rd skill that is our focus of this “A Guide to Ukulele Strums” lesson.
Though strumming looks natural to the casual observer, it’s anything but natural to the beginning ukulele player. Even experienced players have difficulty in identifying and executing certain strums. Though this is one of those topics that is typically taken for granted, there is much to learn about rhythmic feels, accents, dynamics, strum direction, feel, percussive accents, idiomatic styles and tempo variation.